More surprised should I be (if modern criticism had not taught me in all matters of assumption the nil admirari), to find it alleged that I have overstated not only the learning of the Norman duke, but that which flourished in Normandy under his reign; for I should have thought that the fact of the learning which sprung up in the most thriving period of that principality; the rapidity of its growth; the benefits it derived from Lanfranc; the encouragement it received from William, had been phenomena too remarkable in the annals of the age, and in the history of literature, to have met with an incredulity which the most moderate amount of information would have sufficed to dispel. Not to refer such sceptics to graver authorities, historical and ecclesiastical, in order to justify my representations of that learning which, under William the Bastard, made the schools of Normandy the popular academies of Europe, a page or two in a book so accessible as Villemains Tableau du Moyen Age, will perhaps suffice to convince them of the hastiness of their censure, and the error of their impressions.
It is stated in the Athenaeum, and, I believe, by a writer whose authority on the merits of opera singers I am far from contesting but of whose competence to instruct the world in any other department of human industry or knowledge I am less persuaded, that I am much mistaken when I represent not merely the clergy but the young soldiers and courtiers of the reign of the Confessor, as well acquainted with the literature of Greece and Rome.
The remark, to say the least of it, is disingenuous. I have done no such thing. This general animadversion is only justified by a reference to the pedantry of the Norman Mallet de Gravilleand it is expressly stated in the text that Mallet de Graville was originally intended for the Church, and that it was the peculiarity of his literary information, rare in a soldier (but for which his earlier studies for the ecclesiastical calling readily account, at a time when the Norman convent of Bec was already so famous for the erudition of its teachers, and the number of its scholars,) that attracted towards him the notice of Lanfranc, and founded his fortunes. Pedantry is made one of his characteristics (as it generally was the characteristic of any man with some pretensions to scholarship, in the earlier ages;) and if he indulges in a classical allusion, whether in taunting a courtier or conversing with a Saxon from the wealds of Kent, it is no more out of keeping with the pedantry ascribed to him, than it is unnatural in Dominie Sampson to rail at Meg Merrilies in Latin, or James the First to examine a young courtier in the same unfamiliar language. Nor should the critic in question, when inviting his readers to condemn me for making Mallet de Graville quote Horace, have omitted to state that de Graville expressly laments that he had never read, nor could even procure, a copy of the Roman poetjudging only of the merits of Horace by an extract in some monkish author, who was equally likely to have picked up his quotation second-hand.
So, when a reference is made either by Graville, or by any one else in the romance, to Homeric fables and personages, a critic who had gone through the ordinary education of an English gentleman would never thereby have assumed that the person so referring had read the poems of Homer themselveshe would have known that Homeric fables, or personages, though not the Homeric poems, were made familiar, by quaint travesties 7, even to the most illiterate audience of the gothic age. It was scarcely more necessary to know Homer then than now, in order to have heard of Ulysses. The writer in the Athenaeum is acquainted with Homeric personages, but who on earth would ever presume to assert that he is acquainted with Homer?
Some doubt has been thrown upon my accuracy in ascribing to the Anglo-Saxon the enjoyments of certain luxuries (gold and silver platethe use of glass, etc.), which were extremely rare in an age much more recent. There is no ground for that doubt; nor is there a single article of such luxury named in the text, for the mention of which I have not ample authority.
I have indeed devoted to this work a degree of research which, if unusual to romance, I cannot consider superfluous when illustrating an age so remote, and events unparalleled in their influence over the destinies of England. Nor am I without the hope, that what the romance-reader at first regards as a defect, he may ultimately acknowledge as a merit;forgiving me that strain on his attention by which alone I could leave distinct in his memory the action and the actors in that solemn tragedy which closed on the field of Hastings, over the corpse of the Last Saxon King.
HAROLD,
THE LAST OF THE SAXON KINGS
BOOK I.
THE NORMAN VISITOR, THE SAXON KING, AND THE DANISH PROPHETESS
CHAPTER I
Merry was the month of May in the year of our Lord 1052. Few were the boys, and few the lasses, who overslept themselves on the first of that buxom month. Long ere the dawn, the crowds had sought mead and woodland, to cut poles and wreathe flowers. Many a mead then lay fair and green beyond the village of Charing, and behind the isle of Thorney, (amidst the brakes and briars of which were then rising fast and fair the Hall and Abbey of Westminster;) many a wood lay dark in the starlight, along the higher ground that sloped from the dank Strand, with its numerous canals or dykes;and on either side of the great road into Kent:flutes and horns sounded far and near through the green places, and laughter and song, and the crash of breaking boughs.
As the dawn came grey up the east, arch and blooming faces bowed down to bathe in the May dew. Patient oxen stood dozing by the hedge-rows, all fragrant with blossoms, till the gay spoilers of the May came forth from the woods with lusty poles, followed by girls with laps full of flowers, which they had caught asleep. The poles were pranked with nosegays, and a chaplet was hung round the horns of every ox. Then towards daybreak, the processions streamed back into the city, through all its gates; boys with their May-gads (peeled willow wands twined with cowslips) going before; and clear through the lively din of the horns and flutes, and amidst the moving grove of branches, choral voices, singing some early Saxon stave, precursor of the later song
We have brought the summer home.
Often in the good old days before the Monk-king reigned, kings and ealdermen had thus gone forth a-maying; but these merriments, savouring of heathenesse, that good prince misliked: nevertheless the song was as blithe, and the boughs were as green, as if king and ealderman had walked in the train.
On the great Kent road, the fairest meads for the cowslip, and the greenest woods for the bough, surrounded a large building that once had belonged to some voluptuous Roman, now all defaced and despoiled; but the boys and the lasses shunned those demesnes; and even in their mirth, as they passed homeward along the road, and saw near the ruined walls, and timbered outbuildings, grey Druid stones (that spoke of an age before either Saxon or Roman invader) gleaming through the dawnthe song was hushedthe very youngest crossed themselves; and the elder, in solemn whispers, suggested the precaution of changing the song into a psalm. For in that old building dwelt Hilda, of famous and dark repute; Hilda, who, despite all law and canon, was still believed to practise the dismal arts of the Wicca and Morthwyrtha (the witch and worshipper of the dead). But once out of sight of those fearful precincts, the psalm was forgotten, and again broke, loud, clear, and silvery, the joyous chorus.