The Elizabethan ceiling was geometrical in design, but with bands of flower-work, conventional in character, introduced, and sometimes consisted in strap-work, studded with rosettes, wondrously interlacing.
Then came a simpler geometrical pattern, circles enclosing wreaths of flowers copied from nature, exquisitely delicate and beautiful; but the imitation was carried sometimes too far, as when the flower heads are suspended on fine stalks of copper wire.
In a little squirarchical mansion in Cornwall, of no architectural beauty, there was a marvellously beautiful ceiling of the date of Charles II., the flowers and fruit infinitely varied, and wrought with exquisite delicacy. The room was low, and for that reason the artist had taken special pains in the modelling.
A "Brummagem" man bought up the land and the house this latter was far too small to suit his ideas, and it was left unoccupied.
One day the rector said to him: "I want to have my school treat next Thursday should rain fall, may I take the children into the old hall?"
"By all means," said the new squire; "but it will be stuffy: I will have it ventilated."
He at once went down with two carpenters and ripped strips through the lovely ceiling from one end of the room to the other, utterly destroying this incomparable work, that must have occupied the artist months of patient labour, and which had called forth the best efforts of his genius.
That is how mulish stupidity is every day destroying the achievements of genius. It is on a level with that of the chawbacon who, having got hold of a Stradella violin, broke it up to light his fire with the splinters.