SCENE III. Alexandria. CLEOPATRA'S palace
Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
CLEOPATRA. Where is he?
CHARMIAN. I did not see him since.
CLEOPATRA. See where he is, who's with him, what he does.
I did not send you. If you find him sad,
Say I am dancing; if in mirth, report
That I am sudden sick. Quick, and return. Exit ALEXAS
CHARMIAN. Madam, methinks, if you did love him dearly,
You do not hold the method to enforce
The like from him.
CLEOPATRA. What should I do I do not?
CHARMIAN. In each thing give him way; cross him in nothing.
CLEOPATRA. Thou teachest like a fool- the way to lose him.
CHARMIAN. Tempt him not so too far; I wish, forbear;
In time we hate that which we often fear.
Enter ANTONY
But here comes Antony.
CLEOPATRA. I am sick and sullen.
ANTONY. I am sorry to give breathing to my purpose-
CLEOPATRA. Help me away, dear Charmian; I shall fall.
It cannot be thus long; the sides of nature
Will not sustain it.
ANTONY. Now, my dearest queen-
CLEOPATRA. Pray you, stand farther from me.
ANTONY. What's the matter?
CLEOPATRA. I know by that same eye there's some good news.
What says the married woman? You may go.
Would she had never given you leave to come!
Let her not say 'tis I that keep you here-
I have no power upon you; hers you are.
ANTONY. The gods best know-
CLEOPATRA. O, never was there queen
So mightily betray'd! Yet at the first
I saw the treasons planted.
ANTONY. Cleopatra-
CLEOPATRA. Why should I think you can be mine and true,
Though you in swearing shake the throned gods,
Who have been false to Fulvia? Riotous madness,
To be entangled with those mouth-made vows,
Which break themselves in swearing!
ANTONY. Most sweet queen-
CLEOPATRA. Nay, pray you seek no colour for your going,
But bid farewell, and go. When you sued staying,
Then was the time for words. No going then!
Eternity was in our lips and eyes,
Bliss in our brows' bent, none our parts so poor
But was a race of heaven. They are so still,
Or thou, the greatest soldier of the world,
Art turn'd the greatest liar.
ANTONY. How now, lady!
CLEOPATRA. I would I had thy inches. Thou shouldst know
There were a heart in Egypt.
ANTONY. Hear me, queen:
The strong necessity of time commands
Our services awhile; but my full heart
Remains in use with you. Our Italy
Shines o'er with civil swords: Sextus Pompeius
Makes his approaches to the port of Rome;
Equality of two domestic powers
Breed scrupulous faction; the hated, grown to strength,
Are newly grown to love. The condemn'd Pompey,
Rich in his father's honour, creeps apace
Into the hearts of such as have not thrived
Upon the present state, whose numbers threaten;
And quietness, grown sick of rest, would purge
By any desperate change. My more particular,
And that which most with you should safe my going,
Is Fulvia's death.
CLEOPATRA. Though age from folly could not give me freedom,
It does from childishness. Can Fulvia die?
ANTONY. She's dead, my Queen.
Look here, and at thy sovereign leisure read
The garboils she awak'd. At the last, best.
See when and where she died.
CLEOPATRA. O most false love!
Where be the sacred vials thou shouldst fill
With sorrowful water? Now I see, I see,
In Fulvia's death how mine receiv'd shall be.
ANTONY. Quarrel no more, but be prepar'd to know
The purposes I bear; which are, or cease,
As you shall give th' advice. By the fire
That quickens Nilus' slime, I go from hence
Thy soldier, servant, making peace or war
As thou affects.
CLEOPATRA. Cut my lace, Charmian, come!
But let it be; I am quickly ill and well-
So Antony loves.
ANTONY. My precious queen, forbear,
And give true evidence to his love, which stands
An honourable trial.
CLEOPATRA. So Fulvia told me.
I prithee turn aside and weep for her;
Then bid adieu to me, and say the tears
Belong to Egypt. Good now, play one scene
Of excellent dissembling, and let it look
Like perfect honour.
ANTONY. You'll heat my blood; no more.
CLEOPATRA. You can do better yet; but this is meetly.
ANTONY. Now, by my sword-
CLEOPATRA. And target. Still he mends;
But this is not the best. Look, prithee, Charmian,
How this Herculean Roman does become
The carriage of his chafe.
ANTONY. I'll leave you, lady.
CLEOPATRA. Courteous lord, one word.
Sir, you and I must part- but that's not it.
Sir, you and I have lov'd- but there's not it.
That you know well. Something it is I would-
O, my oblivion is a very Antony,
And I am all forgotten!
ANTONY. But that your royalty
Holds idleness your subject, I should take you
For idleness itself.
CLEOPATRA. 'Tis sweating labour
To bear such idleness so near the heart
As Cleopatra this. But, sir, forgive me;
Since my becomings kill me when they do not
Eye well to you. Your honour calls you hence;
Therefore be deaf to my unpitied folly,
And all the gods go with you! Upon your sword
Sit laurel victory, and smooth success
Be strew'd before your feet!
ANTONY. Let us go. Come.
Our separation so abides and flies
That thou, residing here, goes yet with me,
And I, hence fleeting, here remain with thee.
Away! Exeunt
SCENE IV. Rome. CAESAR'S house
Enter OCTAVIUS CAESAR, reading a letter; LEPIDUS, and their train
CAESAR. You may see, Lepidus, and henceforth know,
It is not Caesar's natural vice to hate
Our great competitor. From Alexandria
This is the news: he fishes, drinks, and wastes
The lamps of night in revel; is not more manlike
Than Cleopatra, nor the queen of Ptolemy
More womanly than he; hardly gave audience, or
Vouchsaf'd to think he had partners. You shall find there
A man who is the abstract of all faults
That all men follow.
LEPIDUS. I must not think there are
Evils enow to darken all his goodness.
His faults, in him, seem as the spots of heaven,
More fiery by night's blackness; hereditary
Rather than purchas'd; what he cannot change
Than what he chooses.
CAESAR. You are too indulgent. Let's grant it is not
Amiss to tumble on the bed of Ptolemy,
To give a kingdom for a mirth, to sit
And keep the turn of tippling with a slave,
To reel the streets at noon, and stand the buffet
With knaves that smell of sweat. Say this becomes him-
As his composure must be rare indeed
Whom these things cannot blemish- yet must Antony
No way excuse his foils when we do bear
So great weight in his lightness. If he fill'd
His vacancy with his voluptuousness,
Full surfeits and the dryness of his bones
Call on him for't! But to confound such time
That drums him from his sport and speaks as loud
As his own state and ours- 'tis to be chid
As we rate boys who, being mature in knowledge,
Pawn their experience to their present pleasure,
And so rebel to judgment.
Enter a MESSENGER