Paine Albert Bigelow - The Mystery of Evelin Delorme: A Hypnotic Story стр 3.

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"I I beg pardon," he said, somewhat abruptly at length; "have you ever had a portrait before?"

His voice was rich and musical, and the face before him brightened.

"Oh, no! And it is only by accident that I am having one now. I was passing and saw your name; I knew it by reputation, and it occurred to me all at once that I would sit for my picture. Perhaps I should have waited and worn a different dress. It was only a passing impulse. It never occurred to me before; I cannot tell why it did now."

The animation and the faint blush that had crept over her face while she spoke were enchanting. The artist was delighted.

"Your dress could not have been better chosen, and the impulse was surely an inspiration," he said, smiling, "and perhaps," he added, "you may have a friend or a a relative who has had, or is having a portrait, which suggested the idea."

As he paused he looked at her inquiringly. The look of weariness had returned to her face.

"No; I have no relatives, and" she blushed deeply and was silent.

"Forgive me," he said, earnestly; "I did not intend to be inquisitive."

She did not reply in words, but as she lifted her eyes there was a tenderness there that awakened within him all the sympathy, the nobleness and the affection of his purer and better nature. Their eyes met, and in a single moment there was formed between

them an invisible bond which both felt and neither sought to conceal. No word was spoken. The artist painted on in silence; but a new light had come into his sitter's face, and a new source of inspiration into his own heart.

For a long time neither spoke. A dreamy hush seemed to creep in with the sweet odors from the garden, and, with them, a summer restfulness and peace. The yellow butterfly that had been hovering about them, flitting this way and that, came closer and closer, and at last settled fearlessly upon one of the gloved hands that lay folded in the sitter's lap. She watched it for a moment, then looked up at the painter with a smile.

"The insect has a true instinct," he said, gently; "it has no fear of capture."

"No; I should only hurt it and destroy its beauty."

"Butterflies," said the artist, "are like beautiful thoughts. They hover mistily about us, flitting away whenever we attempt to capture them; and if at last we are successful we find only too often that their wings have lost the delicacy of their bloom."

"Yes; I have felt that many times."

While she spoke the insect rose hastily in the air as if frightened, and, circling about for a moment above them, darted out through the open window.

"I have heard they are emblems of inconstancy, too," she said, thoughtfully, as it disappeared.

A faint glow of crimson suffused for an instant the olive face before her, but he forced a smile and did not reply.

The rest of the afternoon slipped away with but little interchange of words between artist and sitter. When either spoke the words were few and simple, but there was a tenderness in their voices that uttered more than the spoken syllables.

The face on the canvas was growing rapidly. He had already worked longer than he usually did at the first sitting, and yet he could not bear to let her go. He had seen her for the first time less than two hours before; he did not even know her name. The little white card which she had given him he had glanced at without reading. He had only seen her features, and heard only the gentle voice that had made known her errand. And now he wondered if it were possible that only a few hours before she had had no part in his life; a life wherein there had been many lights and shadows, and the shadows had been ever as broad and somber as the lights had been bold and brilliant.

II

He had painted until the light had begun to grow yellow and dim, then he had reluctantly told his sitter that he could do no more for that day.

"And when shall I come again?" she had asked.

He would have said, "Come to-morrow," had he dared; but remembering other engagements, and knowing that the work could not be continued so soon, he had hesitated before replying.

"I can go on with the picture in two or three days; come as soon after that as as you wish," he said, softly.

Their eyes met for a moment; the delicate color deepened in her cheeks, her lips murmured a half inaudible word of adieu, and she was gone.

Julian left alone had flung himself into a large chair that stood near the window, and looked out upon the little garden beyond. It was June. The days were long and the sun was still touching the tops of the locust trees. He was away from the bustle of the city, and an atmosphere of peace almost like that of the country was about him. All at once he covered his face with his hands, pressing his fingers hard into his eyes.

"I love her, I love her," he groaned; "she is an angel from heaven, and I oh, my God! if she knew she would hate me."

He rose and stood before the face on the easel; then, as if suddenly recollecting, he approached the canvas that was turned face to the wall, and which once before that day had claimed his attention, and, facing it nervously about, placed it beneath the other.

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