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The flowers that Florence used to carry were from her own garden, I like to think. Both at Lea Hurst and Embley, she and her sister had each her own little garden and gardening tools. Florence was a good gardener; indeed, I think she was a good everything that she tried to be, just because she tried. She dug, and sowed, and watered, pruned and tied up and did all the things a garden needs; and so her garden was full of flowers all summer long, giving delight to her and to every sick or lonely or sorrowful person for miles around.
As Florence and her sister grew older they became more and more helpful to their parents in the good works that they both loved to carry on. I have read a delightful account of the "feast day" of the village school-children, as it used to be given at Lea Hurst when Florence was a girl.
The children gathered together at the school-house, all in their best frocks and pinafores, and walked in procession up the street and through the fields to Lea Hurst. Each child carried a posy and a stick wreathed with flowers, and at the head of the procession marched a band of music, provided by the good squire. In the field below the garden tables were set, and here Mrs. Nightingale and her daughters, aided by the servants, served tea and buns and cakes, waiting on their little guests, and seeing that every child got all he wanted or at least all that was good for him. Then when all
had eaten and drunk their fill, the band struck up, and the boys and girls danced on the green to their hearts' content.
What did they dance? Polkas, perhaps, and the redowa, a pretty round dance with a good deal of stamping in it; and of course Sir Roger de Coverley, which is very like our Virginia Reel. (If you do not know about Sir Roger de Coverley himself, ask papa to tell you or read you about him, for he is one of the pleasantest persons you will ever know.)
Perhaps they sang, too; perhaps they sang the pretty old Maypole Song. Do you know it?
All about Lea Hurst, in many and many a pleasant cottage home, those little gifts are treasured to-day like the relics of some blessed saint; which indeed is just what they are. The saint is still living, and some of the children of the school feasts are living, too, and now in their age will show with pride and joy the gifts they received long ago from the hands of the beloved Miss Florence.
As Florence grew up to womanhood she found more and more work to do. There were mills and factories in the neighborhood of Lea Hurst; and in the hosiery mills, especially, hundreds of women and girls were employed, many of whom lived on the Nightingale estate.
She may have been seventeen or eighteen when she started her Bible class for the young women of the district, holding it in the tiny ancient chapel at Lea Hurst which I described in the first chapter. Gathering the girls around her, she would read a chapter from the Bible, and then give them her thoughts about it, and explain the difficult passages; then they would all sing together, her sweet, clear voice leading the hymns. Here is another memory very precious to the old women who were once those happy girls. They love to tell "how beautifully Miss Florence used to talk."
Long years after, when Miss Nightingale, spent with her noble labors, would come to Lea Hurst for a time of rest and refreshment, the daughters of these girls counted it a high privilege to gather on the lawn under her window and sing to her as she sat in the room above; and would go home proud and happy as queens if they had seen the saintly face smiling from the window.
Shall I try to show you Florence Nightingale at seventeen? Her face was little changed from that of the girl we saw in the cottage, cheering old Goody Brown. She still wore her hair brushed smoothly "Madonna-wise" on either side her face; often, now, she wore a rose at the side, tucked in among the shining braids or coils. You would think her frocks very queer if you saw them to-day, but then they were extremely pretty; full skirts (no crinoline! that was to come
later) and full sleeves, with broad flat collar of lace or embroidery. When she went to church or to make visits she wore a spencer, a kind of full plaited jacket with a belt, something like a Norfolk jacket only different! and a Leghorn bonnet. You have seen pictures of the Leghorn bonnets of the Thirties and Forties; "coal-scuttles," some people called them, and they were something the shape of a scuttle. Some of them were enormous in size, and they look queer enough now in the pictures, or if your grandmamma had a way of keeping things in the "dress-up" trunk or cupboard in the attic. But people who were young in those days tell me that they were extremely becoming, and that a pretty face never looked prettier that when it peeped out from the depths of a huge straw "coal-scuttle."