Charles Kingsley - Literary and General Lectures and Essays стр 9.

Шрифт
Фон

For Shelleys nature is utterly womanish.  Not merely his weak points, but his strong ones, are those of a woman.  Tender and pitiful as a woman; and yet, when angry, shrieking, railing, hysterical as a woman.  The physical distaste for meat and fermented liquors, coupled with the hankering after physical horrors, are especially feminine.  The nature of a woman looks out of that wild, beautiful, girlish facethe nature: but not the spirit; not

The reason firm, the temperate will,
Endurance, foresight, strength and skill.

The lawlessness of the man, with the sensibility of the woman. . . .  Alas for him!  He, too, might have discovered what Byron did; for were not his errors avenged upon him within, more terribly even than without?  His cries are like the wails of a child, inarticulate, peevish, irrational; and yet his pain fills his whole being, blackens the very face of nature to him: but he will not confess himself in the wrong.  Once only, if we recollect rightly, the truth flashes across him for a moment, and the clouds of selfish sorrow:

Alas, I have nor hope nor health,
Nor peace within, nor calm around;
Nor that content surpassing wealth
The sage in meditation found,
And walked with inward glory crowned.

Noralas for the spiritual bathos, which follows that short gleam of healthy feeling, and coming to himself

fame nor power, nor love, nor leisure,
Others I see whom these surround,
Smiling they live and call life pleasure,
To me that cup has been dealt in another measure!

Poor Shelley!  As if the peace within, and the calm around, and the content surpassing wealth, were things which were to be put in the same category with fame, and power, and love, and leisure.  As if they were things which could be dealt to any man; instead of depending (as Byron, who, amid all his fearful sins, was a man, knew well enough) upon a mans self, a mans own will, and that will exerted to do a will exterior to itself, to know and to obey a law.  But no, the cloud of sentiment must close over again, and

Yet now despair itself is mild
Even as the winds and waters are;
I could lie down like a tired child,
And weep away this life of care,
Which I have borne, and still must bear,
Till death like sleep might seize on me,
And I might feel in the warm air,
My cheek grow cold, and hear the sea
Breathe oer my dying brain its last monotony!

Too beautiful to laugh at, however empty and sentimental.  True: but why beautiful?  Because there is a certain sincerity in it, which breeds coherence and melody, which, in short, makes it poetry.  But what if such a tone of mind be consciously encouraged, even insincerely affected as the ideal state for a poets mind, as his followers have done?

The mischief which such a man would do is conceivable enough.  He stands out, both by his excellences and his defects, as the spokesman and ideal of all the unrest and unhealth of sensitive young men for many a year after.  His unfulfilled prophecies only help to increase that unrest.  Who shall blame either him for uttering those prophecies, or them for longing for their fulfilment?  Must we not thank the man who gives us fresh hope that this earth will not be always as it is now?  His notion of what it will be may be, as Shelleys was, vague, even in some things wrong and undesirable.  Still, we must accept his hope and faith in the spirit, not in the letter.  So have thousands of young men felt, who would have shrunk with disgust from some of poor Shelleys details of the good time coming.  And shame on him who should wish to rob them of such a hope, even if it interfered with his favourite scheme of unfulfilled prophecy.  So men have felt Shelleys spell a wondrous oneperhaps, they think, a life-giving regenerative one.  And yet what dream at once more shallow and more impossible?  Get rid of kings and priests; marriage may stay, pending discussions on the rights of women.  Let the poet speakwhat he is to say being, of course, a matter of utterly secondary import, provided only that he be a poet; and then the millennium will appear of itself, and the devil be exorcised with a kiss from all heartsexcept, of course, these of pale priests and tyrants with their sneer of cold command (who, it seems, have not been got rid of after all), and the Cossacks and Croats whom they may choose to call to their rescue.  And on the appearance of the said Cossacks and Croats, the poets vision stops short, and all is blank beyond.  A recipe for the production of millenniums which has this one advantage, that it is small enough to be comprehended by the very smallest minds, and reproduced thereby, with a difference, in such spasmodic melodies as seem to those small minds to be imitations of Shelleys nightingale notes.

