Curtis, Restless Ambition, 54.
240
Oral history interview with Grace Hartigan, AAA-SI.
241
Rex Stevens, interview by author.
242
Rex Stevens, interview by author; Harry A. Jackson Journals, November 12, 1949, courtesy Harry A. Jackson Trust, 21; Grace Hartigan, letter to Gertrude Kasle, December 9, 1989, Baltimore to Detroit, Series 1, Box 2, Folder 27, The Gertrude Kasle Gallery Records, AAA-SI.
243
Grace Hartigan to Gertrude Kasle, December 9, 1989, Folder 27, Box 2, The Gertrude Kasle Gallery Records, AAA-SI.
244
Polcari, Abstract Expressionism and the Modern Experience, 291.
245
Oral history interview with Grace Hartigan, AAA-SI; Robert Motherwell, interview by Jack Taylor; Altshuler, The Avant-Garde in Exhibition, 156.
246
Oral history interview with Grace Hartigan, AAA-SI; Alfred Leslie, interview by Jack Taylor; Mattison, Grace Hartigan, 16.
247
Alfred Leslie, interview by Jack Taylor.
248
Naifeh and Smith, Jackson Pollock, 597; Solomon, Jackson Pollock, 198–199; Gaines, Philistines at the Hedgerow, 113; Levin, “Extraordinary Interventions of Alfonso Ossorio”, 9.
249
Naifeh and Smith, Jackson Pollock, 597, 600–601; Friedman, Alfonso Ossorio, 42; Gaines, Philistines at the Hedgerow, 113.
250
Solomon, Jackson Pollock, 199.
251
Solomon, Jackson Pollock, 198–199; Naifeh and Smith, Jackson Pollock, 600–601.
252
Dorfman, Out of the Picture, 59; Solomon, Jackson Pollock, 198; Naifeh and Smith, Jackson Pollock, 598–199.
253
Sandler, Abstract Expressionism and the American Experience, 181.
254
Dorfman, Out of the Picture, 59.
255
Naifeh and Smith, Jackson Pollock, 598–600. Восемнадцать из двадцати семи работ, представленных на выставке, будут проданы.
256
David Hare, interview by Jack Taylor.
257
Elaine de Kooning, interview by Charles Hayes, 27.
258
Dorfman, Out of the Picture, 60.
259
Deborah Solomon, notes on Clement Greenberg based on interview, December 19, 1983, Series 1, Box 1, Folder 2, the Clement Greenberg Papers, 1937–1983, AAA-SI, 5.
260
Solomon, Jackson Pollock, 198; Deborah Solomon, notes on Clement Greenberg based on interview, December 19, 1983, Series 1, Box 1, Folder 2, the Clement Greenberg Papers, 1937–1983, AAA-SI, 5.
261
Elizabeth Baker, telephone interview by author; Schloss, “The Loft Generation”, Edith Schloss Burckhardt Papers, Columbia, 276. Первая статья Тома Гесса появилась в мае 1949 года, а статья Элен – в сентябре того же года.
262
Hellstein, “Grounding the Social Aesthetics of Abstract Expressionism”, 17–19; L. Alcopley, “The Club, Its First Three Years”, 46; Gruen, The Party’s Over Now, 267–268. Также как «Кедровый бар», «Клуб» часто упоминается в истории того периода как «Клуб художников» или «Клуб на Восьмой улице». Художники, которые были его членами с самого начала, называли его просто «Клубом», потому что, по словам Эрнестин, на организационном собрании они так и не смогли договориться о названии.
263
Gruen, The Party’s Over Now, 267–68.
264
Parry, Garrets and Pretenders, 267; oral history interview with Ibram and Ernestine Lassaw, November 1–2, 1964, AAA-SI.
265
George Scrivani, ed., Collected Writings of Willem de Kooning, 110.
266
Oral history interview with Ibram and Ernestine Lassaw, AAA-SI; Alcopley, “The Club, Its First Three Years”, 46; Hellstein, “Grounding the Social Aesthetics of Abstract Expressionism”, 17–18; oral history interview with Philip Pavia, AAA-SI, 13; Gruen, The Party’s Over Now, 268–69. Предметом одного из таких споров является год начала деятельности «Клуба». Некоторые источники, в том числе исчерпывающая книга на эту тему «Клуб без стен», однозначно утверждают, что «Клуб» был основан в 1948 году. Там утверждается, что Павия нашел этот чердак на Восьмой улице летом 1948 года. Однако сам Павия заявлял сразу в трех интервью – одно данное Джеку Тейлору; другое хранится в Архивах американского искусства, третье дано им Джону Грюну, – что все началось только в 1949 году. Элен де Кунинг также называет конец 1949 года.
