The
For their generous assistance in the research of the book, I would like to acknowledge the Louvre Museum, the French Ministry of Culture, Project Gutenberg, Bibliothèque Nationale, the Gnostic Society Library, the Department of Paintings Study and Documentation Service at the Louvre, Catholic World News, Royal Observatory Greenwich, London Record Society, the Muniment Collection at Westminster Abbey, John Pike and the Federation of American Scientists, and the five members of Opus Dei (three active, two former) who recounted their stories, both positive and negative, regarding their experiences inside Opus Dei.
My gratitude also to Water Street Bookstore for tracking down so many of my research books, my father Richard Brown – mathematics teacher and author – for his assistance with the Divine Proportion and the Fibonacci Sequence, Stan Planton, Sylvie Baudeloque, Peter McGuigan, Francis McInerney, Margie Wachtel, André Vernet, Ken Kelleher at Anchorball Web Media, Cara Sottak, Karyn Popham, Esther Sung, Miriam Abramowitz, William Tunstall-Pedoe, and Griffin Wooden Brown.
And finally, in a novel drawing so heavily on the sacred feminine, I would be remiss if I did not mention the two extraordinary women who have touched my life. First, my mother, Connie Brown – fellow scribe, nurturer, musician, and role model. And my wife, Blythe – art historian, painter, front-line editor, and without a doubt the most astonishingly talented woman I have ever known.
FACT:
The Priory of Sion – a European secret society founded in 1099 – is a real organization. In 1975 Paris’s Bibliothèque Nationale discovered parchments known as
All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate.
As he had anticipated, a thundering iron gate fell nearby, barricading the entrance to the suite. The parquet floor shook. Far off, an alarm began to ring.
The curator lay a moment, gasping for breath, taking stock.
A voice spoke, chillingly close. «Do not move.»
On his hands and knees, the curator froze, turning his head slowly.
Only fifteen feet away, outside the sealed gate, the mountainous silhouette of his attacker stared through the iron bars. He was broad and tall, with ghost-pale skin and thinning white hair. His irises were pink with dark red pupils. The albino drew a pistol from his coat and aimed the barrel through the bars, directly at the curator. «You should not have run.» His accent was not easy to place. «Now tell me where it is.»
«I told you already,» the curator stammered, kneeling defenseless on the floor of the gallery. «I have no idea what you are talking about!»
«You are lying.» The man stared at him, perfectly immobile except for the glint in his ghostly eyes. «You and your brethren possess something that is not yours.»
The curator felt a surge of adrenaline.
«Tonight the rightful guardians will be restored. Tell me where it is hidden, and you will live.» The man leveled his gun at the curator’s head. «Is it a secret you will die for?»
Saunière could not breathe.
The man tilted his head, peering down the barrel of his gun.
Saunière held up his hands in defense. «Wait,» he said slowly. «I will tell you what you need to know.» The curator spoke his next words carefully. The lie he told was one he had rehearsed many times… each time praying he would never have to use it.
When the curator had finished speaking, his assailant smiled smugly. «Yes. This is exactly what the others told me.»
Saunière recoiled.
sénéchaux
The attacker aimed his gun again. «When you are gone, I will be the only one who knows the truth.»
If I die
The man was now taking dead aim at Saunière’s head.
Saunière closed his eyes, his thoughts a swirling tempest of fear and regret. The click of an empty chamber echoed through the corridor. The curator’s eyes flew open.
The man glanced down at his weapon, looking almost amused. He reached for a second clip, but then seemed to reconsider, smirking calmly at Saunière’s gut. «My work here is done.»
The curator looked down and saw the bullet hole in his white linen shirt. It was framed by a small circle of blood a few inches below his breastbone.
«Pain is good, monsieur,» the man said. Then he was gone. Alone now, Jacques Saunière turned his gaze again to the iron gate. He was trapped, and the doors could not be reopened for at least twenty minutes. By the time anyone got to him, he would be dead. Even so, the fear that now gripped him was a fear far greater than that of his own death.
I must pass on the secret.
Staggering to his feet, he pictured his three murdered brethren. He thought of the generations who had come before them… of the mission with which they had all been entrusted.
An unbroken chain of knowledge.
Suddenly, now, despite all the precautions… despite all the fail-safes… Jacques Saunière was the only remaining link, the sole guardian of one of the most powerful secrets ever kept.
Shivering, he pulled himself to his feet.
I must find some way… .
He was trapped inside the Grand Gallery, and there existed only one person on earth to whom he could pass the torch. Saunière gazed up at the walls of his opulent prison. A collection of the world’s most famous paintings seemed to smile down on him like old friends.
Wincing in pain, he summoned all of his faculties and strength. The desperate task before him, he knew, would require every remaining second of his life.
Where the hell am I?
The jacquard bathrobe hanging on his bedpost bore the monogram:
«Monsieur Langdon?» a man’s voice said. «I hope I have not awoken you?»
Dazed, Langdon looked at the bedside clock. It was 12:32 A. M. He had been asleep only an hour, but he felt like the dead.
«This is the concierge, monsieur. I apologize for this intrusion, but you have a visitor. He insists it is urgent.»
Langdon still felt fuzzy. A visitor? His eyes focused now on a crumpled flyer on his bedside table.