For nightingale notes they truly are.  In spite of all his faultsand there are few poetic faults in which he does not indulge, to their very highest powerin spite of his interfluous and innumerous, and the rest of his bad Englishin spite of bombast, horrors, maundering, sheer stuff and nonsense of all kinds, there is a plaintive natural melody about this man, such as no other English poet has ever uttered, except Shakespeare in some few immortal songs.  Who that has read Shelley does not recollect scraps worthy to stand by Ariels songchaste, simple, unutterably musical?  Yes, when he will be himselfShelley the scholar and the gentleman and the singerand leave philosophy and politics, which he does not understand, and shriekings and cursings, which are unfit for any civilised and self-respecting man, he is perfect.  Like the American mocking-bird, he is harsh only when aping other mens tuneshis true power lies in his own native wood-notes wild.

But it is not this faculty of his which has been imitated by his scholars; for it is not this faculty which made him their ideal, however it may have attracted them.  All which sensible men deplore in him is that which poetasters have exalted in him.  His morbidity and his doubt have become in their eyes his differential energy, because too often, it was all in him with which they had wit to sympathise.  They found it easy to curse and complain, instead of helping to mend.  So had he.  They found it pleasant to confound institutions with the abuses which defaced them.  So had he.  They found it pleasant to give way to their spleen.  So had he.  They found it pleasant to believe that the poet was to regenerate the world, without having settled with what he was to regenerate it.  So had he.  They found it more pleasant to obey sentiment than inductive laws.  So had he.  They found it more pleasant to hurl about enormous words and startling figures than to examine reverently the awful depths of beauty which lie in the simplest words and the severest figures.  So had he.

And thus arose a spasmodic, vague, extravagant, effeminate, school of poetry, which has been too often hastily and unfairly fathered upon Byron.  Doubtless Byron has helped to its formation; but only in as far as his poems possess, or rather seem to possess, elements in common with Shelleys.  For that conscious struggle against law, by which law is discovered, may easily enough be confounded with the utter repudiation of it.  Both forms of mind will discuss the same questions; both will discuss them freely, with a certain plainness and daring, which may range through all grades, from the bluntness of Socrates down to reckless immodesty and profaneness.  The world will hardly distinguish between the two; it did not in Socrates case, mistaking his reverent irreverence for Atheism, and martyred him accordingly, as it has since martyred Luthers memory.  Probably, too, if a living struggle is going on in the writers mind, he will not have distinguished the two elements in himself; he will be profane when he fancies himself only arguing for truth; he will be only arguing for truth, where he seems to the respectable undoubting to be profane.  And in the meanwhile, whether the respectable understand him or not, the young and the inquiring, much more the distempered, who would be glad to throw off moral law, will sympathise with him often more than he sympathises with himself.  Words thrown off in the heat of passion; shameful self-revealings which he has written with his very hearts blood: ay, even fallacies which he has put into the mouths of dramatic characters for the very purpose of refuting them, or at least of calling on all who read to help him to refute them, and to deliver him from the ugly dreamall these will, by the lazy, the frivolous, the feverish, the discontented, be taken for integral parts and noble traits of the man to whom they are attracted, by finding that he, too, has the same doubts and struggles as themselves, that he has a voice and art to be their spokesman.  And hence arises confusion on confusion, misconception on misconception.  The man is honoured for his dishonour.  Chronic disease is taken for a new type of health; and Byron is admired and imitated for that which Byron is trying to tear out of his own heart, and trample under foot as his curse and bane, something which is not Byrons self, but Byrons house-fiend, and tyrant, and shame.  And in the meanwhile that which calls itself respectability and orthodoxy, and isunless Augustine liedneither of them, stands by; and instead of echoing the voice of Him who said: Come to me ye that are weary and heavy laden, and I will give you rest, mumbles proudly to itself, with the Pharisees of old: This people, which knoweth not the law, is accursed.

Ваша оценка очень важна

0
Шрифт
Фон

Помогите Вашим друзьям узнать о библиотеке

Скачать книгу

Если нет возможности читать онлайн, скачайте книгу файлом для электронной книжки и читайте офлайн.

fb2.zip txt txt.zip rtf.zip a4.pdf a6.pdf mobi.prc epub ios.epub fb3