I stood on a piece of cracker in the diningroom a moment, waiting for it to come again. This time it came from the boudoir of our French artist in soup-bone symphonies and pie Mademoiselle Bridget O'Dooley. I went there and opened the door softly, so as to let the cat out without disturbing the giant mind-that had worn itself out during the day in the kitchen, bestowing a dry shampoo to the china.
Then I changed my mind and came out. Several articles of vertu, beside Bridget, followed me with some degree of vigor.
The next time the tramp cat yowled he seemed to be in the recesses of the bath-room. I went down stairs and investigated. In doing so I drove my superior toe into my foot, out of sight, with a door that I encountered. My wife joined me in the search. She could not do much, but she aided me a thousand times by her counsel. If it had not been for her mature advice I might have lost much of the invigorating exercise of that memorable night.
Toward morning we discovered that the cat was between the floor of the children's play-room and the ceiling of the dining-room. We tried till daylight to persuade the cat to come out and get acquainted, but he would not.
At last we decided that the quickest way to get the poor little thing out was to let him die in there, and then we could tear up that portion of the house and get him out. While he lived we couldn't keep him still long enough to tear a hole in the house and get at him.
It was a little unpleasant for a day or two waiting for death to come to his relief, for he seemed to die hard, but at last the unearthly midnight yowl was still. The plaintive little voice ceased to vibrate on the still and pulseless air. Later, we found, however, that he was not dead. In a lucid interval he had discovered the hole in the store-room where he entered, and, as we found afterward a gallon of coal-oil spilled in a barrel of cut loaf-sugar, we concluded that he had escaped by that route.
That was the only time that I ever kept a cat, and I didn't do it then because I was suffering for something to fondle. I've got a good deal of surplus affection, I know, but I don't have to spread it out over a stump-tail orphan cat.
AUTUMN THOUGHTS
IN the Rocky mountains now the eternal whiteness is stealing down toward the foot-hills and the brown mantle of October hangs softly on the swelling divide, while along the winding streams, cottonwood and willow are turned to gold, and the deep green of the solemn pines lies farther back against the soft blue of the autumn sky. The sigh of the approaching storm is heard at eventide, and the hostile Indian comes into the reservation to get some arnica for his chilblain, and to heal up the old feeling of intolerance on the part, of the pale face.
He leaves the glorious picture of mountain and glen; the wide sweep of magnificent nature, where a thousand gorgeous dyes are spread over the remains of the dead summer, and folding his tepee, he steals into the home of the white man that he may be once more at peace with the world.
The hectic of the dying year saddens and depresses him, for is it not an emblem to him of the death of his race? Is it not to him an assurance that in the golden ultimately, the red man will be sought for on the face of the earth and he will not be able to represent. He will not be there either in person or by proxy. Here and there may be found the little silent mounds with some glass beads and teeth in them, but the silent warrior with the Roman nose will not be there.
The Indian agent will have a large, conservative cemetery on his hands, and the brave warrior will be marching single file through the corridors of the hence.
At this moment he does not look romantic. Clothed in a coffee sack and a little brief authority, he would not make a good vignette on a $5 bill. His wife, too, looks careworn, and the old glad light is not in her eye. Pier gunny-sack dolman is not what it once was, and her beautifully arched foot has spread out over the reservation more than it used to. Her step has lost its old elasticity, and so have her suspenders.
Autumn brings to her nothing but regret for the past and hopelessness for the future. The cold and cruel winter will bring her nothing but bitter memories and condemned government grub. The solemn hush of nature and the gorgeous coloring of the forest do not awake a thrill in her wild heart. She cares not for the dead summer or the mellow mist of the grand old mountains.
She doesn't care two cents. She knows that no sealskin sacque will come to her on the Christmas trees, and the glad welcome of the placid and select oyster is not for her.
Is it surprising, then, that to this decaying belle of an old family the sparkle of hope is unknown? Can we wonder, as we contemplate her history, that to her the soldier pantaloons of last year, and the bullwhacker's straw hat of '79, are obnoxious?
She is like her sex, and her joy is fractured by the knowledge that her moccasins are down at the heel, and her stockings existing in the realms of fancy. We should not look with scorn upon Mrs. Rise-up-William-Riley, for hope is dead in her breast, and the wigwam is desolate in the sage-brush.