Брэм Стокер - Dracula стр 14.

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moonlight. I felt myself struggling to awake to some call of

my instincts; nay, my very soul was struggling, and my half-

remembered sensibilities were striving to answer the call. I was

becoming hypnotised! Quicker and quicker danced the dust;

the moonbeams seemed to quiver as they went by me into the

mass of gloom beyond. More and more they gathered till they

seemed to take dim phantom shapes. And then I started, broad

awake and in full possession of my senses, and ran screaming

from the place. The phantom shapes, which were becoming grad-

ually materialised from the moonbeams, were those of the three

ghostly women to whom I was doomed. I fled, and felt somewhat

safer in my own room, where there was no moonlight and where

the lamp was burning brightly.

When a couple of hours had passed I heard something stirring

in the Count’s room, something like a sharp wail quickly sup-

pressed; and then there was silence, deep, awful silence, which

Jonathan Marker’s Journal 43

chilled me. With a beating heart, I tried the door; but I was

locked in my prison, and could do nothing. I sat down and

simply cried

As I sat I heard a sound in the courtyard without the ago-

nised cry of a woman. I rushed to the window, and throwing it

up, peered out between the bars. There, indeed, was a woman

with dishevelled hair, holding her hands over her heart as one

distressed with running. She was leaning against a corner of the

gateway. When she saw my face at the window she threw her-

self forward, and shouted in a voice laden with menace:

«Monster, give me my child!»

She threw herself on her knees, and raising up her hands, cried

the same words in tones which wrung my heart. Then she tore

her hair and beat her breast, and abandoned herself to all the

violences of extravagant emotion. Finally, she threw herself for-

ward, and, though I could not see her, I could hear the beating

of her naked hands against the door.

Somewhere high overhead, probably on the tower, I heard

the voice of the Count calling in his harsh, metallic whisper.

His call seemed to be answered from far and wide by the howling

of wolves. Before many minutes had passed a pack of them

poured, like a pent-up dam when liberated, through the wide

entrance into the courtyard.

There was no cry from the woman, and the howling of the

wolves was but short. Before long they streamed away singly,

licking their lips.

I could not pity her, for I knew now what had become of her

child, and she was better dead.

What shall I do? what can I do? How can I escape from this

dreadful thing of night and gloom and fear?

25 June, morning. No man knows till he has suffered from

the night how sweet and how dear to his heart and eye the

morning can be. When the sun grew so high this morning that

it struck the top of the great gateway opposite my window, the

high spot which it touched seemed to me as if the dove from the

ark had lighted there. My fear fell from me as if it had been a

vaporous garment which dissolved in the warmth. I must take

action of some sort whilst the courage of the day is upon me.

Last night one of my post-dated letters went to post, the first

of that fatal series which is to blot out the very traces of my ex-

istence from the earth.

Let me not think of it. Action!

44 Dracula

It has always been at night-time that I have been molested

or threatened, or in some way in danger or in fear. I have not

yet seen the Count in the daylight. Can it be that he sleeps when

others wake, that he may be awake whilst they sleep? If I could

only get into his room! But there is no possible way. The door

is always locked, no way for me.

Yes, there is a way, if one dares to take it. Where his body

has gone why may not another body go? I have seen him my-

self crawl from his window. Why should not I imitate him, and

go in by his window? The chances are desperate, but my need

is more desperate still. I shall risk it. At the worst it can only

be death; and a man’s death is not a calf’s, and the dreaded Here-

after may still be open to me. God help me in my task! Good-

bye, Mina, if I fail; good-bye, my faithful friend and second

father; good-bye, all, and last of all Mina!

Same day t later. I have made the effort, and God, helping me,

have come safely back to this room. I must put down every

detail in order. I went whilst my courage was fresh straight to

the window on the south side, and at once got outside on the

narrow ledge of stone which runs around the building on this

side. The stones are big and roughly cut, and the mortar has by

process of time been washed away between them. I took off my

boots, and ventured out on the desperate way. I looked down

once, so as to make sure that a sudden glimpse of the awful

depth would not overcome me, but after that kept my eyes

away from it. I knew pretty well the direction and distance of

the Count’s window, and made for it as well as I could, having

regard to the opportunities available. I did not feel dizzy I

suppose I was too excited and the time seemed ridiculously

short till I found myself standing on the window-sill and trying

to raise up the sash. I was filled with agitation, however, when

I bent down and slid feet foremost in through the window. Then

I looked around for the Count, but, with surprise and gladness,

made a discovery. The room was empty! It was barely furnished

with odd things, which seemed to have never been used; the fur-

niture was something the same style as that in the south rooms,

and was covered with dust. I looked for the key, but it was not

in the lock, and I could not find it anywhere. The only thing I

found was a great heap of gold in one corner gold of all kinds,

Roman, and British, and Austrian, and Hungarian, and Greek

and Turkish money, covered with a film of dust, as though

it had lain long in the ground. None of it that I noticed was

Jonathan Harker’s Journal 45

less than three hundred years old. There were also chains

and ornaments, some jewelled, but all of them old and

stained.

At one corner of the room was a heavy door. I tried it, for,

since I could not find the key of the room or the key of the

outer door, which was the main object of my search, I must make

further examination, or all my efforts would be in vain. It was

open, and led through a stone passage to a circular stairway,

which went steeply down. I descended, minding carefully where

I went, for the stairs were dark, being only lit by loopholes in

the heavy masonry. At the bottom there was a dark, tunnel-

like passage, through which came a deathly, sickly odour, the

odour of old earth newly turned. As I went through the passage

the smell grew closer and heavier. At last I pulled open a heavy

door which stood ajar, and found myself in an old, ruined chapel,

which had evidently been used as a graveyard. The roof was

broken, and in two places were steps leading to vaults, but the

ground had recently been dug over, and the earth placed in great

wooden boxes, manifestly those which had been brought by the

Slovaks. There was nobody about, and I made search for any

further outlet, but there was none. Then I went over every

inch of the ground, so as not to lose a chance. I went down

even into the vaults, where the dim light struggled, although

to do so was a dread to my very soul. Into two of these I went,

but saw nothing except fragments of old coffins and piles of dust;

in the third, however, I made a discovery.

There, in one of the great boxes, of which there were fifty in

all, on a pile of newly dug earth, lay the Count! He was either

dead or asleep, I could not say which for the eyes were open

and stony, but without the glassiness of death and the cheeks

had the warmth of life through all their pallor; the lips were as

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