Deuchler F. Der Ingeborgpsalter. Berlin: Walter de Gruyter & Co, 1985.
Morgan N. J. Early gothic manuscript 11901275. (Survey of Manuscripts Illuminated in the British Isles V. 4 (1).). Oxford: Harvey Miller, 1982.
Morgan N. Old Testament Illustration in Thirteenth Century England // The Bible in the Middle Ages: its influence on Literature and Art, 1992. P. 149198.
Schapiro M. An illuminated English Psalter of the Early Thirteenth century // Journal of the Warburg and Courtaud Institute. 1960. Vol. XXIII. P. 179189.
Swarzenski H. Unknown Bible Pictures by W. de Brailes and some notes on early English Bible illustration // Journal of Walter art gallery. 1938. Vol. I. P. 5569.
Евсеева Л. М. Традиции Константинополя и Рима в иконографии ветхозаветного цикла мозаик Сицилии // Византийский мир: искусство Константинополя и национальные традиции. М., 2005. C. 277298.
Andaloro M. La pittura medievale a Roma 3121431. Vol. 1. Milano: Jaca book, 2015.
Bergman R. The Salerno ivories. Harvard: Harvard University Press, 1980.
Bilotta M. A. La Réforme grégorienne et ses programmes iconographiques: le cas des peintures murales de l ancien Palais des Papes du Latran à Rome et leur rapport avec l illustration des Bibles atlantiques // Les Bibles atlantiques. Le manuscrit biblique à lépoque de la réforme de léglise du XIe siècle. Firenze: SISMEL Edizioni del Galluzzo, 2016. P. 135136.
Carli М. Sullassetto originario degli avori di Salerno; Storia delle testimonianze e delle supposizioni // L enigma degli avori ( 1). Vol. I. Bologna: artstudiopaparo. P. 133153.
Demus O. Byzantine Art and the West. London: Weidenfeld and Nicolson, 1970.
Demus O. The Mosaics of Norman Sicily. London: Routledge & Kegan Paul, 1949.
Kessler H. L. An Eleventh-century Ivory Plaque from South Italy and the Cassinese Revival // Jahrbuch der Berliner Museen. 1966. 8 (1). P. 6795.
Kitzinger E. The mosaics of the Capella Palatina in Palermo // Art Bulletin. 1949. Vol. XXX. P. 269292.
Kitzinger E. Mosaics of Monreale. Palermo: S. F. Flaccovio, 1960. P. 133135.
Kinzinger E. Norman Sicily as a Source of Byzantine Influence on Western art in the 12 Century // Byzantine art an European art. Athens: Office of the Minister to the Prime Minister of the Greek Government, 1966. P. 139141.
Matthiae G. Pittura romana del Medioevo, sec. XIXIV. Roma: Fratelli Palombi, 1988.
Müller K. Old and New Divine Revelation in the Salerno «Ivories» // Mitteilungen des Kunsthistorischen Institut in Florenz 54.1, 201012. P. 130.
Pace V. Città del Vaticano. Biblioteca apostolica vaticana. Vat. lat. 9820. «Exultet» // Exultet. Rotoli liturgici del Medioevo meridionale [catalogo di mostra, Cassino, Abbazia di Montecassino, 20 maggio 31 agosto 1994, direzione scientifica Guglielmo Cavallo, coordinamento Giulia Orofino, Oronzo Pecere], 1994. P. 107118.
Pace V. Una Bibbia in avorio. Arte mediterranea nella Salerno dell XI secolo. Milano: ITACA, 2016.
Toubert H. Didier du Mont-Cassin et l art de la Réforme Grégorienne: l iconographie de l Ancien Testament à Saint Angelo in Formis // Desiderio di Montecassino e l arte della riforma gregoriana, Montecassino, 1997.
Toubert H. Un art dirigé. Reforme grégorienne et iconographie. Paris: Cerf, 1990.
Volbach W. F. Ein antikisierendes Bruchstück von einer kampanischen Kanzel in Berlin // Jahrbuch der Preuszischen Kunstsammlungen. 1932. Vol. LIII. S. 183197.
Wettstain J. Sant Angelo in Formis et la peinture medievale en Campanie. Geneve: Droz, 1961.
White J. Cavallini and the lost frescoes in San Paolo // Journal of the Warburg and Courtauld Institutes. 1956. Vol. 19. 1/2. P. 8495.
Неретина С. С. Образ мира в «Исторической Библии» Гийара де Мулена // Из истории культуры Средних веков и Возрождения. М., 1976. C. 106141.
Пожидаева А. В. Цикл Творения в западноевропейском искусстве XI начала XIII в.: опыт иконографической генеалогии. Дисс. канд. искусствовед. М.: МГУ, 2008.
Al-Hamdani B. A. The iconographical sources for the Genesis frescoes once found in San Paolo f. l. m // Atti del IX Congresso Internazionale dell Archeologia Cristiana. Vol. 2. Vaticano, 1978. P. 1135.
Bober H. In principio: Creation before time // Essays in honor of E. Panofsky. NY., 1961. P. 1328.
Contessa A. Between Art, Faith and Science. The concept of Creation in the Ripoll and Roda
D Alverny M.-T. Les Anges et les Jours (1) // Cahiers Archeologiques. 1957. Vol. IX. P. 271300.
Garrison E. B. A Note of the Iconography of Creation and of the Fall of Man in the XI and XII-century Rome // Studies in the History of Medieval Italian Painting. 19601962. V. 4.
Hahn C. The creation of the cosmos: Genesis illustration in the Octateuchs // Cahiers Archeologiques. 1979. Vol. XXVIII. P. 2940.
Heimann A. Trinitas Creator Mundi // Journal of the Warburg and Courtauld Institute. Vol. II. 1938. 1. P. 4365.
Heimann A. The Six Days o Creation in a XII-century manuscript // Journal of the Warburg and Courtauld Institutes. Vol. I. 1938. P. 269275.
Krasnodebska-D Aughton M. The decoration of In Principio Initials in early insular manuscripts: Christ as a visible image of invisible God // Word and Image. 2002. 18. P. 105122.