But thou, oh soul, mountest higher and higher. Already the earth is left somewhere at the bottom of the abyss. Thou, light as down, dost pass feathery clouds, which have strayed upon the heights and dost pierce space flooded with splendor-empty and cool. There thou liest upon thine own wings and floatest about in luminous nothingness; higher and higher; and now doth scintillate and change color over thee, in gold and purple, the jewels of heaven, and thou dost frolic and swing in the unattainable ether, serene, freed from the dross of matter as if, beyond the limits of time and space, thou wert already partly admitted into heaven.
The firmament of heaven grows each moment darker, but the moon, great as the world, shines more and more brightly. Already we behold her glistening plains, mangled, wild, studded by mountain peaks, perforated with the blackness of craters, bleak, frosty, and lifeless. Thus in the abyss of space appears this silvery, corpse-like wanderer, who speeds around the earth as if condemned by a divine command to a perpetual race. Above and about her, an immensity which the swooning brain is incapable of comprehending. A new galaxy of stars twinkle sanguinarily and powerfully, like distant fire-places. The music of spheres is heard. Here Eternity fans with her breath and a supernal chill prevails.
Return, over-indulged swan, return, oh soul, before some occult rapids and whirlpools seize thee and tear thee forever from the earth.
Thou returnest from the pinnacle of all-existence, bathed in the waves of infinity, purer and more perfect. Lo, thou furlest thy wings! Look, in the depths beneath are those downy, light clouds, which now thou greetest as thine own and kin. Below, the earth. The protuberances of the mountains flash to the moon; at their feet sobs the sea. And now lower, the vague outlines of forests, enveloped in mist. Again whiten the cities, silent towers and roofs of villages sunk in sleep. The night grows pale. On the moors, ostlers build fires and play on fifes. The roosters crow. The day breaks. It is dawn.
The strains subsided and silence ensued. Marynia stood near the piano with a countenance, composed as usual, but seemingly, awakened from a dream.
The aged notary sat for a while with bowed head, moving his toothless jaws; afterwards he rose, and when the young maid placed the violin beside the key-board, he ardently kissed her hands; after which he threw a challenging look at those present as if he sought the person who would dare to protest against that mark of homage or deem it a superfluous act. Nobody, however, protested because under the enchantment of that music that happened with the listeners which always happens with mankind, when fanned by the breath of genius. As sometimes in a dream it seems to a person that having shoved himself off the earth with his feet, he afterwards reels a long time in the air, so, too, their bodies became lighter, less material, as if deprived of those heavy and gross elements which bound them to the earth. Their nerves became more susceptible and subtle and their souls more volatile, approaching more closely those boundaries on which eternity begins. It was an unconscious feeling; after the passage of which the daily life was to encompass and drag them down. But during this momentary exaltation there awakened within them, unknown to themselves, a power of apprehending, appreciating, and feeling beauty, and in general such things as in their customary moods they had not felt and did not know that they could have felt.
Even the young and unfledged physician, Laskowicz, notwithstanding all his prejudices, could not resist this influence. The moment when Marynia stood up to play, he began to scrutinize her from his dark corner in the salon and examine her form as an anatomist. He was conscious that there was something brutal in this, but such a viewpoint gave him satisfaction, as being proper for an investigator and a man of his convictions. He started to persuade himself that this young lady of the so called higher spheres was for him merely an object which one should examine in the same manner as a corpse on the dissecting-table is examined. So, when tuning her violin, she bent her head, he took a mental inventory of the Latin names of all her cranial bones, repelling the thought which, against his will, rushed to his head that this was, however, an extraordinarily noble skull. Afterwards, during the first moments after the beginning of the concert, he became occupied with the nomenclature of the muscles of her hands, arms, breast, limbs, outlined under her dress and whole figure. But as he was not only a medical student and a socialist, but also a young man, this anatomical review ended in the conclusion that this was a girl, not yet sufficiently developed, but exceedingly pretty and attractive, resembling a spring flower. From that moment he began, to a certain extent, to forgive her connection with spheres living "from the wrongs of the proletariat," and could not get rid of the thought that if, as a result of some unheard-of social upheaval, such "a saintly doll" became dependent upon his favor or disfavor, then such a state of affairs would bring to him an indescribably coy delight.
But when Beethoven placed his hands upon his head, there awakened within him better and higher instincts. He saw during the performance the lips and eyebrows of the young lady contract, and began to concede that "she, however, felt something." In consequence of this, his ill-will towards her began to melt away, although slowly and with difficulty. He half confirmed, half conjectured that not only the hands but also the soul played. He did not have sufficient culture for music to appeal to him as it did, for instance, to Gronski, nevertheless there awakened within him a certain dismal consciousness that this was something, like the air, which all breasts can breathe, regardless of whether they love or hate. Amazement seized him at the thought that there were things lying beyond the swarm of human passions. At the conclusion he so identified music with the figure of the playing girl that when the old notary, at the end of the concert, kissed her hands, he almost felt inclined to do the same.
In the meanwhile, Ladislaus said to Miss Anney:
"As long as Jastrzeb has been Jastrzeb, never yet has such music been heard. I am not a connoisseur, but must admit that this has captivated me. Besides, though I am often in the city, it has always so happened that I never have had an opportunity of seeing a woman play on the violin. And this is so beautiful that I now have an impression that only women should play the violin."
"One gets such an impression when he hears Marynia play."
"Assuredly. I even begin to understand Pan Gronski. You, of course, know that she is his adoration?"
"The greatest in the world. And mine and everybody's who knows her, and soon she will be yours."
"I do not deny that she will be, only I doubt whether she will be the greatest."
A temporary pause in the conversation followed, after which Ladislaus, not desiring that Miss Anney should take his words as an untimely compliment, added:
"In any event, I owe her gratitude for music which is slightly different from that which we hear every evening in spring and summer."
"What kind of music is that?"
"From dusk to moon-rise the orchestra of frogs, and afterwards the concert of nightingales, which, after all, I do not hear, as, after daily toil, I am sound asleep. The frog band has already commenced. This also has its charm. If you care to hear it, let us go out upon the veranda. The night is almost as warm as in summer."
Miss Anney rose and together they went on the veranda, which the servants, who listened under the windows to Marynia's performance, had already left, and only in the distance the blooming jasmines, shaded by the dusk, whitened. From the pond came the croakings of the confederation of frogs, drowsy and, at the same time, resembling choral prayers.