'I see,' said Talma with a half-ironical smile, 'he is turned quite Flemish. Poor fellow! to what has he come?to smoking tobacco, and losing all faith in art. Persecution does more harm than the guillotine,' added the tragedian in a tone of bitterness. 'There is a living death. David's exile has deprived us of many a chef-d'œuvre . I can forgive the Restoration for surrounding itself with nobodies, but it need not banish our men of talent: they are not to be found now-a-days in every corner. But enough. Another word, and we should be talking politics.'
Leonidas finished shaving like any other man; and then turned suddenly to his friend: 'I bet you ten napoleons,' said he, 'that David would have come to the play had I gone myself to him with the invitation! I intended it, but I had not time; these rehearsals kill meI might as well be a galley-slave. However, I have about three-quarters of an hour to myself now, and I will go beard the old Roman in his stronghold. What say you to going with me?'
It would have been difficult to name a place to which M. Lesec would not have gone, to have the honour of being seen arm-in-arm with the great Talma; and in another half hour they were on their way across the Place de la Monnaie into the Rue Pierre Plate.
'Now for a storm!' said Lesec. 'We are in for it: so be prepared. I leave it all on your shoulders, noble sir, for I must keep clear of him.'
'Is he, then, so entirely changed?' exclaimed Talma, quickening his pace. 'Poor exile! unhappy genius! torn from thy native soil, to languish and die!'
The visitors soon reached the large, though somewhat dilapidated mansion of the celebrated artist; and after they had been reconnoitred through a small grating by an old female servant, they were ushered into a rather gloomy apartment, presenting a singular discrepancy between its antique decorations and modern furniture.
The illustrious exile came out of an adjoining apartment in his dressing-gown, and advanced towards them with a quick yet almost majestic step, though his form was slightly bent, apparently by age. To Talma's great surprise, David received him most cordially, even throwing away his usually inseparable companion, a long pipe, to grasp both his hands. 'Welcome, welcome, my old friend!' he said; 'you could not have come at a better time. I have not for many a day felt so happy, and the sight of you is a great addition.' And the old painter kept rubbing his hands, a token with him of exuberant satisfaction.
Talma looked at Lesec as much as to say: 'The devil is not quite so black as he is painted;' while the worthy collector only shrugged his shoulders, and lifted his eyebrows in pantomimic expression of his inability to comprehend such a sudden change in the atmosphere.
'You must promise to come and dine with me to-morrow,' continued the painter, accompanying his invitation with a smile, or rather a grin, for David's face was very much disfigured by a wen on his cheek, which also,
by causing a twitching of the jaw, rendered his articulation indistinct.
'To my great regret, I am obliged to decline your invitation, my dear friend,' said Talma. 'This is my last night here, and I must set off for Paris to-morrow.'
'Set off to-morrow!'
'Positively. Michelet and Dumas have the whole management on their shoulders, and are pressing my return; and Lemercier is only waiting for me to read to us a sort of Richard the Third .'
'Nevertheless, you dine with me to-morrow. One day longer will not matter to them, and is a great matter to me. I suspect Lemercier's Richard the Third is cold enough to keep a little longer. I am to have my friend Girodet with me; so dine with us you must. It will make me grow young again, man, and bring back the happy meetings at Moliker's, near the gate of the Louvre.'
The illustrious exile accompanied this sentence with another of his grim smiles. The actor was deeply moved by it, for in that bitter smile he read how the artist pined for his country. 'I will stay with you, I will stay with you, dear David!' now eagerly cried Talma. 'For your sake, I will desert my post, and steal a holiday from my Paris friends; but it can only be on condition that you, too, will make a little sacrifice for me, and come this evening to see me in Leonidas.'
'Well, I don't care if I do,' answered the painter, whom the sight of one friend, and the expectation of seeing another, had made quite a different being from the David of the morning. 'Here goes for Leonidas; but, remember, I give you fair warningI shall go to sleep. I have scarcely ever been in a theatre that I did not take a sound nap.'
'But when Talma plays, plaudits will keep you awake, M. David,' said the courtly M. Lesec; and this seasonable compliment obtained for him a smile, and an invitation for the next day, so flattering to his vanity that, even at the risk of compromising himself with the Prince of Orange, he unhesitatingly accepted.
That evening, between six and seven o'clock, the old French painter, a Baron of the Empire, entered the theatre in full dress, and with a new red ribbon in his button-hole; but, as if shrinking from notice, he took his seat at the back of the stage-box, reserved for him by his friend Talma, with M. Lesec by his side, prouder, more elated, more frizzled and befrilled, than if he had been appointed first-commissioner of finance. But notwithstanding all the care of the modest artist to preserve his incognito, it was soon whispered through the theatre that he was one of the audience; and it was not long before he was pointed out, when instantly the whole house stood up respectfully, and repeated cheers echoed from pit to vaulted roof. The prince himself was among the first to offer this tribute to the illustrious exile, who, confused, agitated, and scarcely able to restrain his tears, bowed to the audience rather awkwardly, as he whispered to M. Lesec: 'So, then, I am still remembered. I thought no one at Brussels cared whether I was dead or alive.'