Your Chris.
Koseritz, Thursday, July 23
Thank you so much for your telegram of blessing, darling one, which I have just had. It seems to set the seal of happiness on me. I know you will love Bernd, and understand directly you see him why I do. We are so placid here these beautiful summer days. Everybody accepts us now resignedly as a fait accompli , and though they remain unenthusiastic they are polite and tolerant. And whenever I play to them they all grow kind. It's rather like being Orpheus with his lute, and they the mountain tops that freeze. I've discovered
I can melt them by just making music. Helena really does love music. It was quite true what her mother said. Since I played that first wonderful night of my engagement she has been quite different to me. She still is silent, because that's her nature, and she still stares; but now she stares in a sort of surprise, with a question in her eyes. And wherever she may be in the house or garden, if she hears me beginning to play she creeps near on tiptoe and listens.
Kloster has gone. He and his wife were both very kind to us, but Kloster is worried because I've fallen in love. I'm not to go back to Berlin till Monday, as Bernd can stay on here till then, and there's no point in spending a Sunday in Berlin unless one has to. Kloster is going to give me three lessons a week instead of two, and I shall work now with such renewed delight! He says I won't, but I know better. Everything I do seems to be touched now with delight. How funny that room at Frau Berg's will look and feel after being here. But I don't mind going back to it one little half a scrap. Bernd will be in Berlin; he'll be writing to me, seeing me, walking with me. With him there it will be, every bit of it, perfect.
"When I come back to town in October," the Grafin said to me, "you must stay with us. It is not fitting that Bernd's betrothed should live in that boarding-house of Frau Berg's. Will not your mother soon join you?"
It is very kind of her, I think. It appears that a girl who is engaged has to be chaperoned even more than a girl who isn't. What funny ancient stuff these conventions are. I wonder how long more we shall have of them. Of course Frau Berg and her boarders are to the Junker dreadful beyond words.
But her question about you set me thinking. Won't you come, little mother? As it is such an unusual and never-to-be-repeated occurrence in our family that its one and only child should be going to marry? And yet I can't quite see you in August in lodgings in Berlin, come down from your beautiful mountain, away from your beautiful lake. After all, I've only got four more months of it, and then I'm finished and can go back to you. What is going to happen then, exactly, I don't know. Bernd says, Marry, and that you'll come and live with us in Germany. That's all very well, but what about, if I marry so soon, starting my public career, which was to have begun this next winter? Kloster says impatiently. Oh marry, and get done with it, and that then | I'll be sensible again and able to arrange my debut as a violinist with the calm, I gather he thinks, of the disillusioned.
"I'm perfectly sensible," I said.
"You are not. You are in love. A woman should never be an artist. Again I say, Mees Chrees, what I have said to you before, that it is sheer malice on the part of Providence to have taken you, a woman, as the vessel which is to carry this great gift about the world. A man, gifted to the extent you so unluckily are, falls in love and is inspired by it. Indeed, it is in that condition that he does his best work; which is why the man artist is so seldom a faithful husband, for the faithful husband is precluded from being in love."
"Why can't he be in love?" I asked, husbands now having become very interesting to me.
"Because he is a faithful husband."
"But he can be in love with his wife."
"No," said Kloster, "he cannot. And he cannot for the same reason that no man can go on wanting his dinner who has had it. Whereas," he went on louder, because I had opened my mouth and was going to say something, "a woman artist who falls in love neglects everything and merely loves. Merely loves," he repeated, looking me up and down with great severity and disfavour.
"You'll see how I'll work," I said.
"Nonsense," he said, waving that aside impatiently. "Which is why," he continued, "I urge you to marry quickly. Then the woman, so unfortunately singled out by Providence to be something she is not fitted for, having married and secured her husband, prey, victim. Or whatever you prefer to call him"
"I prefer to call him husband," I said.
"if she succeeds in steering clear of detaining and delaying objects like cradles, is cured and can go back with proper serenity to that which alone matters. Art and the work necessary to produce it. But she will have wasted time," he said, shaking his head. "She will most sadly have wasted time."
In my turn I said Nonsense, and laughed with that heavenly, glorious security one has when one has a lover.