William Butler Yeats - The Collected Works in Verse and Prose of William Butler Yeats. Volume 4 of 8. The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. The Irish Dramatic Movement

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William Butler Yeats The Collected Works in Verse and Prose of William Butler Yeats, Vol. 4 (of 8) / The Hour-glass. Cathleen ni Houlihan. The Golden Helmet. / The Irish Dramatic Movement

THE HOUR-GLASS: A MORALITY

PERSONS IN THE PLAY

A Fool

Some Pupils

An Angel

The Wise Mans Wife and two Children

THE HOUR-GLASS: A MORALITY

A large room with a door at the back and another at the side, or else a curtained place where persons can enter by parting the curtains. A desk and a chair at one side. An hour-glass on a bracket or stand near the door. A creepy stool near it. Some benches. A WISE MAN sitting at his desk.

WISE MAN
[Turning over the pages of a book.]
The comes in and stands at the door holding out his hat. He has a pair of shears in the other hand.

FOOL

WISE MAN [turns to another page ]

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

wild creatures let me sleep near their nests and their holes. It is lucky even to look at me or to touch me, but it is much more lucky to give me a penny. [Holds out his hand. ] If I wasnt lucky, Id starve.

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL
nods.

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

[He points upward.
WISE MAN

FOOL

WISE MAN

FOOL

WISE MAN

FOOL

[He goes out shaking the bag.
WISE MAN
An , in a dress the colour of embers, and carrying a blossoming apple-bough in her hand and a gilded halo about her head, stands upon the threshold.

where birds sang the hours, and about angels that came and stood upon mens thresholds. But I have locked the visions into heaven and turned the key upon them. Well, I must consider this passage about the two countries. My mother used to say something of the kind. She would say that when our bodies sleep our souls awake, and that whatever withers here ripens yonder, and that harvests are snatched from us that they may feed invisible people. But the meaning of the book may be different, for only fools and women have thoughts like that; their thoughts were never written upon the walls of Babylon. I must ring the bell for my pupils. [He sees the ANGEL.] What are you? Who are you? I think I saw some that were like you in my dreams when I was a child that bright thing, that dress that is the colour of embers! But I have done with dreams, I have done with dreams.

ANGEL

WISE MAN

ANGEL

WISE MAN

ANGEL

[She turns the hour-glass.
WISE MAN

ANGEL

WISE MAN

ANGEL

WISE MAN

ANGEL

WISE MAN [kneels ]

ANGEL

WISE MAN

ANGEL

WISE MAN

ANGEL

WISE MAN

ANGEL
[At the door and pointing at the hour-glass.]
Goes out.

WISE MAN
Pulls the bell. Another pull at the bell.

desk. I will speak quietly, as if nothing had happened.

[He stands at the desk with a fixed look in his eyes. The voices of THE PUPILS are heard singing these words :

I was going the road one day
O the brown and the yellow beer
And I met with a man that was no right man:
O my dear, O my dear!
Enter PUPILS and the FOOL
FOOL

A YOUNG MAN

FOOL

A YOUNG MAN

FOOL

A YOUNG MAN

FOOL [holding out his hat ]

[They throw pennies into his hat. He is standing close to the door, that he may hold out his hat to each newcomer.

A YOUNG MAN

ANOTHER YOUNG MAN

WISE MAN
He has been standing silent, looking away.

[A moments pause. They all stand round in their places. TEIG still stands at the door.

WISE MAN

ALL THE YOUNG MEN

WISE MAN

A YOUNG MAN

WISE MAN

A YOUNG MAN

WISE MAN

A YOUNG MAN [to his Neighbour]

HIS NEIGHBOUR

A YOUNG MAN

WISE MAN
They are all silent.

A YOUNG MAN

truth. You have had your last disputation.

ANOTHER

WISE MAN
[Comes from his desk and stands among them in the middle of the room.]

[TEIG, through all this, is sitting on a stool by the door, reckoning on his fingers what he will buy with his money.

A YOUNG MAN [to Another]
To the

WISE MAN [in a low, solemn voice ]

A YOUNG MAN

WISE MAN

A YOUNG MAN

ANOTHER YOUNG MAN

WISE MAN

[The Young Men laugh.
A YOUNG MAN

WISE MAN

[They begin to hurry out.
A YOUNG MAN
All go out.

WISE MAN
[Alone; he goes to the door at the side.]
He opens the door and calls. comes in wearing her apron, her sleeves turned up from her floury arms.

BRIDGET

WISE MAN

BRIDGET

WISE MAN

BRIDGET [considering ]

WISE MAN
He goes towards the door, but stops with his eyes fixed on the hour-glass.

BRIDGET

WISE MAN

BRIDGET
Looks out.

WISE MAN

BRIDGET
[Wiping her arms in her apron and pulling down her sleeves.]
Goes out and shouts through the kitchen door.

WISE MAN [kneels down ]
Confiteor Deo Omnipotenti beatæ Mariæ. He prays.

[BRIDGET enters, followed by the FOOL, who is holding out his hat to her.

FOOL

BRIDGET
To the

WISE MAN

BRIDGET

WISE MAN
goes through the kitchen door.

BRIDGET [inside ]

[The two CHILDREN come in. They stand together a little way from the threshold of the kitchen door, looking timidly at their father.

WISE MAN

FIRST CHILD

THE OTHER CHILD
They both speak together as if in school.

FIRST CHILD

WISE MAN
The begin to cry and run away. He covers it and brings it to the desk. Sees the , who is sitting by the door playing with some flowers which he has stuck in his hat. He has begun to blow a dandelion-head.

What are you doing?

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