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After reaching the foot of the mountain we found our jinrikisha men, each with his little chaise, ready to trot off for Yokohama, about thirty-five miles distant. Along the road, as we progressed, evidences met the eye of fine agricultural results; the fields and meadows were cultivated to the highest point, entirely by hand. No plows are used; every foot of the soil is spaded by men and women. We were told that it was rather late in the season for the cotton to remain unharvested, but the thrifty fields showed us an abundant crop of the yellow-white vegetable fleece, in little balls like Marshal Niel roses. The absence of domestic cattle was conspicuous. A few cows and sheep, browsing here and there, would have completed a delightful picture of rural life. Occasionally, when the men stopped at a wayside tea-house for a cup of their simple beverage, the only stimulant or refreshment they desired, we walked on in advance of them, observing the snowy head of Fujiyama, the pride of Japan, and which every native artist is sure to introduce into his pictures, no matter where located.
As we passed near a humble cottage, a youthful mother was observed at play with her little nude, brown baby. It lay upon its back on the green sward with wild flowers clutched in either tiny fist, itself only a blossom of humanity, crowing and laughing at its mother's pranks, as she kneeled over it. It was difficult to say which exhibited the more pleasure in the occupation. The Japanese become mothers frequently at fourteen, and here was one who was certainly no older, as brown and nearly as naked as her baby. We had surprised her at this maternal game, and she rose to her feet folding her hands before her, while looking half abashed at the passing strangers. It was a pretty tableau.
As we dashed over the smooth road at a lively pace the glowing sunset painted scarlet the white turbaned head of the distant mountain, while it bronzed and gilded the clouds in the west. Opal fires burned all over the sky, as the twilight threw its amber hues about us, and presently the men halted, each taking out a funny little painted paper lantern from under the seat, and lighted a candle inside of it, which they hung on the end of the shafts. We went on then along the narrow way in a procession of six jinrikishas, the men on the full jump; for the approaching lights of the city inspired them to extra exertion, and they shouted cries of encouragement and emulation to each other, and pressed forward with increased speed. Altogether it was a very characteristic scene, as we rolled into Yokohama at a mad gallop that night, returning from the Hakone Pass.
As a rule, one has little patience with the foreign jugglers who annoy and importune travelers to witness performances of snake-charming, sleight of hand, and deceptive tricks generally, to the sound of a fife and drum, but we witnessed one exhibition at Yokohama in the open air, which was remarkable, not for any mystery about it, but as showing to what degree of adroitness and skill the human hands may be trained by patient practice. The performer was a middle-aged man who had just closed a series of the stereotyped tricks before the British Consulate. It was a new exhibition to us, though one that is well known, and which we saw indifferently imitated afterwards in China. As has been said it was out-of-doors, but the air was perfectly still. The performer took a sheet of thin white paper, and tearing it so as to obtain two small square bits, each an inch and a half in size, he rapidly twisted them so as to rudely represent butterflies, and tossed them into the air. Instantly drawing a fan from his girdle and spreading it, he kept them suspended by its action in so remarkable a manner that it seemed as though they must possess individual vitality. They were not permitted to separate any great distance from each other, but the delicate force of the fan was so scientifically applied as to guide them sometimes from, and sometimes towards each other, now fluttering aloft as though pursuing some object, then turning together as in a loving embrace, and again separating, so that it was a marvel how the same hand could impart the dual motion. Presently they were made to light upon an object close at hand, the arm of one of the group of spectators, then dexterously to rise again. But, most difficult of all, they would rest for an instant on the tip of the fan itself, until promptly aided by the performer's breath, the bits of paper were again launched into the air to go on with their gyrations. The adroit performer never for one moment took his eyes off the artificial insects: it would have broken the charm at once. In using the fan, the juggler seemed scarcely to exert the muscles of the arm at all. The effort came from the wrist, as an adroit swordsman handles his weapon. Years of patient practice must have been required to enable that man to impart vitality to bits of paper in such an extraordinary manner.
Tokio, the political capital of Japan, is situated about twenty miles from Yokohama, and November 3d, being the Mikado's birthday, we went thither to see him review the local troops. A large field near the citadel was chosen for the display, and all Tokio turned out to witness it, forming about as conglomerate a mass of humanity as can be conceived of; brilliant in its array of brightly dressed and painted women, not ladies, for Tokio, like Paris, has its demi-monde. The number of babies present was amazing. There were young mothers with their infants strapped to their backs, and old women with their grandchildren fastened to theirs. Each young boy and girl of nine or ten years had a baby brother or sister secured to his or her back, and there were men with babies in their arms, though this is unusual in Japan. The infantry among the spectators outnumbered the infantry in the field. No matter where one goes, on the coast or inland, the extraordinary number of young children forms a marked feature.
There were about five thousand men in line, representing the several arms of the service, all dressed in European costume, and mostly officered by foreigners. The Mikado reviewed the troops on horseback in due form, and made a very good appearance accompanied by a well-appointed suite. The military display, being conducted upon imported ideas, was very like such a ceremony in America, save that the cavalry was small in numbers, riding upon the merest caricatures of horses, ponies about the size of Newfoundland dogs; but what they lacked in size they made up in viciousness, so that it was about all the gallant cavalry could do to keep in their saddles. Indeed, many of them came to grief, spread out like galvanized bullfrogs upon the greensward, while their horses scampered off the field.
Tokio must contain over half a million of people. There is said to be over a million, but this may be doubted, though geographically it covers more ground than London. It is well laid out, with broad streets and good roads, and has a thorough police arrangement, having adopted numerous European and American ideas. The city is intersected by many canals and river courses, one bridge especially attracting our attention, the Bridge of Japan, which is to this country what the golden mile-stone was in the Forum at Rome: all distances throughout the empire are measured from it. The review having taken place in the early morning, we had a large portion of the day to visit places of interest in the town. Among these was the renowned temple of Shiba, which is over six centuries in age, composed of numerous kiosk-like buildings, looking more like immense lacquered jewel cases than anything else. There are many broad walks and courts, and stone pillars for lanterns, lofty trees and sacred tombs, for here lie buried most of the by-gone Tycoons. The temple portion of this vast space contains a great amount of gold, silver, bronze, and carved articles, the intrinsic value of which aggregates millions of dollars. Where could such an accumulation of wealth come from? History knows nothing of the importation of the precious metals, though it is true they are found in more or less abundance all over the country. Copper of the best and purest quality is a native product, the exportation of which is prohibited, and mining for the precious metals is carried on to but a very limited extent. The temple of Shiba is located near the centre of the population, occupying many acres of ground, walled in and shaded by a thick growth of trees, whose branches are black with thousands of undisturbed rooks and pigeons. The principal characteristic of the architecture is its boldness of relief, overhanging roofs, heavy brackets and carvings. The doors are of bronze, in bas-relief.