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"Very," said I carelessly. "But I suppose we've got to get used to this sort of thing."
"I suppose so," he agreed; "but just the same for a man in your business I should think it would be something awful. Don't it get on your nerves?"
"What do you know about my business?" I asked, my curiosity aroused.
"Oh," he laughed, "I know who you are. I read one of your books once. I've forgotten what it was about; but it had your picture in the front of it, and I knew you the minute I saw you. Besides I was down in Tucson the other day, and you're going to lecture at Tucson Tuesday night, aren't you?"
"I am if I ever get there," said I. "At this rate of speed I'm afraid it'll be season after next."
"Well, they'll be ready for you when you arrive," he chuckled. "They've got your picture plastered all over the place. It's in every drug-store and saloon window in the town. They've got it tacked onto every tree, hydrant, hitching post, billboard, and pump, from the railway station out to the university and back. I ain't sure that there ain't a few of 'em nailed onto the ash barrels. You can't look anywhere without seeing John Kendrick Bangs staring out at you from the depths of a photographer's arm chair. Fact is," he added with a whimsical wink, "I left Tucson to get away from the Bangs rash that's broken out all over the place, and, by Jehosaphat! I get aboard this train, and there sets the original !"
I laughed and handed the old fellow a cigar, which he accepted with avidity, biting off at least a quarter of it in his eagerness to get down to business.
"I'm not so bad as I'm lithographed," I said facetiously.
"So I see," he replied, "and it must be some comfort to you to realize that if you ever get down and out financially you've got a first-class case for libel against the feller that lithographed you."
He puffed away in silence for a minute or two, and then leaning over the arm of his seat he re-opened the conversation.
"I say, Mr. Bangs," he said, rather wistfully, I thought, "you must read a great deal from one year's end to another maybe you could recommend one or two good books for me?"
It was something of a poser. Somehow or other he did not suggest at first glance anything remotely connected with a literary taste, and I temporized with the problem.
"Why, yes," I answered cautiously. "I do run through a good many books in the course of a year; but I don't like to prescribe a course of literary treatment for a man unless I have had time to diagnose his case, and get at his symptoms. You know you mightn't like the same sort of thing that I do."
"That may be so too," he observed coolly. "But we've got some time on our hands suppose you try me and find out. I'm willin' to testify. Fire ahead nothin' like a few experiments."
"Well," said I, "personally I prefer biography to any other kind of reading. I like novels well enough; but after all I'd rather read the story of one real man's life, sympathetically presented, than any number of absorbing tales concerning the deeds and emotions of the fictitious creatures of a novelist's fancy. I like Boswell better than Fielding, and Dr. Johnson is vastly more interesting to me than Tom Jones."
"Same here," said my new friend. "That's what I've always said.
What's the use of puttin' in all your time on fiction when there's so much romance to be found in the real thing? The only trouble is that there ain't much in the way of good biography written these days is there?"
"Oh, yes, there is," said I. "There's plenty of it, and now and then we come upon something that is tremendously stimulating. I don't suppose it would interest you very much, but I have just finished a two-volume life of a great painter it is called 'Memorials of Edward Burne-Jones,' written by his wife."
The old man's face fairly shone with interest as I spoke, and reaching down into the inner pocket of his ragged coat he produced a time-smeared, pocket-worn envelop upon which to make a memorandum, and then after rummaging around in the mysterious recesses of an over-large waistcoat for a moment or two he brought forth the merest stub of a pencil.
"Who publishes that book?" he asked, leaning forward and gazing eagerly into my face.
"Why the Macmillan Company," I replied, somewhat abashed. "But would you be interested in that?"
And then came the illuminating moment I fear its radiance even affected the color of my cheeks when I thought of my somewhat patronizing manner of a moment before.
"I guess I would be interested in that!" he replied with a real show of enthusiasm. "I've always been interested in that whole Preraphaelite movement! "
I tried manfully to conceal my astonishment; but I am very much afraid that in spite of all my efforts my eyes gave my real feelings away. I swallowed hard, and stared, and the old man chuckled as he went on.
"They were a great bunch, that crowd," he observed reflectively, "and I don't suppose the world realizes yet what we owe to them and their influence. Burne-Jones, William Morris, Madox Brown, Holman Hunt, and Rossetti I suppose you know your Rossetti like a book?"