Northern Wisconsin is the place where the "foreign lumber" comes from which we use in Laramie in the erection of our palatial residences. I visited the mill last week that furnished the lumber used in the Oasis hotel at Greeley. They yank a big wet log into that mill and turn it into cash as quick as a railroad man can draw his salary out of the pay car. The log is held on a carriage by means of iron dogs while it is being worked into lumber. These iron dogs are not like those we see on the front steps of a brown stone house occasionally. They are another breed of dogs.
The managing editor of the mill lays out the log in his mind, and works it into dimension stuff, shingle holts, slabs, edgings, two by fours, two by eights, two by sixes, etc., so as to use the goods to the best advantage, just as a woman takes a dress pattern and cuts it so she won't have to piece the front breadths, and will still have enough left to make a polonaise for the last-summer gown.
I stood there for a long time watching the various saws and listening to their monotonous growl, and wishing that I had been born a successful timber thief instead of a poor boy without a rag to my back.
At one of these mills, not long ago, a man backed up to get away from the carriage, and thoughtlessly backed against a large saw that was revolving at the rate of about 200 times a minute. The saw took a large chew of tobacco from the plug he had in his pistol pocket, and then began on him.
But there's no use going into details. Such things are not cheerful. They gathered him up out of the sawdust and put him in a nail keg and carried him away, but he did not speak again. Life was quite extinct. Whether it was the nervous shock that killed him, or the concussion of the cold saw against his liver that killed him, no one ever knew.
The mill shut down a couple of hours so that the head sawyer could file his saw, and then work was resumed once more.
We should learn from this never to lean on the buzz saw when it moveth itself aright.
EXPERIMENTS WITH OLD CHEESE
A RECENT article in a dairy paper is entitled, "Experiments with Old Cheese." We have experimented some on the venerable cheese, too. One plan is to administer chloroform first, then perform the operation while the cheese is under its influence. This renders the experiment entirely painless, and at the same time it is more apt to keep quiet. After the operation the cheese may be driven a few miles in the open air, which will do away with the effects of the chloroform.
THE RAG-CARPET
WITH the threatened eruption of the rag carpet as a kind of venerable successor to the genuine Boston-made Turkish rug, there comes a wail on the part of the male portion of humanity, and a protest on the part of all health-loving humanity.
I rise at this moment as the self-appointed representative of poor, down-trodden and long-suffering man. Already lady friends are looking with avaricious and covetous eyes on my spring suit, and, in fancy, constructing a stripe of navy blue, while some other man's spring clothes are already spotted for the "hit-or-miss" stripe of this time-honored humbug.
It does seem to me that there is enough sorrowing toil going for nothing already; enough of back ache and delirium, without tearing the shirts off a man's back to sew into a big ball, and then weave into a rag carpet made to breathe death and disease, with its prehistoric perspiration and its modern drug store dyes.
The rug now commonly known as the Turkish prayer rug, has a sad, worn look, but it does not come up to the rag carpet of the dear old home.
Around it there clusters, perhaps, a tradition of an Oriental falsehood, but the rag carpet of the dear old home, rich in association, is an heir-loom that passes down from generation to generation, like the horse blanket of forgotten years or the ragbag of the dear, dead past. Here is found the stripe of all-wool delaine that was worn by one who is now in the golden hence, or, stricken with the Dakota fever, living in the squatter's home; and there is the fragment of underclothes prematurely jerked from the back of the husband and father before the silver of a century had crept into his hair. There is no question but the dear old rag carpet, with poisonous greens and sickly yellows and brindle browns and doubtful blacks, is a big thing. It looks kind of modest and unpretending, and yet speaks of the dead past, and smells of the antique and the garret.
It represents the long months when aching fingers first sewed the garments, then the first dash of gravy on the front breadth, the maddening cry, the wild effort to efface it with benzine, the sorrowful defeat, the dusty grease-spot standing like a pork-gravy plaque upon the face of the past, the glad relinquishment of the garment, the attack of the rag-carpet fiend upon it, the hurried crash as it was torn into shreds and sewn together, then the mad plunge of the dust-powdered mass into the reeking bath of Paris green or copperas, then the weaver's gentle racket, and at last the pale, consumptive, freckled, sickly panorama of outrageous coloring, offending the eye, the nose, the thorax and the larynx, to be trodden under feet of men, and to yield up its precious dose of destroying poisons from generation even unto generation.