Those who have never tried it may fancy that there is a lack of incident in a holiday in bed. There could not be a more monstrous mistake. You are in the middle of a chapter, when suddenly you hear a step upon the stair. Your loving ears tell you that your wife has returned, and is hastening to you. Now, what happens? The book disappears beneath the pillow, and when she enters the room softly you are lying there with your eyes shut. This is not merely incident; it is drama.
What happens next depends on circumstances. She says in a low voice
"Are you feeling any easier now, John?"
No answer.
"Oh, I believe he is sleeping."
Then she steals from the room, and you begin to read again.
During a holiday in bed one never thinks, of course, of analyzing his actions. If you had done so in this instance, you would have seen that you pretended sleep because you had got to an exciting passage. You love your wife, but, wife or no wife, you must see how the passage ends.
Possibly the little scene plays differently, as thus
"John, are you feeling any easier now?"
No answer.
"Are you asleep?"
No answer.
"What a pity! I don't want to waken him, and yet the fowl will be spoilt."
"Is that you back, Marion?"
"Yes, dear; I thought you were asleep."
"No, only thinking."
"You think too much, dear. I have cooked a chicken for you."
"I have no appetite."
"I'm so sorry, but I can give it to the children."
"Oh, as it's cooked, you may as well bring it up."
In that case the reason of your
change of action is obvious. But why do you not let your wife know that you have been reading? This is another matter that you never reason about. Perhaps, it is because of your craving for sympathy, and you fear that if you were seen enjoying a novel the sympathy would go. Or, perhaps, it is that a holiday in bed is never perfect without a secret. Monotony must be guarded against, and so long as you keep the book to yourself your holiday in bed is a healthy excitement. A stolen book (as we may call it) is like stolen fruit, sweeter than what you can devour openly. The boy enjoys his stolen apple, because at any moment he may have to slip it down the leg of his trousers, and pretend that he has merely climbed the tree to enjoy the scenery. You enjoy your book doubly because you feel that it is a forbidden pleasure. Or, do you conceal the book from your wife lest she should think that you are over-exerting yourself? She must not be made anxious on your account. Ah, that is it.
People who pretend (for it must be pretence) that they enjoy their holiday in the country, explain that the hills or the sea gave them such an appetite. I could never myself feel the delight of being able to manage an extra herring for breakfast, but it should be pointed out that neither mountains nor oceans give you such an appetite as a holiday in bed. What makes people eat more anywhere is that they have nothing else to do, and in bed you have lots of time for meals. As for the quality of the food supplied, there is no comparison. In the Highlands it is ham and eggs all day till you sicken. At the seaside it is fish till the bones stick in your mouth. But in bed oh, there you get something worth eating. You don't take three big meals a day, but twelve little ones, and each time it is something different from the last. There are delicacies for breakfast, for your four luncheons and your five dinners. You explain to your wife that you have lost your appetite, and she believes you, but at the same time she has the sense to hurry on your dinner. At the clatter of dishes (for which you have been lying listening) you raise your poor head, and say faintly:
"Really, Marion, I can't touch food."
"But this is nothing," she says, "only the wing of a partridge."
You take a side glance at it, and see that there is also the other wing and the body and two legs. Your alarm thus dispelled, you say
"I really can't."
"But, dear, it is so beautifully cooked."
"Yes; but I have no appetite."
"But try to take it, John, for my sake."
Then for her sake you say she can leave it on the chair, and perhaps you will just taste it. As soon as she has gone you devour that partridge, and when she comes back she has the sense to say
"Why, you have scarcely eaten anything. What could you take for supper?"
You say you can take nothing, but if she likes she can cook a large sole, only you won't be able to touch it.
"Poor dear!" she says, "your appetite has completely gone," and then she rushes to the kitchen to cook the sole with her own hands. In half-an-hour she steals into your room with it, and then you (who have been wondering why she is such a time) start up protesting,
"I hope, Marion, this is nothing for me."
"Only the least little bit of a sole, dear."
"But I told you I could eat nothing."
"Well, this is nothing, it is so small."
You look again, and see with relief that it is a large sole.
"I would much rather that you took it away."
"But, dear "
"I tell you I have no appetite."