267
Alcopley, “The Club, Its First Three Years”, 46; Edgar, Club Without Walls, 53; Dorfman, Out of the Picture, 7.
268
Edgar, Club Without Walls, x; Gruen, The Party’s Over Now, 272–273.
269
Philip Pavia, interview by Jack Taylor; Alcopley, “The Club, Its First Three Years”, 46; oral history interview with Rudy Burckhardt, AAA-SI; Pat Passlof, “The Ninth Street Show”, 61; Dorfman, Out of the Picture, 7; Schloss, “The Loft Generation”, Edith Schloss Burckhardt Papers, Columbia, 182.
270
Hellstein, “Grounding the Social Aesthetics of Abstract Expressionism”, 19–20, 23; Natalie Edgar, interview by author.
271
Alcopley, “The Club, Its First Three Years”, 46; Hellstein, “Grounding the Social Aesthetics of Abstract Expressionism”, 21–22; Natalie Edgar, interview by author.
272
Esteban Vicente, interview by Anne Bowen Parsons, AAA-SI; Elaine de Kooning, interview by Amei Wallach, 7; Hellstein, “Grounding the Social Aesthetics of Abstract Expressionism”, 21.
273
Summer of ’57, videotape courtesy LTV.; Mercedes Matter, interview by Sigmund Koch, Tape 1B, Aesthetics Research Archive; Landau et al., Mercedes Matter, 75n109.
274
Natalie Edgar, interview by author; Hellstein, “Grounding the Social Aesthetics of Abstract Expressionism”, 21; Club Minutes of Meetings, Membership Lists, Box 1, Folder 1, Irving Sandler Papers, ca. 1944–2007, bulk 1944–1980, AAA-SI. Все «женщины с Девятой улицы», за исключением Ли, которая редко заходила в «Клуб», стали его членами. Хелен получила членство в ноябре 1951 года, Грейс – в сентябре 1952 года (за нее ходатайствовал Лео Кастелли), Джоан – в январе 1952 года. В ноябре 1952 года Элен стала одним из семнадцати членов «Клуба» с правом голоса.
275
Oral history interview with Ibram and Ernestine Lassaw, AAA-SI.
276
Oral history interview with Leo Castelli, May 14, 1969–June 8, 1973, AAA-SI; Hellstein, “Grounding the Social Aesthetics of Abstract Expressionism”, 21–22; Alcopley, “The Club, Its First Three Years”, 46.
277
Edgar, Club Without Walls, 58, 96.
278
Alcopley, “The Club, Its First Three Years”, 46; Hellstein, “Grounding the Social Aesthetics of Abstract Expressionism”, 22; Edgar, Club Without Walls, 59.
279
Natalie Edgar, e-mail to author, January 21, 2014.
280
Oral history interview with Ludwig Sander, AAA-SI.
281
Alcopley, “The Club, Its First Three Years”, 47; oral history interview with Ludwig Sander, AAA-SI.
282
Landau et al., Mercedes Matter, 49.
283
Jack Tworkov, interview by Anne Bowen Parsons, AAA-SI.
284
Oral history interview with Leo Castelli, May 14, 1969–June 8, 1973, AAA-SI.
285
Alcopley, “The Club, Its First Three Years”, 46; Edgar, Club Without Walls, 54.
286
Thomas B. Hess, “The Battle of Paris, Strip-tease and Trotsky”, 30; oral history interview with Ludwig Sander, AAA-SI.
287
Oral history interview with Ludwig Sander, AAA-SI.
288
Oral history interview with Ibram and Ernestine Lassaw, AAA-SI; Denise Lassaw, interview by author.
289
Edgar, Club Without Walls, 54; Elaine de Kooning interview by Amei Wallach, 9; oral history interview with Ludwig Sander, AAA-SI.
290
Oral history interview with Ludwig Sander, AAA-SI; Edgar, Club Without Walls, 55; Gruen, The Party’s Over Now, 176–177.
291
Edgar, Club Without Walls, 54; Schloss, “The Loft Generation”, Edith Schloss Burckhardt Papers, Columbia, 174.
292
Oral history interview with Ibram Lassaw and Ernestine Lassaw, AAA-SI.
293
Alcopley, “The Club, Its First Three Years”, 47; Gruen, The Party’s Over Now, 178; oral history interview with Ibram Lassaw and Ernestine Lassaw, AAA-SI.
294
Oral history interview with Ludwig Sander, AAA-SI; Edgar, Club Without Walls, 54.
295
Oral history interview with Ludwig Sander, AAA-SI; Stevens and Swan, De Kooning, 292.
296
Oral history interview with Ludwig Sander, AAA-SI.
297