Pratchett Terry David john - Wyrd Sisters стр 41.

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Hwel looked along the line of half a dozen stained and rusty blades. Their owners seemed slightly uncertain about what to do next.

‘We’ve got a receipt somewhere—’ he began.

Tomjon nudged him. ‘These don’t look like Guild thieves,’ he hissed. ‘They definitely look freelance to me.’

It would be nice to say that the leader of the robbers was a black-bearded, swaggering brute, with a red headscarf and one gold earring and a chin you could clean pots with. Actually it would be practically compulsory. And, in fact, this was so. Hwel thought the wooden leg was overdoing it, but the man had obviously studied the role.

‘Well now,’ said the bandit chief. ‘What have we here, and do they have any money?’

‘We’re actors,’ said Tomjon.

‘That ought to answer both questions,’ said Hwel.

‘And none of your repartee,’ said the bandit. ‘I’ve been to the city, I have. I know repartee when I see it and—’ he half turned to his followers, raising an eyebrow to indicate that the next remark was going to be witty —’if you’re not careful I can make a few

‘All right,’ he said, against a chorus of uncertain laughter. ‘We’ll just take any loose change, valuables, food and clothing you might be having.’

‘Could I say something?’ said Tomjon.

The company backed away from him. Hwel smiled at his own feet.

‘You’re going to beg for mercy, are you?’ said the bandit.

‘That’s right.’

Hwel thrust his hands deep into his pockets and looked up at the sky, whistling under his breath and trying not to break into a maniac grin. He was aware that the other actors were also looking expectantly at Tomjon.

He’s going to give them the mercy speech from

It’s going to be like when that man tried to rob us back in Sto Lat, Hwel thought. If they end up giving us their swords, what the hell can we do with them? And it’s so embarrassing when they start crying.

It was at this moment that the world around him took a green tint and he thought he could make out, right on the cusp of hearing, other voices.

‘—this jewel of jewels, this crown of crowns.’

There was silence. One or two of the bandits were weeping silently into their hands.

Their chief said, ‘Is that it?’

For the first time in his life Tomjon looked non-plussed.

‘Well, yes,’ he said. ‘Er. Would you like me to repeat it?’

‘It was a good speech,’ the bandit conceded. ‘But I don’t see what it’s got to do with me. I’m a practical man. Hand over your valuables.’

His sword came up until it was level with Tomjon’s throat.

‘And all the rest of you shouldn’t be standing there like idiots,’ he added. ‘Come on. Or the boy gets it.’

Wimsloe the apprentice raised a cautious hand.

‘What?’ said the bandit.

‘A-are you s-sure you listened carefully, sir?’

‘I won’t tell you again! Either I hear the clink of coins, or you hear a gurgle!’

In fact what they all heard was a whistling noise, high in the air, and the crash as a milk jug, its sides frosted with the ice of altitude, dropped out of the sky on to the spike atop the chief’s helmet.

The remaining bandits took one look at the results, and fled.

The actors stared down at the recumbent bandit. Hwel prodded a lump of frozen milk with his boot.

‘Well, well,’ he said weakly.

‘He didn’t take any notice!’ whispered Tomjon.

‘A born critic,’ said the dwarf. It was a blue and white jug. Funny how little details stood out at a time like this. It had been smashed several times in the past, he could see, because the pieces had been carefully glued together again. Someone had really loved that jug.

‘What we’re dealing with here,’ he said, rallying some shreds of logic, ‘is a freak whirlwind. Obviously.’

‘But milk jugs don’t just drop out of the sky,’ said Tomjon, demonstrating the astonishing human art of denying the obvious.

‘I don’t know about that. I’ve heard of fish and frogs and rocks,’ said Hwel. ‘There’s nothing against crockery.’ He began to rally. ‘It’s just one of these uncommon phenomenons. They happen all the time in this part of the world, there’s nothing unusual about it.’

They got back on to the carts and rode on in unaccustomed silence. Young Wimsloe collected every bit of jug he could find and stored them carefully in the props box, and spent the rest of the day watching the sky, hoping for a sugar basin.

‘Are they all right?’ said Magrat.

‘They’re wandering all over the place,’ said Granny. ‘They may be good at the acting, but they’ve got something to learn about the travelling.’

‘It was a nice jug,’ said Magrat. ‘You can’t get them like that any more. I mean, if you’d have said what was on your mind, there was a flatiron on the shelf.’

‘There’s more to life than milk jugs.’

‘It had a daisy pattern round the top.’

Granny ignored her.

‘I think,’ she said, ‘it’s time we had a look at this new king. Close up.’ She cackled.

‘You cackled, Granny,’ said Magrat darkly.

‘I did not! It was,’ Granny fumbled for a word, ‘a chuckle.’

‘I bet Black Aliss used to cackle.’

‘You want to watch out you don’t end up the same way as she did,’ said Nanny, from her seat by the fire. ‘She went a bit funny at the finish, you know. Poisoned apples and suchlike.’

‘Just because I might have chuckled a … a bit roughly,’ sniffed Granny. She felt that she was being unduly defensive. ‘Anyway, there’s nothing wrong with cackling. In moderation.’

Bees were busy, or at least endeavouring to look and sound busy, in the thyme by the trackside. Cloud shadows flickered over the alpine meadows. There was the kind of big, empty silence made by an environment that not only doesn’t have any people in it, but doesn’t need them either.

Or signposts.

‘We were lost ten miles ago,’ said Hwel. ‘There’s got to be a new word for what we are now.’

‘You said the mountains were honeycombed with dwarf mines,’ said Tomjon. ‘You said a dwarf could tell wherever he was in the mountains.’

‘We could dig you a hole,’ said Tomjon.

But it was a nice day and, as the road meandered through clumps of hemlock and pine, outposts of the forest, it was pleasant enough to let the mules go at their own pace. The road, Hwel felt, had to go somewhere.

This geographical fiction has been the death of many people. Roads don’t necessarily have to go anywhere, they just have to have somewhere to start.

‘We

Tomjon gazed around at the rolling countryside. Somewhere a lonely curlew howled, or possibly it was a badger—Hwel was a little hazy about rural matters, at least those that took place higher than about the limestone layer. There wasn’t another human being within miles.

‘Who did you have in mind?’ he said sarcastically.

‘That old woman in the funny hat,’ said Tomjon, pointing. ‘I’ve been watching her. She keeps ducking down behind a bush when she thinks I’ve seen her.’

Hwel turned and looked down at a bramble bush, which wobbled.

‘Ho there, good mother,’ he said.

The bush sprouted an indignant head.

‘Whose mother?’ it said.

Hwel hesitated. ‘Just a figure of speech, Mrs … Miss …’

‘Mistress,’ snapped Granny Weatherwax. ‘And I’m a poor old woman gathering wood,’ she added defiantly.

She cleared her throat. ‘Lawks,’ she went on. ‘You did give me a fright, young master. My poor old heart.’

There was silence from the carts. Then Tomjon said, ‘I’m sorry?’

‘What?’ said Granny.

‘Your poor old heart what?’

‘What about my poor old heart?’ said Granny, who wasn’t used to acting like an old woman and had a very limited repertoire in this area. But it’s traditional that young heirs seeking their destiny get help from mysterious old women gathering wood, and she wasn’t about to buck tradition.

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