Emaciated by these reflections, frightened by what she had seen, Lucia grabbed the lantern and rushed up the stairs, her mind occupied by a single fear. Would she find the door open again? What if Uncle had remembered not to lock it and returned to close it? Or what if he did it on purpose, to induce her to go down there and bury her alive? No, it wouldnt have been enough for Artemio, he had to see his victims suffering in the face, it wouldnt have been like him to let her die there. He just wanted to scare her, and he succeeded. The little wooden door was open, Lucia went out into the hall, rested the lantern where he had taken it, she didnt even look at Morocco and rushed into the open air, into the Square, still with the heart in her throat.
It was almost the sunset of a warm day at the end of May and the reddish light of the sun gave spectacular colours to the beautiful square where, more than three centuries earlier, Emperor Frederick II of Swabia was born. She said to herself that she should research the meaning of the symbols found in the crypt in the family diary, in the precious manuscript that her grandmother had given her. But now she had to calm down, and decided to take a walk around the city. She crossed the square, reaching the opposite side, turned left and went down to the Longobards Coast, to reach the lower part of the town, where merchants and craftsmen lived. The palaces were less sumptuous than those in the upper part of the city, but they were nevertheless enriched with decorative elements, with finished portals and frames around the windows. The facades were almost all embellished with plaster, painted in pastel colours, such as light blue, yellow, ochre, soft orange; it was difficult to leave bricks face to face, as it was for the stately palaces up in the centre. As a reminder that those residences had been built thanks to the money earned by those who lived there, often on the lintels of the portals or windows of the first floor there were inscriptions such as De sua pecunia or Suum lucro condita - Ingenio non sorte. At the end of the Longobards Coast, turning right, you could quickly reach the church dedicated to the apostle Peter, built by the Longobard community living in Jesi in the second half of the tenth third century. Principles Apostolorum MCCLXXXXIIII, could be read above the portal; those who had engraved the date no longer had much memory of how the numbers were written in Latin, or perhaps they had never known it being an architect of Byzantine origin, already used to dealing with Arabic numerals, much easier to memorize. Opposite the church, the Franciolinis Palace, just completed, was the residence of the Peoples Capitan, Guglielmo dei Franciolini. He too had made his fortune as a merchant since, after the discovery of the New World, new commercial channels were opened and many new merchandise had also arrived in Jesi. Those who had been able to take advantage, had succeeded in a short time to accumulate considerable wealth. Lucia dwelt on the rich portal of the palace, limited by two columns and some square sandstone tiles, decorated with depictions of gods and symbols of Roman times. In all probability, while excavating the foundations of the house, decorative elements of a house of some Roman patrician had been found, and these had been reused to embellish the portal. Lucia recognized the God Pan, Bacchus, the Goddess Diana, and then some three-pointed lilies, and... a six-pointed star formed by two crossed triangles - strange, wasnt it the symbol of the Jews? - and again a five-pointed star, a pentacle, and... a seven-pointed design inscribed in a circle, similar in every way to what he had seen just before in the crypt. These last drawings could not date back to Roman times, and in fact, looking carefully at the tiles on which they were made, one could see that these were of different features, more recent than the others, perhaps made for the purpose of decorating the portal. But what was the meaning of all this? In that little square the sacred coexisted with the profane: on the one hand the church dedicated to the principal of the apostles, to Peter, the first Pope in the history of Christianity, on the other hand pagan figures and symbols that could accuse the landlord of being a heretic. And yet the uncle Cardinal was on good terms with Franciolini, he had even proposed his son to her as her future husband! The more she looked at those symbols, the more Lucia thought that the place had something magical. Perhaps that palace had been built over the ruins of a pagan temple, and had kept its peculiarities. She tried to focus, to open her third eye to the vision, she invoked her spirit, to make it hover high and peer at elements that she would not otherwise have seen. Already in his cup-shaped hands, the semi-fluid ball of colours was materializing, when the door of the palace suddenly opened wide, showing in the half-light a young man wearing light battle armour, riding a powerful steed in turn harnessed on his head to protect him from any blows that might be inflicted by swords and spears.
The knight held with his right hand the banner of the Republic of Jesi, representing the rampant lion adorned with the royal crown. As soon as the door was completely open, he spurred the horse outside, almost overwhelming Lucia who was there in front. The girl, frightened, became distracted, and the sphere immediately disappeared. The horse, in front of the unexpected obstacle, soaring, kicking in the air with its front paws. Lucia felt a hoof at a very short distance from her face, but she did not panic and stuck her gaze into the sea-blue eyes of the rider, whose helmet visor was raised. For a moment he lost herself in those eyes, the horse calmed down and the knight looked back at the damsel, staring in turn at the girls hazel eyes. There was a moment of calm, of total silence, the crossing of the two glances seemed to have stopped time.
Who was that handsome knight, ready for a hypothetical battle to defend his city? Was it Andrea? If it had been, she should have been grateful to her evil uncle! But maybe Franciolini had other children. She didnt have time to open her mouth, because after a few moments, the bells of St. Peters church began to ring, and gradually they were joined by those of St. Bernards church, then those of St. Benedict, and finally those of St. Florian. Throwing a last glance at Lucia, the knight spurred the horse again, reaching the nearby Piazza del Palio4 , the huge open space inside the walls, dominated by the Torre di Mezzogiorno5 . In short, other knights in arms squeezed around the one holding the banner, then came people on foot, armed with crossbows, daggers and any other weapon that could be used against the enemy.
«The Anconetans are attacking us!» cried the noble Franciolini. «Our lookouts sighted them from the Torrione del Montirozzo6 . Today, May 30, 1517, we prepare to defend the walls of our city.»
All the city gates were closed, the majority of the men on foot set out on the guards walkways, while the knights gathered in the square inside Porta Valle7 , ready to sortie against the enemy. But for that night, the Ancona army, led by Duke Berengario di Montacuto, did not approach to Jesi, but remained camped further downstream, a few leagues from the town of Monsano, half-hidden in the riparian bush near the Esino River.
For a few days the alert remained. At dusk, the Scolte8 reached the terraces, to strengthen the guard usually given to some lookouts, and from the walls resounded the call of a song that the population had not heard for several years:
«The trumpet sounded, and the day was over,