He proceeds to criticise the other works of Addison, till the epilogue calls his attention to Rowe, whose character he discusses in the same manner, with sufficient freedom and sufficient candour.
The translation of the epistle of Sappho to Phaon is next considered; but Sappho and Ovid are more the subjects of this disquisition, than Pope. We shall, therefore, pass over it to a piece of more importance, the epistle of Eloisa to Abelard, which may justly be regarded, as one of the works on which the reputation of Pope will stand in future times.
The critick pursues Eloisa through all the changes of passion, produces the passages of her letters, to which any allusion is made, and intersperses many agreeable particulars and incidental relations. There is not much profundity of criticism, because the beauties are sentiments of nature, which the learned and the ignorant feel alike. It is justly remarked by him, that the wish of Eloisa, for the happy passage of Abelard into the other world, is formed according to the ideas of mystick devotion.
These are the pieces examined in this volume: whether the remaining part of the work will be one volume, or more, perhaps the writer himself cannot yet inform us 9. This piece is, however, a complete work, so far as it goes; and the writer is of opinion, that he has despatched the chief part of his task; for he ventures to remark, that the reputation of Pope, as a poet, among posterity, will be principally founded on his Windsor Forest, Rape of the Lock, and Eloisa to Abelard; while the facts and characters, alluded to in his late writings, will be forgotten and unknown, and their poignancy and propriety little relished; for wit and satire are transitory and perishable, but nature and passion are eternal.
He has interspersed some passages of Pope's life, with which most readers will be pleased. When Pope was yet a child, his father, who had been a merchant in London, retired to Binfield. He was taught to read by an aunt; and learned to write, without a master, by copying printed books. His father used to order him to make English verses, and would oblige him to correct and retouch them over and over, and, at last, could say, "These are good rhymes."
At eight years of age, he was committed to one Taverner, a priest, who taught him the rudiments of the Latin and Greek. At this time, he met with Ogleby's Homer, which seized his attention; he fell next upon Sandys's Ovid, and remembered these two translations, with pleasure, to the end of his life.
About ten, being at school, near Hyde-park corner, he was taken to the playhouse, and was so struck with the splendour of the drama, that he formed a kind of play out of Ogleby's Homer, intermixed with verses of his own. He persuaded the head boys to act this piece, and Ajax was performed by his master's gardener. They were habited according to the pictures in Ogleby. At twelve, he retired, with his father, to Windsor forest, and formed himself by study in the best English poets.
In this extract, it was thought convenient to dwell chiefly upon such observations, as relate immediately to Pope, without deviating, with the author, into incidental inquiries. We intend to kindle, not to extinguish, curiosity, by this slight sketch of a work, abounding with curious quotations and pleasing disquisitions. He must be much acquainted with literary history, both of remote and late times, who does not find, in this essay, many things which he did not know before; and, if there be any too learned to be instructed in facts or opinions, he may yet properly read this book, as a just specimen of literary moderation.
REVIEW OF A FREE ENQUIRY INTO THE NATURE AND ORIGIN OF EVIL 10
This is a treatise, consisting of six letters, upon a very difficult and important question, which, I am afraid, this author's endeavours will not free from the perplexity which has entangled the speculatists of all ages, and which must always continue while we see but in part. He calls it a Free Enquiry, and, indeed, his freedom is, I think, greater than his modesty. Though he is far from the contemptible arrogance, or the impious licentiousness of Bolingbroke, yet he decides, too easily, upon questions out of the reach of human determination, with too little consideration of mortal weakness, and with too much vivacity for the necessary caution.
In the first letter, on evil in general, he observes, that, "it is the solution of this important question, whence came evil? alone, that can ascertain the moral characteristic of God, without which there is an end of all distinction between good and evil." Yet he begins this inquiry by this declaration: "That there is a supreme being, infinitely powerful, wise, and benevolent, the great creator and preserver of all things, is a truth so clearly demonstrated, that it shall be here taken for granted." What is this, but to say, that we have already reason to grant the existence of those attributes of God, which the present inquiry is designed to prove? The present inquiry is, then, surely made to no purpose. The attributes, to the demonstration of which the solution of this great question is necessary, have been demonstrated, without any solution, or by means of the solution of some former writer.
He rejects the Manichean system, but imputes to it an absurdity, from which, amidst all its absurdities, it seems to be free, and adopts the system of Mr. Pope. "That pain is no evil, if asserted with regard to the individuals who suffer it, is downright nonsense; but if considered as it affects the universal system, is an undoubted truth, and means only, that there is no more pain in it, than what is necessary to the production of happiness. How many soever of these evils, then, force themselves into the creation, so long as the good preponderates, it is a work well worthy of infinite wisdom and benevolence; and, notwithstanding the imperfections of its parts, the whole is, most undoubtedly, perfect." And, in the former part of the letter, he gives the principle of his system in these words: "Omnipotence cannot work contradictions; it can only effect all possible things. But so little are we acquainted with the whole system of nature, that we know not what are possible, and what are not; but if we may judge from that constant mixture of pain with pleasure, and inconveniency with advantage, which we must observe in every thing around us, we have reason to conclude, that, to endue created beings with perfection, that is, to produce good, exclusive of evil, is one of those impossibilities, which even infinite power cannot accomplish."
This is elegant and acute, but will by no means calm discontent, or silence curiosity; for, whether evil can be wholly separated from good or not, it is plain, that they may be mixed, in various degrees, and, as far as human eyes can judge, the degree of evil might have been less, without any impediment to good.
The second letter, on the evils of imperfection, is little more than a paraphrase of Pope's epistles, or, yet less than a paraphrase, a mere translation of poetry into prose. This is, surely, to attack difficulty with very disproportionate abilities, to cut the Gordian knot with very blunt instruments. When we are told of the insufficiency of former solutions, why is one of the latest, which no man can have forgotten, given us again? I am told, that this pamphlet is not the effort of hunger; what can it be, then, but the product of vanity? and yet, how can vanity be gratified by plagiarism or transcription? When this speculatist finds himself prompted to another performance, let him consider, whether he is about to disburden his mind, or employ his fingers; and, if I might venture to offer him a subject, I should wish, that he would solve this question: Why he, that has nothing to write, should desire to be a writer?