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All this time I never let my father know about Father L'Homme-Dieu. It would have seemed to him a terrible thing that his son should be friends with a priest of the Roman Church, which he held a thing accursed. I thought it no sin to keep his mind at peace, and clear of this thing, for a cloud was gathering over him, my poor father. I told Abby, however, good Abby Rock; and though it shocked her at first, she was soon convinced that I brought home good instead of harm from my talks with Father L'Homme-Dieu. She it was who begged me not to tell my father, and she knew him better than any one else did, now that my mother Marie was gone. She told me, too, of the danger that hung over my poor father. The dark moods, since my mother's death, came over him more and more often; it seemed, when he was in one of them, that his mind was not itself. He never slighted his work, that was like the breath he drew, but when it was done, he would sit for hours brooding by the fireplace, looking at the little empty chair where my mother used to sit and sing at her sewing. And sitting so and brooding, now and again there would come over him as it were a blindness, and a forgetting of all about him, so that when he came out of it he would cry out, asking where he was, and what had been done to him. He would forget, too, that my mother was gone, and would call her, "Mary! Mary!" so that one's heart ached to hear him; and then Abby or I must make it clear to him again, and see the dumb suffering of him, like a creature that had not the power of speech, and knew nothing but pain and remembrance.
I might have been seventeen or eighteen at this time; I do not recall the precise year. I was doing well with my shoemaking, and when this trouble grew on my poor father I brought my bench into the kitchen, so that I might
have him always in sight. This was well enough for every day, but already I was beginning to be sent for here and there, among the neighbouring villages, to play the fiddle. The people of my father's kind were passing away, those who thought music a device of the devil, and believed that dancing feet were treading the road to hell. He was still a power in our own village; but in the country round about the young folks were learning the use of their feet, and none could hinder them, being the course of nature, since young lambs first skipped in the meadows. It was an old farmer, a good, jolly kind of man, who first gave me the name of "Rosin." He sent for me to play at his barn-raising, and a pretty sight it was; a fine new barn, Melody, all smelling sweet of fresh wood, and hung with lanterns, and a vast quantity of fruits and vegetables and late flowers set all about. Pretty, pretty! I have never seen a prettier barn-raising than that, and I have fiddled at a many since then. Well, this old gentleman calls to me across the floor, "Come here, young Rosin!" I remember his very words. "Come here, young Rosin! I can't get my tongue round your outlandish name, but Rosin'll do well enough for you." Well, it stuck to me, the name did, and I was never sorry, for I did not like to carry my father's name about overmuch, he misliking the dancing as he did. The young folks caught up an old song, and tagged that name on too, and called me Rosin the Bow. So it was first, Melody; but there are two songs, as you know, my dear, to the one tune (or one tune is all I know, and fits both sets of words), and the second song spells the word "Beau," and so some merry girls in a house where I often went to play, they vowed I should be Rosin the Beau. I suppose I may have been rather a good-looking lad, from what they used to say; and to make a long story short, it was by that name that I came to be known through the country, and shall be known till I die. An old beau enough now, my little girl; eighty years old your Rosin will be, if he lives till next September. I took to playing the air whenever I entered a room; it made a little effect, a little stir, I was young and foolish, and it took little to please me in those days. But I have always thought, and think still, that a man, as well as a woman, should make the best of the mortal part of him; and I do not know why we should not be thankful for a well-looking body as for a well-ordered mind. I cannot abide to see a man shamble or slouch, or throw his arms and legs about as if they were timber logs. Many is the time I have said to my scholars, when I was teaching dancing-school, great lumbering fellows, hulking through a quadrille as if they were pacing a raft in log-running, "Don't insult your Creator by making a scarecrow of the body He has seen fit to give you. With reverence, He might have given it to one of better understanding; but since you have it, for piety's sake hold up your head, square your shoulders, and put your feet in the first position!"
But I wander from the thread of my story, as old folks will do. After all, it is only a small story, of a small life; not every man is born to be great, my dear. Yet, while I sat on my shoemaker's bench, stitching away, I thought of greatness, as I suppose most boys do. I thought of a scholar's life, like that of Father L'Homme-Dieu before his sorrow came to him; a life spent in cities, among libraries and learned, brilliant people, men and women. I thought of a musician's life, and dreamed of the concerts and operas that I had never heard. The poet Wordsworth, my dear, has written immortal words about the dreams of a boy, and my dreams were fair enough. It seemed as if all the world outside were clouded in a golden glory, if I may put it so, and as if I had only to run forth and put aside this shining veil, to find myself famous, and happy, and blessed. And when I came down from the clouds, and saw my little black bench, and the tools and scraps of leather, and my poor father sitting brooding over the fire, my heart would sink down within me, and the longing would come strong upon me to throw down hammer and last, and run away, out into that great world that was calling for me. And so the days went by, and the months, and the years.