William Pry was the first on the spot. He was an expert at such gatherings. With an expression of in-tense happiness on his features, he stood over the victim of the accident, listening to his groans as if to the sweetest music. When the crowd of spectators had swelled to a closely packed circle William saw a violent commotion in the crowd opposite him. Men were hurled aside like ninepins by the impact of some moving body that clove them like the rush of a tornado. With elbows, umbrella, hat-pin, tongue, and fingernails doing their duty, Violet Seymour forced her way through the mob of onlookers to the first row. Strong men who even had been able to secure a seat on the 5.30 Harlem express staggered back like children as she bucked centre. Two large lady spectators who had seen the Duke of Roxburgh married and had often blocked traffic on Twenty-third Street fell back into the second row with ripped shirtwaists when Violet had finished with them. William Pry loved her at first sight.
The ambulance removed the unconscious agent of Cupid. William and Violet remained after the crowd had dispersed. They were true Rubberers. People who leave the scene of an accident with the ambulance have not genuine caoutchouc in the cosmogony of their necks. The delicate, fine flavor of the affair is to be had only in the after-taste in gloating over the spot, in gazing fixedly at the houses opposite, in hovering there in a dream more exquisite than the opium-eaters ecstasy. William Pry and Violet Seymour were connoisseurs in casualties. They knew how to extract full enjoyment from every incident.
Presently they looked at each other. Violet had a brown birthmark on her neck as large as a silver half-dollar. William fixed his eyes upon it. William Pry had inordinately bowed legs. Violet allowed her gaze to linger unswervingly upon them. Face to face they stood thus for moments, each staring at the other. Etiquette would not allow them to speak; but in the Caoutchouc City it is permitted to gaze without stint at the trees in the parks and at the physical blemishes of a fellow creature. At length with a sigh they parted. But Cupid had been the driver of the brewery wagon, and the wheel that broke a leg united two fond hearts.
The next meeting of the hero and heroine was in front of a board fence near Broadway. The day had been a disappointing one. There had been no fights on the street, children had kept from under the wheels of the street cars, cripples and fat men in negligee shirts were scarce; nobody seemed to be inclined to slip on banana peels or fall down with heart disease. Even the sport from Kokomo, Ind., who claims to be a cousin of ex-Mayor Low and scatters nickels from a cab window, had not put in his appearance. There was nothing to stare at, and William Pry had premonitions of ennui.
But he saw a large crowd scrambling and pushing excitedly in front of a billboard. Sprinting for it, he knocked down an old woman and a child carrying a bottle of milk, and fought his way like a demon into the mass of spectators. Already in the inner line stood Violet Seymour with one sleeve and two gold fillings gone, a corset steel puncture and a sprained wrist, but happy. She was looking at what there was to see. A man was painting upon the fence:
Eat Bricklets They Fill Your Face.
Violet blushed when she saw William Pry. William jabbed a lady in a black silk raglan in the ribs, kicked a boy in the shin, hit an old gentleman on the left ear and managed to crowd nearer to Violet. They stood for an hour looking at the man paint the letters. Then Williams love could be repressed no longer. He touched her on the arm.
Come with me, he said. I know where there is a bootblack without an Adams apple.
She looked up at him shyly, yet with unmistakable love transfiguring her countenance.
And you have saved it for me? she asked, trembling with the first dim ecstasy of a woman beloved.
Together they hurried to the bootblacks stand. An hour they spent there gazing at the malformed youth.
A window-cleaner fell from the fifth story to the sidewalk beside them. As the ambulance came clanging up William pressed her hand joyously. Four ribs at least and a compound fracture, he whispered, swiftly. You are not sorry that you met me, are you, dearest?
Me? said Violet, returning the pressure. Sure not. I could stand all day rubbering with you.
The climax of the romance occurred a few days later. Perhaps the reader will remember the intense excitement into which the city was thrown when Eliza Jane, a colored woman, was served with a subpoena. The Rubber Tribe encamped on the spot. With his own hands William Pry placed a board upon two beer kegs in the street opposite Eliza Janes residence. He and Violet sat there for three days and nights. Then it occurred to a detective to open the door and serve the subpoena. He sent for a kinetoscope and did so.
Two souls with such congenial tastes could not long remain apart. As a policeman drove them away with his night stick that evening they plighted their troth. The seeds of love had been well sown, and had grown up, hardy and vigorous, into a let us call it a rubber plant.