Stefano Conti
© Copyright 2021 by
Stefano Conti
Translation by Arianna Vanin
of Io sono limperatore, Ancona 2017
Imprimé en janvier 2021 par
Rotomail Italia spa
On the cover:
graphic elaboration from photos of the author
of the Ponte della Maddalena or Ponte del diavolo.
Borgo a Mozzano, Lucca (Italy).
Stefano Conti
I am the emperor
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Preface
26 June 363 AD
T he battle between the roman army and the Persians is raging. Suddenly time seems to stop: a javelin pierces Julians abdomen.
«Come quick, the emperor has been hurt!»
The young king sways on the saddle of his horse and falls. Lying on the ground he tries to take out the sword, blessing his fingers.
«Leontius, take off this spear.»
«I cannot, my lord. You would die.»
«I am already dead.» The blood flows incessantly. «I am just asking to finish my days as a warrior: help me get back on my horse.»
The trusted soldier, for the first time, does not obey: «Call Oribasius, quick!»
Julian understands this is the day marked by fate: «I did not want to listen to the haruspices, but I knew that falling star was announcing my end».
Oribasius, his personal doctor, tries to stop the haemorrhage in vain.
The prince looks at him benevolently: «Do not trouble yourself. The gods are waiting for me Im ready».
His doctor and friend takes him from under his arms: «Leontius, help me take him back to camp.»
«No!» Julian stops them. «I ask a last favour of you: take me to the Tigris shore.»
In the meanwhile, Maximus arrives, he is the spiritual guide of the emperor-philosopher: «He is inspired by Alexander the Great. He wants to throw himself in the river and let his corpse disappear among the waves. When his body has vanished forever, we will say he ascended to the Olympus on a fire chariot. Thus, we pagans will celebrate a new god: Julian!»
But a squad of soldiers blocks the access to the river: «Stop! We Christians wont let this happen. No one dares, now or never, let the Apostates body disappear. We will forbid anyone to lie about him ascending to heaven».
Julian looks at the earth soaked with his blood and turns his eyes to the sky: «Helios, here I come!»
I
Friday, 16 July 2010
T odays terrible heat really does not make it a suitable day for flying, but none of them is: I am always afraid when Im not the one driving, even if it was a little sleigh on a field of soft snow. In Dustin Hoffmann/ Rain Man s list, was Turkish Airlines among the companies that fall?
While Im standing in the corridor of the plane, waiting for a couple of elderly people taking care of their bags, a steward arrives. He addresses the lady, who just sat: «Apologies, madam, you cannot sit there».
«It is my husbands seat, but»
«I left the window seat to my wife» says the man, in his seventies. «You know, she likes watching outside.»
«I understand, sir, but you must take that seat» the guy insists.
«And why is that?» asks the lady, who does not want to get up again.
«Because» explain politely the steward «that window is also an emergency exit and you would not be able to open it, in case of»
«There is that possibility?» I ask.
The steward answers to the elderly tourist: «Just in case you would be able to force the door open, I dont think that your wife could».
«Ah, just in case» I repeat, moving away from them, clearly preoccupied.
I sit down. I hide my mp3s headphones with my hair, covering the ears (I am sure it does not make any sense to turn off electric equipment). An old song from Vecchioni covers the sounds of the most critical phase: take-off.
The landing in Ankara is smooth but, in any case, when I get off, I wish I could kiss the land, just as the pope did. The air is unbreathable, the tar of the airstrip is scorching. All airports are the same: same panels, same gates disposition. Will I find my suitcase or would it be lost somewhere around Saint Petersburg? Unbelievably my case is there and, at the second attempt, I catch the right one (suitcases too all look alike: I should attach a name tag sooner or later).
The queue at customs is slow; when my turn arrives, having done my PhD in Germany finally turns out useful: no one speaks Italian abroad.
« Sprechen Sie Deutsch?» I ask.
« Ja» answers the officer, bluntly.
I take my passport out of my man bag and give it to him. He carefully looks at the picture, then turns up his eyes to meet mine and looks at the picture again, finally he asks if I am Francesco Speri.
I nod. I actually dont really look much like I did 5 years and 12 kilos ago.
The look on his face becomes suddenly serious.
« Können Sie mir folgen?» he says in a martial tone.
Surprised by his request to follow him, I ask, maybe a little unkindly, why. The customs officer insists relentless and I am forced to follow him.
We cross a long dark corridor, many doors on its sides, all closed: it looks like a gloomy ancient hospital, of those you only find now in little villages. With a sign of the hand, he invites me to get into the last room on the right: here a small man, standing on his military boots dictates something to another man, who is in turn busy typing on an ancient machine. Despite his height, the first man must be a major, a coronel, some big shot. With a half-smile under his black moustache, he shows me where to sit gripping with his fat hand onto the back of an uncomfortable wooden chair. This bossy then loudly starts arguing with the man who took me here; the third officer stops typing and joins the conversation, but they immediately shut him up. For the first time since when I left, I think about professor Barbarino, who is the actual reason of my trip: he insisted I should have learnt Turkish to come here digging with him. I always answered that I am not an archaeologist but an historian and that in order to dig archaeological sites, speaking is not required; for all the rest it sufficed that he could be able to speak with the authorities.