What does that indicate to you?"
"That you're something of a nut," he observed.
I nodded and added, "A nut who can afford to indulge his whims. Therefore a crackpot who can cause a lot of trouble. What's _this_ building worth? A couple million?"
"I don't know." He looked a little uneasy.
"What if someone bought it for an apartment building and you had to go looking for another office?"
"My lease would not be that easy to cancel, Mister Conner."
I chuckled. "... And then," I said, "you were suddenly to find yourself the subject of an inquiry by the local Bar Association?"
He sprang to his feet.
"You _are_ a madman."
"Are you sure? I don't know what the charges would be," I said, "yet. But you know that even an inquiry would give you some trouble--and then if you started running into difficulties finding another place ..." I didn't like doing things this way, but I was in a hurry. So, "Are you sure? Are you very sure that I'm a madman?" I finished.
Then, "No," he said, "I'm not."
"Then, if you've nothing to hide, why not tell me how the arrangements were made? I'm not interested in the substance of any privileged communications, simply the circumstances surrounding the house's being put up for sale. It puzzles me that Ruth didn't leave a message of any sort."
He leaned his head against the back of his chair and studied me through smoke.
"The arrangements were made by phone--"
"She could have been drugged, threatened ..."
"That is ridiculous," he said. "What is your interest in this, anyway?"
"Like I said, she's an old friend."
His eyes widened and then narrowed. A few people still knew who one of Ruth's old friends had been.
"... Also," I continued, "I received a message from her recently, asking me to come see her on a matter of some urgency. She is not here and there is no message, no forwarding address. It smells funny. I am going to find her, Mister DuBois."
He was not blind to the cut and therefore the cost of my suit, and maybe my voice has a somewhat authoritarian edge from years of giving orders. At any rate, he didn't switch on the phone and call for the cops.
"All the arrangements were made over the phone and through the mails," he said. "I honestly do not know where she is presently. She simply said that she was leaving town and wanted me to dispose of the place and everything in it, the money to be deposited in her account at Artists Trust. So I agreed to handle the matter and turned it over to Sunspray." He looked away, looked back. "Now, she did leave a message with me, to be delivered to someone other than yourself should he call here for it. If not, I am to transmit it to that individual after thirty days have elapsed from the time I received it."
"May I inquire as to the identity of that individual?"
"That, sir, _is_ privileged."
"Switch on the phone," I said, "and call 73737373 in Glencoe, reversing the charges. Make it person-to-person to Domenic Malisti, the director of Our Thing Enterprises on this planet. Identify yourself, say to him, 'Baa baa blacksheep' and ask him to identify Lawrence John Conner for you."
DuBois did this, and when he hung up he rose to his feet, crossed the office, opened a small wall safe, removed an envelope and handed it to me. It was sealed, and across the face of it lay the name "Francis Sandow," typewritten.
"Thank you," I said and tore it open.
I fought down my feelings as I regarded the three items the envelope contained. There was another picture of Kathy, different pose, slightly different background, a picture of Ruth, older and a bit heavier but still attractive, and a note.
The note was written in Pei'an. Its salutation named me and was followed by a small sign which is used in holy texts to designate Shimbo, Shrugger of Thunders. It was signed "Green Green," and followed by the ideogram for Belion, who was not one of the twenty-seven Names which lived.
I was perplexed. Very few know the identities of the Name-bearers, and Belion is the traditional enemy of Shimbo. He is the fire god who lives under the earth. He and Shimbo take turns hacking one another up between resurrections.
I read the note. It said, _If you want your women, seek them on the Isle of the Dead. Bodgis, Dan go, Shandon and the dwarf are also waiting_.
Back on Homefree there were tri-dees of Bodgis, Dango, Shandon, Nick, Lady Karle (who might qualify as one of my women) and Kathy. Those were the six pictures I'd received. Now he'd taken Ruth.
Who?
I did not know Green Green from anywhere that I could recall, but of course I knew the Isle of the Dead.
"Thank you," I said again.
"Is something wrong, Mister Sandow?"
"Yes," I said, "but I'll set it right. Don't worry, you're not involved. Forget my name."
"Yes, Mister Conner."
"Good evening."
"Good evening."
* * *
I entered the place on Nuage. I walked through the foyer, the various living rooms. I found her bedroom and searched it. She had left the place completely furnished. She'd also heft several closets and dressers full of clothing, and all sorts of little personal items that you just don't leave behind when you move. It was a funny feeling, walking through that place which had replaced the other place and every now and then seeing something familiar--an antique clock, a painted screen, an inlaid cigarette box--reminding me how life redistributes what once was meaningful amidst- the always to be foreign, killing its personal magic, save in a memory you carry of the time and the place where once it stood, until you meet it again, it troubles you briefly, surrealistically, and then that magic, too, dies away as, punctured by the encounter, emotions you had forgotten are drained from the pictures inside your head. At least, it happened to me that way, as I searched for clues as to what might have occurred. As the hours passed and, one by one, each item in the place was passed through the sieve of my scrutiny, the realization which had come upon me in DuBois' office, the thing that had ridden with me from Homefree since the day the first picture had arrived, completed its circuit: brain to intestines to brain.
I seated myself and lit a cigarette. This was the room where the photo of Ruth had been taken; hers hadn't been the rocks-and-blue-sky setting of the others. I had searched though and found nothing: no evidence of violence, no clue as to the identity of my enemy. I said the words aloud, "My enemy," the first words I had spoken since "Good evening" to the suddenly cooperative, white-haired attorney, and the words sounded strange in that big fishbowl of a place. My enemy.
It was out in the open now.