"I dreamed an entire movie last night," she wrote, "not a scenario but a movie in full color about a Japanese painter named Chardin. And then I dreamed I went back to the garden of the old house in Indiana and found everything the way I'd left it. Even the flowers I'd cut so many years ago were on the back porch, quite fresh. There it was, not as I might remember it, for my memory is failing these days and I couldn't recall anything in such detail, but as a gift to me from some part of my spirit more profound than my memory. And after that I dreamed that I took a train. Out of the window I could see blue water and blue sky. I wasn't quite sure of where I was going but looking through my handbag I found an invitation to spend a weekend with Robert Frost. Of course he's dead and buried and I don't suppose we would have gotten along for more than five minutes but it seemed like some dispensation or bounty of my imagination to have invented such a visit.
"My memory is failing in some quarters but in others it seems quite tenacious and even tiresome. It seems to perform music continuously. I seem to hear music all the time. There is music running through my mind when I wake and it plays all day long. What mystifies me is the variety in quality. Sometimes I wake to the slow movement of the first Razumovsky. You know how I love that. I may have a Vivaldi concerto for breakfast and some Mozart a little later. But sometimes I wake to a frightful Sousa march followed by a chewing gum commercial and a theme from Chopin. I loathe Chopin. Why should my memory torment me by playing music that I loathe? At times my memory seems to reward me; at times it seems vindictive and, while I'm speaking of memory, I must mention little Jamsie. [Jamsie is her Border terrier.] I was waked one night last week at about three by a curious sound. As you know Jamsie sleeps beside my bed and Jamsie was making the noise. She was counting. I distinctly heard her counting. She counted from one to twelve. After this she did the alphabet. She had trouble with her s's of course but I clearly heard her go through the alphabet. I know you'll think I'm mad but if porpoises can talk why not Jamsie? When she finished the alphabet I woke her. She seemed a little embarrassed at having been caught at her lessons but then she smiled at me and we both went back to sleep.
"I suppose you think all of this foolish but at least I don't go in for Tarot cards or astrology and I do not, as my friend Elizabeth Howland does, feel that my windshield wiper gives me sage and coherent advice on my stock market investments. She claimed only last month that her windshield wiper urged her to invest in Merck Chemicals which she did, making a profit of several thousand. I suppose she lies about her losses as gamblers always do. As I say, windshield wipers don't speak to me but I do hear music in the. most unlikely places-especially in the motors of airplanes. Accustomed as I am to the faint drone of transoceanic jets it has made me keenly aware of the complicated music played by the old DC-7s and Constellations that I take to Portugal and Geneva. Once these planes are airborne the harmonics of their engines sound to my ears like some universal music as random and free of reference and time as the makings of a dream. It is far from jubilant music but one would be making a mistake to call it sad. The sounds of a Constellation seem to me more contrapuntal-and in a way less universal than a DC-7. I can trace, as clearly as anything I ever heard in a concert hall, the shift from a major to a diminished seventh, the ascent to an eighth, the reduction to a minor and the resolution of the chord. The sounds have the driving and processional sense of baroque music but they will never, I know from experience, reach a climax and a resolution. The church I attended as a girl in Indiana employed an organist who had never completed his musical education because of financial difficulties or a wayward inability to persevere. He played the organ with some natural brilliance and dexterity but since his musical education had never reached the end of things, what had started out as a forthright and vigorous fugue would collapse into formlessness and vulgarity. The Constellations seem to suffer from the same musical irresolution, the same wayward inability to persevere. The first, second and third voices of the fugue are sounded clearly but then, as with the organist, the force of invention collapses into a series of harmonic meanderings. The engines of a DC-7 seem both more comprehensive and more limited. One night on a flight to Frankfurt I distinctly heard the props get halfway through Gounod's vulgar variations of Bach. I have also heard Handel's Water Music, the death theme from Tosca, the opening of the Messiah, etc. But boarding a DC-7 one night in Innsbruck-the intense cold may have made the difference-I distinctly heard the engines produce some exalting synthesis of all life's sounds-boats and train whistles and the creaking of iron gates and bedsprings and drums and rainwinds and thunder and footsteps and the sounds of singing all seemed woven into a rope or cord of air that ended when the stewardess asked us to observe the No Smoking sign (Nicht Rauchen), an announcement that has come to mean to me that if I am not at home I am at least at my destination.
"Of course I know that you think all of this unimportant. It is no secret to me that you would have preferred a more conventional mother- someone who sent you baked goods and remembered your birthday-but it seems to me that in our knowledge and study of one another we are circumspect and timid to an impractical degree. In our struggle to glimpse the soul of a man-and have we ever desired anything more-we claim to have the honesty of desperation whereas in fact we set up whole artificial structures of acceptable reality and stubbornly refuse to admit the terms by which we live. I will, before I end my letter, bore you with one more observation of fact. What I have to say must be well known to most travelers and yet I would not dare confide my knowledge to an intimate friend, lest I be thought mad. Since you already think me mad I suppose no harm can be done.
"I have noticed, in my travels, that the strange beds I occupy in hotels and pensions have a considerable variance in atmosphere and a profound influence on my dreams. It is a simple fact that we impress something of ourselves-our spirits and our desires-on the mattresses where we lie and I have more than ample evidence to prove my point. One night in Naples last winter I dreamed of washing a drip-dry wardrobe which is, as you well know, something I would never do.