William Curtis - Modern India стр 17.

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Fate at last overtook the strange man who did all these things and he came to grief. Indignant at Colonel Phayre, the British Resident, for interfering with his wishes in regard to the pearl carpet and some other little fancies, he attempted to poison him in an imperial manner. He caused a lot of diamonds to be ground up into powder and dropped into a cup of pomolo juice, which he tried to induce his prudent adviser to drink. Ordinary drug store poison was beneath him. When Malhar Rao committed a crime he did it, as he did everything else, with royal splendor. He had tried the same trick successfully upon his brother and predecessor, Gaikwar Khande Rao, the man who built a beautiful sailors' home at Bombay in 1870 to commemorate the visit of the Duke of Edinburgh to India. Colonel Phayre suspected something wrong, and declined to drink the toast His Highness offered. The plot was soon afterward discovered and Viceroy Lord Northbrook, who had tolerated his tyranny and fantastic performances as long as possible, made an investigation and ordered him before a court over which the chief justice of Bengal presided. The evidence disclosed a most scandalous condition of affairs throughout the entire province. Public offices were sold to the highest bidder; demands for blackmail were enforced by torture; the wives and daughters of his subjects were seized at his will and carried to his palace whenever their beauty attracted his attention. The condition of the people was desperate. In one district there was open rebellion; discontent prevailed everywhere and the methods of administration were infamous. It was shown that a previous prime minister had been poisoned by direct orders of his chief and that with his own hands the gaikwar had beaten one of his own servants to death. Two Hindu judges of the court voted for acquittal, but the remainder found him guilty. As the judgment was not unanimous, Mahal Rao escaped the death penalty which he deserved, and would have suffered but for the sympathy of his judicial co-religionists. He was deposed and sent to prison, and when an investigation of his finances was made, it was found that during the last year of his reign he had wasted $3,500,000 in gifts to his favorites, in gratifying his whims and fancies, and for personal pleasures. All of which was wrung from the people by taxation.

After his conviction the widow of his brother and predecessor, Khande Rao, whom he had poisoned, was allowed to exercise the right of adoption, and her choice fell upon the present gaikwar, then a lad of eleven, belonging to a collateral branch of the family. He was provided with English tutors and afterward sent to England to complete his education. He proved a brilliant scholar, an industrious, earnest, practical man, and, as I have said, Queen Victoria took a great personal interest in him. When he came to the throne in 1874, he immediately applied himself with energy and intelligence to the administration of the government and surrounded himself with the best English advisers he could get. Since his accession the condition of Baroda has entirely changed and is in striking contrast with that which existed under his predecessors. Many taxes have been abolished and more have been reduced. Public works have been constructed everywhere; schools, colleges, hospitals, asylums, markets, water works, electric lighting plants, manufactories and sanitary improvements have been introduced, competent courts have been established and the province has become one of the most prosperous in India.

Baroda is called "The Garden of India." It occupies a fine plain with rich alluvial soil, well watered, and almost entirely under cultivation. It produces luxurious crops of grain, cotton, sugar, tobacco and other staples, and the greater part of them are turned from raw material into the finished product in factories scattered through the state. We were advised that Baroda is the best place in India to study the native arts and fabrics. The manufacturing is chiefly controlled by Parsees, descendants of Persian fugitives who fled to India and settled in Baroda more than a thousand years ago, and in their temple at Navasari, a thriving manufacturing town, the sacred fire has been burning uninterruptedly for five hundred years. The City of Baroda has about 125,000 population. The principal streets are lined with houses of teakwood, whose fronts are elaborately carved. Their like cannot be seen elsewhere. The maharajah keeps up the elephant stables of his predecessor in which are bred and kept the finest animals in India. He also breeds the best oxen in the empire.

