On the day of the funeral of the Master of the Law, Hiouen-thsang, I permit the male and female religious of the capital to accompany him with banners and parasols to his last resting-place. The Master of the Law shone by his noble conduct and his eminent virtues, and was the idol of his age. Wherefore, now he is no more, it is just that I should diffuse again abundant benefits to honour the memory of a man who has had no equal in past times.
His disciples, faithful to his last wishes, formed a litter of coarse mats, removed his body to the capital, and deposited it in the convent of the Great Beneficence, in the middle of the hall devoted to the labours of translation. United by the sentiment of a common sorrow, they uttered such cries as might have shaken the earth. The religious and the laics of the capital hastened to the spot, and poured out tears mingled with sobs and cries. Every day the crowd was swollen by fresh arrivals.
On the fourteenth day of the fourth month, preparations were made for his interment in the capital of the West. The male and female religious, and a multitude of the men of the people, prepared upwards of five hundred objects necessary for the celebration of his obsequies; parasols of smooth (unia ) silk, banners and standards, the tent and the litter of the Ni-ouan (Nirvâna;) the inner coffin of gold, the outer one of silver, the so-lo trees (salas ,) and disposed them in the middle of the streets to be traversed by the procession. The plaintive cadences of the funereal music, and the mournful dirges of the bearers resounded even to Heaven. The inhabitants of the capital and of the districts situated within a radius of five hundred li (fifty leagues,) who formed the procession, exceeded one million in number. Though the obsequies were celebrated with pomp, the coffin of the Master nevertheless was borne upon a litter composed of rude coarse mats. The silk manufacturers of the East had employed three thousand pieces of different colours in making the chariot of the Nirvâna, which they had ornamented with flowers and garlands, loaded with precious stones. They had asked permission to place the body of the Master of the Law upon this resplendent catafalque; but afraid of
unable to define. Yet happier and wiser they than the cold materialist of a later age, who resolves all mysteries, all phenomena, into the working of a blind inflexible Law, and takes out of creation its light, beauty, and joy by denying the existence of an all-powerful and all-loving Creator.
The religion professed by the ancient Persians, and still accepted by the Parsees of Western India, and by a scattered population in Yezd and Kerman, is taught in the books known as the Zend-Avesta. This title comes from the Sassanian term Avesta or Apusta , that is, the text; and Zend , or Zand , that is, the commentary upon it. The meaning of the latter word, however, seems to have varied at different periods. Originally it signified the interpretation of the sacred texts handed down from Zoroaster (or Zarathustra) and his disciples. In course of time the interpretation came to be esteemed not less authoritative and sacred than the original text, and both were called Avesta . But the language in which they were written having died out, they became unintelligible to the majority of the people, and a new Zend or commentary was required before they could be understood. The new Zend was the work of the most learned priests of the Sassanian period, and consisted of a translation of the double Avesta into the vernacular language then in vogue. And as this translation is the only key which the priests of modern Persia possess to the old creed as taught by Zarathustra, it has usurped the place of the original Zend, and is now the recognised official commentary.
But, anciently, the word Zend implied something more than a simple interpretation of the Avesta, or sacred texts. That interpretation was the source of certain new doctrines, the whole of which were considered orthodox, and designated Zandi-agahi , or Zend doctrines; doctrines which, it can hardly be doubted, supplied Plutarch and some other of the Greeks with ethical suggestions. The name Pazend , which frequently occurs in connection with Avesta and Zend , denotes a further exposition of Zarathustrian teaching, as contained in the Vendidad, to which we shall shortly refer.
Thus far we have been indebted to Dr. Haugs account of the origin of the Zendavesta. His views are confirmed by Westergaard, who asserts that the sacred books belong to two epochs; that is, that they are written in one age, and collected and systematised in another, in much the same way as, according to Wolf, the Homeric poems were produced and assumed their present form. All the earlier traditions ascribe their origin to Zarathustra; but modern philologists affirm that they could not have sprung from any single mind, because they present no defined or self-consistent system of religious belief or moral economy. Like the hymns of the Vedas, and the strains of the Norse Edda, the several portions of the Zendavesta, so they say, must have been composed by different bards, each of whom coloured his particular theme according to the hues of his lively imagination. This theory, however, though it may have an element of truth in it, is hardly the whole truth. The Zendavesta is unquestionably wanting in unity and completeness. But it seems to us that traces of a dominant mind are everywhere visible; that the various parts are held together as on a thread by the teaching of Zarathustra himself; and that the additions made by later and inferior writers are not such as wholly to obscure the original work.