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"What's that cheer for?" asked papa, looking down into Jimmieboy's face, and
grabbing the Pencil, which was on the point of falling to the floor.
"It's for Dream Poetry," murmured Jimmieboy, getting drowsy again. "I've just dreamed a lot. It's on the Pad."
"Indeed!" said papa, with a sly wink at mamma. "Let's get the Pad and read it."
The little fellow straightened up and ran across to the desk, and, grasping the Pad firmly in his hands, handed it to his father to read.
"H'm!" said papa, staring at the leaf before him. "Blank verse."
"Read it," said Jimmieboy.
"I can't to-night, my boy," he answered. "My eyes are too weak for me to see dream writing."
For between you and me that was the only kind of writing there was on that Pad.
IV. A SUBTERRANEAN MUTINY
The strangest experience that Jimmieboy ever had with this bit of stone, however, was one warm afternoon last summer. It was at the drowsy period of the day. The tennis players were indulging in a game, which, to the little onlooker, was unusually dull, and he was on the point of starting off in pursuit of something, it mattered not what, so long as it was interesting enough to keep him awake, when he observed a most peculiar thing about the flat stone. It had unquestionably become transparent! Jimmieboy could see through it, and what he saw was of most unexpected quality.
"Dear me!" he ejaculated, "how very queer. This rock is made of glass."
Then he peered down through it, and saw a beautiful marble staircase running down into the earth, at the foot of which was a great door that looked as though it was made of silver, and the key was of gold. At the sides of the staircase, hanging upon the walls, were pictures of strange little men and women, but unlike the men and women in other pictures, they moved about, and talked, and romped, and seemed to enjoy themselves hugely. Great pictures were they indeed to Jimmieboy's mind, because they were constantly changing, like the designs in his kaleidoscope.
"I must get down there," he said, softly, to himself. "But how?"
As he spoke the door at the foot of the steps opened, and a small creature, for all the world like the goblin in Jimmieboy's fairy book, poked his head out. The goblin looked all about him, and then turning his eyes upward until they met those of the boy, he cried out:
"Hullo! Are you the toy peddler?"
"No," replied Jimmieboy.
"Then you are the milk broker, or the potato merchant, and we don't want any milk or any potatoes."
The goblin slammed the door when he had said this, and with such a bang that all the little people in the pictures ran to the edge of the frame and peered out to see what was the matter. One poor little fellow, who had been tending sheep in a picture half-way up the stairs, leaned out so far that he lost his balance and tumbled out head over heels. The sheep scampered over the hill and disappeared in the background of the painting.
"Poor little shepherd boy!" said Jimmieboy. "I hope you are not hurt!"
The shepherd boy looked up gratefully at the speaker, and said he wasn't, except in his feelings.
"Is there any way for me to get in there?" asked Jimmieboy.
"No, sir," said the shepherd boy. "That is, not all of you. Part of you can come in."
"Ho!" said Jimmieboy. "I can't divide myself up."
"Yes, you can," returned the shepherd boy. "It's easy enough, when you know how, but I suppose you don't know how, not having studied arithmetic. You can't even add, much less divide."
"Maybe you can tell me how," said Jimmieboy.
"Certainly, I can," said the shepherd boy. "The part of you that can come in is your eye, and your ear, and your voice. All the rest of you must stay out."
"But how do I get 'em in?" asked Jimmieboy.
"They are in now," said the other. "You can see me, you can hear me, and I can hear you."
"But I can't see what's beyond that door."
"Oh, we'll fix that," said the little shepherd. "I'll knock on the door, and when
it is opened you can tell the goblin that you want to see what he's got, and he'll show it all to you if you tell him that your father is the man who didn't blast the rock out."
The shepherd boy then went softly down the stairs, knocked on the door, and before it was opened had flown back to his duties in the picture. Then, as he had intimated, the goblin opened the door again, and poking his head out as before, cried:
"Is that you, milk broker?"