They all jumped up, sober in a minute, knowing that a scene was at hand. The waiter rushed at Ellis, but Ellis knocked him down and tried to stamp on his face. Vandover and the Dummy tried to hold his arms and pull him off. He turned on the Dummy in a silent frenzy of rage and brought his knuckles down upon his head again and again. For the moment Ellis could neither hear, nor see, nor speak; he was blind, dumb, fighting drunk, and his fighting was not the fighting of Vandover.
"Get in here and help, will you?" panted Vandover to Geary, as he struggled with Ellis. "He can kill people when he's like this. Oh, damn the whisky anyhow! Look outdon't let him get that knife! Grab his other arm, there! now, kick his feet from under him! Oh, kick hard! Sit on his legs; there now. Ah! Hell! he's bitten me! Look out! here comes the bouncer!"
The bouncer and three other waiters charged into them while they were struggling on the floor. Vandover was twice knocked down and the Dummy had his lip split. Ellis struggled to his feet again and, still silent, fought them all alike, a fine line of froth gathering at the corners of his lips.
When they were finally ejected, and pulled themselves together in the street outside, Geary had disappeared. He had left them during the struggle with Ellis and had gone home. Ah, you bet he wasn't going to stay any longer with the crowd when they got like that. If Ellis was fool enough to get as drunk as that it was his own lookout. He wasn't going to stay and get thrown out of any saloon; ah, no, you bet he was too clever for that. He was sober enough now and would go home to bed and get a good sleep.
The fight in the saloon had completely sobered the rest of them. Ellis was tractable enough again, and very sorry for having got them into such a row. Vandover was horribly sick at his stomach.
The three locked arms and started slowly toward the Turkish baths. On their way they stopped at an all-night drug store and had some seltzer.
Vandover had about three hours' sleep that night. He was awakened by the attendant shaking his arm and crying:
"Half-past six, sir."
"Huh!" he exclaimed, starting up. "What about half-past six? I don't want to get up."
"Told me to call you, sir, at half-past six; quarter to seven now."
"Oh, all right, very well," answered Vandover. He turned away his face on the pillow, while a wretched feeling of nausea crept over him; every movement of his head made it ache to bursting. Behind his temples the blood throbbed and pumped like the knocking of hammers. His mouth would have been dry but for a thick slime that filled it and that tasted of oil. He felt weak, his hands trembled, his forehead was cold and seemed wet and sticky.
He could recall hardly anything of the previous night. He remembered, however, of going to the Imperial and of seeing Flossie, and he did remember at last of leaving word to be called at half-past six.
He got up without waking the other two fellows and took a plunge in the cold tank, dressed very slowly, and went out. The stores were all closed, the streets were almost deserted. He walked to the nearest uptown car-line and took an outside seat, feeling better and steadier for every moment of the sharp morning air.
Van Ness Avenue was very still. It was about half-past seven. The curtains were down in all the houses; here and there a servant could be seen washing down the front steps. In the vestibules of some of the smaller houses were loaves of French bread and glass jars of cream, while near them lay the damp twisted roll of the morning's paper. There was everywhere a great chittering of sparrows, and the cable-cars, as yet empty, trundled down the cross streets, the conductors cleaning the windows and metal work. From far down at one end of the avenue came the bells of the Catholic Cathedral ringing for early mass; and a respectable-looking second girl hurried past him carrying her prayer-book. At the other end of the avenue was a blue vista of the bay, the great bulk of Mount Tamalpais rearing itself out of the water like a waking lion.
In front of the little church Turner was waiting for him. She was dressed very prettily and the cold morning air had given her a fine colour.
"You don't look more than half awake," she said, as Vandover came up. "It was awfully good of you to come. Oh, Van, you look dreadfully. It is too bad to make you get up so early."
"No, no," protested Vandover. "I was only too glad to come. I didn't sleep well last night. I hope I haven't kept you waiting."
"I've only just come," answered Turner. "But I think it is time to go in."
The little organ was muttering softly to itself as they entered. It was very still otherwise. The morning sun struck through the stained windows and made pretty lights about the altar; besides themselves there were some half dozen other worshippers. The little organ ceased with a long droning sigh, and the minister in his white robes turned about, facing his auditors, and in the midst of a great silence opened the communion service with the words: "Ye who do truly and earnestly repent you of your sins and are in love and charity with your neighbours"
As Vandover rose with the rest the blood rushed to his head and a feeling of nausea and exhaustion, the dregs of his previous night's debauch, came over him again for a moment, so that he took hold of the back of the pew in front of him to steady himself.
Chapter Five
In the afternoons Vandover worked in his studio, which was on Sacramento Street, but in the mornings he was accustomed to study in the life-class at the School of Design.
This was on California Street over the Market, an immense room partitioned by enormous wooden screens into alcoves, where the still-life classes worked, painting carrots, grapes, and dusty brown stone-jugs.
All about were a multitude of casts, the fighting gladiator, the discobulus, the Venus of Milo, and hundreds of smaller pieces, masks, torsos, and the heads of the Parthenon horses. Flattened paint-tubes and broken bits of charcoal littered the floor and cluttered the chairs and shelves. A strong odour of turpentine and fixative was in the air, mingled with the stronger odours of linseed oil and sour, stale French bread.
Every afternoon a portrait class of some thirty-odd assembled in one of the larger alcoves near the door. Several of the well-known street characters of the city had posed for this class, and at one time Father Elphick, the white-haired, bare-headed vegetarian, with his crooked stick and white clothes, had sat to it for his head.
Vandover was probably the most promising member of the school. His style was sketchy, conscientious, and full of strength and decision. He worked in large lines, broad surfaces and masses of light or shade. His colour was good, running to purples, reds, and admirable greens, full of bitumen and raw sienna.
Though he had no idea of composition, he was clever enough to acknowledge it. His finished pictures were broad reaches of landscape, deserts, shores, and moors in which he placed solitary figures of men or animals in a way that was very effectiveas, for instance, a great strip of shore and in the foreground the body of a drowned sailor; a lion drinking in the midst of an immense Sahara; or, one that he called "The Remnant of an Army," a dying war horse wandering on an empty plain, the saddle turned under his belly, his mane and tail snarled with burrs.
Some time before there had come to him the idea for a great picture. It was to be his first masterpiece, his salon picture when he should get to Paris. A British cavalryman and his horse, both dying of thirst and wounds, were to be lost on a Soudanese desert, and in the middle distance on a ridge of sand a lion should be drawing in upon them, crouched on his belly, his tail stiff, his lower jaw hanging. The melodrama of the old English "Home Book of Art" still influenced Vandover. He was in love with this idea for a picture and had determined to call it "The Last Enemy." The effects he wished to produce were isolation and intense heat; as to the soldier, he was as yet undecided whether to represent him facing death resignedly, calmly, or grasping the barrel of his useless rifle, determined to fight to the last.