Delays were needless, for time could do nothing to smooth their path; so it was determined that Hyppolito should bring a ladder to Dianora's window, and, aided by their friend, they should find their way to a priest prepared to give them his blessing. The night appointed camestill and beautiful as heart could wish; the stars sparkling in the deep blue sky, bright as they may now be seen in that fair clime. Hyppolito has reached the house; he has fixed the ladder of ropes; there is no moon to betray him; in a minute, his light step will have reached the balcony. But there is a noise in the street, and lights approaching; the night-guard is passing; they have seen the ladder, for the street is narrow. Hyppolito is down, and tries to escapein vain. They seize and drag him to prison. What was he doing there? What can he reply? That he meant to enter the house, to carry something from it, or commit some bad deed, cannot be denied. He will not betray Dianora; it would only be to separate them for ever, and leave her with a stained name. He yields to his fate; the proofs are irresistible, and, by the severe law of Florence at that period, Hyppolito must die. All Florence is in amazement. So estimable a youth, to all outward appearance, to be in reality addicted to the basest crimes! Who could have believed it? But he confesses; there is no room for doubt. Pardon is implored by his afflicted friends; but no pardon can be granted for so flagrant a crime.
Hyppolito had one consolationhis father never doubted him; if he had, one glance of his son's clear though sad eye, and candid, open brow, would have reassured him. He saw there was a mystery, but he was sure it involved no guilt on Hyppolito's part. Hyppolito also believed that his good name would one day be cleared, and that his noble Dianora would in due time remove the stain that clouded it. He consented to die, rather than live separated from her. Yet poor Hyppolito was sorry to leave the world so young; and sadly, though calmly, he arranged his small possessions, for the benefit of those he loved, and of the poor, to whom he had always been a friend.
He slept quietly the night preceding the time fixed for his execution, and was early ready to take his place in the sad procession. Did no thought cross Hyppolito's
clear mind, that he was throwing away, in weak passion, a life given to him by God for noble ends? We know not; but there he wascalm, firm, and serious. His only request was, that the procession might pass through the street of the Bardi, which some thought was a sign of penitence, an act of humiliation. The sad train moves on. An old man sitting at a door rises, strains his eyes to catch a last glimpse of Hyppolito, and then covers them in anguish, and sinks down again. This is an old man he had saved from misery and death. Two youths, hand in hand, are gazing with sad faces, and tears run down their cheeks. They are orphans: he had clothed and fed them. Hyppolito sees them, and even in that moment remembers it is he who deprives them of a protector: but it is too late to think now; for he is approaching the scene of his fault and the place of his punishment, and other feelings swell in his heart. His brows are contracted; his eyes bent on the house of the Bardi, as if they would pierce the stones of its walls; and now they are cast down, as though he would raise them no more on earth. But he starts, for he hears a loud shriek, a rushing, and an opening of the crowd: they seem to be awed by something that approaches. It is a woman, whoso violent gestures defy opposition; she looks like a maniac just escaped from her keepers; she has reached Hyppolito; his fettered arms move as if they would receive her, but in vain. She turns to the crowd, and some among them recognise the modest and beautiful daughter of Bardi. She calls out: 'He is innocent of every crime but having loved me. To save me from shame, he has borne all this disgrace. And he is going to death; but you cannot kill him now. I tell you he is guiltless; and if he dies, I die with him.'
The people stand amazed. At last there is a shout: 'It must be true! he is innocent!' The execution is stopped till the truth is ascertained, and Dianora's statement is fully confirmed. And who shall paint the return from death to life of poor Hyppolito? and to such a life! for blazoned as the story of her love had been, Dianora's parents, considering also her firm character, subjected even the spirit of party to the voice of affection and reason; and Hyppolito's family, softened by sorrow, gladly embraced their Ghibeline daughter. Whether in after-life Hyppolito and Dianora were distinguished by the qualities they had shewn in youth, and whether the promise of affection was realised by time and intimate acquaintance, no chronicle remains to tell. This short glimpse of both is all that is snatched from oblivionthis alone stands out in bright relief, to shew us they once were; the rest is lost in the darkness of time.