Through the good offices of Mr. Fee, our consul at Bombay, we received invitations to a Hindu wedding in high life. The groom was a young widower, a merchant of wealth and important commercial connections, a graduate of Elphinstone College, speaks English fluently, and is a favorite with the foreign colony. The bride was the daughter of a widow whose late husband was similarly situated, a partner in a rich mercantile and commission house, well known and respected. The family ate liberal in their views, and the daughter has been educated at one of the American mission schools, although they still adhere to Hinduism, their ancestral religion. The groom's family are equally liberal, but, like many prominent families of educated natives, do not have the moral courage or the independence to renounce the faith in which they were born. The inhabitants of India are the most conservative of all peoples, and while an educated and progressive Hindu will tell you freely that he does not believe in the gods and superstitions of his fathers, and will denounce the Brahmins as ignorant impostors, respect for public opinion will not permit him to make an open declaration of his loss of faith. These two families are examples, and when their sons and daughters are married, or when they die, observe all the social and religious customs of their race and preserve the family traditions unbroken.

The home of the bridegroom's family is an immense wooden house in the native quarter, and when we reached it we had to pass through a crowd of coolies that filled the street. The gate and outside walls were gayly decorated with bunting and Japanese lanterns, all ready to be lighted as soon as the sun went down. A native orchestra was playing doleful music in one of the courts, and a brass band of twenty pieces in military uniforms from the barracks was waiting its turn. A hallway which leads to a large drawing-room in the rear of the house was spread with scarlet matting, the walls were hung with gay prints, and Japanese lanterns were suspended from the ceiling at intervals of three or four feet. The first room was filled with women and children eating ices and sweetmeats. Men guests were not allowed to join them. It was then half past four, and we were told that they had been enjoying themselves in that innocent way since noon, and would remain until late in the evening, for it was the only share they could have in the wedding ceremonies. Hindu women and men cannot mingle even on such occasions.

The men folks were in the large drawing-room, seated in rows of chairs facing each other, with an aisle four or five feet wide in the center. There were all sorts and conditions of men, for the groom has a wide acquaintance and intimate friends among Mohammedans, Jains, Parsees, Roman Catholics, Protestants and all the many other religious in Bombay, and he invited them to his marriage. Several foreign ladies were given seats in the place of honor at the head of the room around a large gilt chair or throne which stood in the center with a wreath of flowers carelessly thrown over the back. There were two American missionaries and their wives, a Jesuit priest and several English women.


NAUTCH DANCERS


Soon after we were seated there was a stir on the outside and the groom appeared arrayed in the whitest of white linen robes, a turban of white and gold silk, an exquisite cashmere shawl over his shoulders, and a string of diamonds around his neck that were worth a rajah's ransom. His hands were adorned with several handsome rings, including one great emerald set in diamonds, so big that you could see it across the room. Around his neck was a garland of marigolds that fell to his waist, and he carried a big bridal bouquet in his hand. As soon as he was seated a group of nautch dancers, accompanied by a native orchestra, appeared and performed one of their melancholy dances. The nautches may be very wicked, but they certainly are not attractive in appearance. Their dances are very much like an exercise in the Delsarte method of elocution, being done with the arms more than with the legs, and consisting of slow, graceful gesticulations such as a dreamy poet might use when he soliloquizes to the stars. There is nothing sensuous or suggestive in them. The movements are no more immodest than knitting or quilting a comfortableand are just about as exciting. Each dance is supposed to be a poem expressed by gesture and posturingthe poetry of motiona sentimental pantomime, and imaginative Hindus claim to be able to follow the story. The orchestra, playing several queer looking fiddles, drums, clarinets and other instruments, is employed to assist in the interpretation, and produces the most dreary and monotonous sounds without the slightest trace of theme or melody or rhythm. While I don't want to be irreverent, they reminded me of a slang phrase you hear in the country about "the tune the old cow died of." Hindu music is worse than that you hear in China or Japan, because it is so awfully solemn and slow. The Chinese and Japanese give you a lot of noise if they lack harmony, but when a Hindu band reaches a fortissimo passage it sounds exactly as if some child were trying to play a bagpipe for the first time.

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