She was very clever; half of her acquaintances, even the men, did not know how very "gay" she was. Only thoselike Vandoverwho knew her best, knew her for what she was, for Ida was morbidly careful of appearances, and as jealous of her reputation as only fast girls are.
Bessie Laguna was her counterpart. Bessie was "the girl she went with," just as Henrietta Vance was Turner's "chum" and Nannie was Flossie's "running-mate."
Ida lived with her people on Golden Gate Avenue not far from Larkin Street. Her father had a three-fourths interest in a carpet-cleaning establishment on Howard Street, and her mother gave lessons in painting on china and on velvet. Ida had just been graduated from the normal school, and often substituted at various kindergartens in the city. She hoped soon to get a permanent place.
Vandover arrived at Ida's house that night at about eight o'clock in the midst of a drenching fog. The parlour and front room on the second floor were furnished with bay windows decorated with some meaningless sort of millwork. The front door stood at the right of the parlour windows. Two Corinthian pillars on either side of the vestibule supported a balcony; these pillars had iron capitals which were painted to imitate the wood of the house, which in its turn was painted to imitate stone. The house was but two stories high, and the roof was topped with an iron cresting. There was a microscopical front yard in which one saw a tiny gravel walk, two steps long, that led to a door under the front steps, where the gas-meter was kept. A few dusty and straggling calla-lilies grew about.
Ida opened the door for Vandover almost as soon as he rang, and pulled him into the entry, exclaiming: "Come in out of the wet, as the whale said to Jonah. Isn't it a nasty night?" Vandover noticed as he came in that the house smelt of upholstery, cooking, and turpentine. He did not take off his overcoat, but went with her into the parlour.
The parlour was a little room with tinted plaster walls shut off from the "back-parlour" by sliding doors. A ply carpet covered the floor, a cheap piano stood across one corner of the room, and a greenish sofa across another. The mantelpiece was of white marble with gray spots; on one side of it stood an Alaskan "grass basket" full of photographs, and on the other an inverted section of a sewer-pipe painted with daisies and full of gilded cat-tails tied with a blue ribbon. Near the piano straddled a huge easel of imitation brass up-holding the crayon picture of Ida's baby sister enlarged from a photograph. Across one corner of this picture was a yellow "drape." There were a great many of these "drapes" all about the room, hanging over the corners of the chairs, upon an edge of the mantelpiece, and even twisted about the chandelier. In the exact middle of the mantelpiece itself was the clock, one of the chief ornaments of the room, almost the first thing one saw upon entering; it was a round-faced timepiece perversely set in one corner of an immense red plush palette; the palette itself was tilted to one side, and was upheld by an easel of twisted brass wire. Out of the thumb-hole stuck half a dozen brushes wired together in a round bunch and covered with gilt paint. The clock never was wound. It went so fast that it was useless as a timepiece. Over it, however, hung a large and striking picture, a species of cheap photogravure, a lion lying in his cage, looking mildly at the spectator over his shoulder. In front of the picture were real iron bars, with real straw tucked in behind them.
Ida sat down on the piano stool, twisting back and forth, leaning her elbows on the keys.
"All the folks have gone out to a whist-party, and I'm left all alone in the house with Maggie," she said. Then she added: "Bessie and Bandy Ellis said they would come down to-night, and I thought we could all go downtown to the Tivoli or somewhere, in the open-air boxes, you know, way up at the top." Hardly had she spoken the words when Bessie and Ellis arrived.
Ida went upstairs to get on her hat at once, because it was so late, and Bessie went with her.
Ellis and Vandover laughed as soon as they saw each other, and Ellis exclaimed mockingly, "Ye-e-ow, thash jush way I feel." Vandover grinned:
"That's so," he answered. "I do remember now of having made that remark several times. But youoh, you were fearful. Do you remember the row in the Luxembourg? Look there where you bit me."
Ellis was incensed with Geary because he had forsaken their party.
"Oh, that's Charlie Geary, all over," answered Vandover.
As they were speaking there came a sudden outburst of bells in various parts of the city and simultaneously they heard the hoarse croaking of a whistle down by the waterfront.
"Fire," said Vandover indifferently.
Ellis was already fumbling in his pockets, keeping count of the strokes.
"That's one," he exclaimed, pulling out and studying his list of alarm-boxes, "and one-two-three, that's three and one-two-three-four, one thirty-four. Let's see now! That's Bush and Hyde streets, not very far off," and he returned his card to the inside pocket of his coat as though he had accomplished a duty.
He lit a cigar. "I wonder now," he said, hesitating. "I guess I better not smoke in here. I'll go outside and get a mouthful of smoke before the girls come down." He went out and Vandover sat down to the cheap piano and played his three inevitable pieces, the two polkas and the air of the topical song; but he was interrupted by Ellis, who opened the door, crying out:
"Oh, come out here and see the fire, will you? Devil of a blaze!" Vandover ran out and saw a great fan-shaped haze of red through the fog over the roofs of the houses.
"Oh, say, girls," he shouted, jumping back to the foot of the stairs; "Ida, Bessie, there's a fire. Just look out of your windows. Hark, there go the engines."
Bessie came tearing down the stairs and out on the front steps, where the two fellows were standing hatless.
"Where? Oh, show me where! O-o-oh, sure enough! That's a big fire. Just hear the engines. Oh, let's go!"
"Sure; come on, let's go!" exclaimed Vandover. "Tell Ida to hurry up."
"Oh, Ida," cried Bessie up the stairs, "there's an awful big fire right near here, and we're going."
"Oh, wait!" shouted Ida, her mouth full of pins. "I had to change my waist. Oh, do wait for me. Where is it at? Please wait; I'm coming right down in just a minute."
"Hurry up, hurry up!" cried Vandover. "It will be all out by the time we get there. I'm coming up to help."
"No, no, no!" she screamed. "Don't; you rattle me. I'm all mixed up. Oh, darn it, I can't find my czarina!"
But at last she came running down, breathless, shrugging herself into her bolero jacket. They all hurried into the street and turned in the direction of the blaze. Other people were walking rapidly in the same direction, and there was an opening and shutting of windows and front doors. A steamer thundered past, clanging and smoking, followed by a score of half-exhausted boys. It took them longer to reach the fire than they expected, and by the time they had come within two blocks of it they were quite out of breath. Here the excitement was lively; the sidewalks were full of people going in the same direction; on all sides there were guesses as to where the fire was. On the front steps of many houses stood middle-aged gentlemen, still holding their evening papers and cigars, very amused and interested in watching the crowd go past. One heard them from time to time calling to their little sons, who were dancing on the sidewalks, forbidding them to go; in the open windows above could be seen the other members of the family, their faces faintly tinged with the glow, looking and pointing, or calling across the street to their friends in the opposite houses. Every one was in good humour; it was an event, a fête for the entire neighbourhood.