Ballou Maturin Murray - Foot-prints of Travel: or, Journeyings in Many Lands стр 8.

In journeying inland we are struck with many peculiarities showing how entirely opposite to our own methods are many of theirs. At the post-stations the horses are placed and tied in their stalls with their

heads to the passage-way, and their tails where we place their heads. Instead of iron shoes, the Japanese pony is shod with close-braided rice-straw. Carpenters, in using the fore-plane, draw it towards them instead of pushing it from them. It is the same in using a saw, the teeth being set accordingly. So the tailor sews from him, not towards his body, and holds his thread with his toes. The women ride astride, like the Hawaiians.

A trip of fifteen miles from Yokohama will take us to the town of Kamakura, where we find the remarkable idol of Dai-Butsu. This great Buddha image, composed of gold, silver, and copper, forms a bronze figure of nearly sixty feet in height, within which a hundred persons may stand together, the interior being fitted at the base as a small chapel. A vast number of little scraps of paper bearing Japanese characters, flutter from the interior walls of the big idol, fastened there by pious pilgrims, forming petitions to the presiding deity. As we enter, these scraps, agitated by the winds, rustle like an army of white bats. This sacred figure is as remarkable as the Sphinx, which presides so placidly at the feet of the great Pyramids. As a work of art, its only merits consist in the calm dignity of expression and repose upon its colossal features. It is many centuries old, and how such an enormous amount of bronze metal was ever cast, or how set up in such perfect shape when finished, no one can say. It must have been completed in sections and put together in the place where it stands, the joints being so perfectly welded as not to be obvious. It was formerly covered by a temple which has long since mouldered to dust, but it is certainly none the less effective and impressive, as it now sits surrounded by the natural scenery and the thick woods.

Japanese art, of which we have all seen such laughable specimens, is not without some claims to excellence; otherwise we should not have the myriads of beautifully ornamented articles which are produced by them, exhibiting exquisite finish and perfection of detail. Of perspective they have no idea whatever; the play of light and shade they do not understand; there is no distinction of distances in their pictures. Their figures are good, being also delicately executed, and their choice of colors is admirable. Thus in profile work they get on very well, but in grouping, they pile houses on the sea, and mountains on the houses. In caricature they greatly excel, and, indeed, they scarcely attempt to represent the human face and figure in any other light.

Tokio is the political capital of Japan, and is situated about twenty miles from Yokohama, containing over half a million of people. It has broad streets and good roadways, having adopted many American ideas of city customs and government. The Bridge of Japan is situated in this city, crossing the river which intersects the capital, and is here what the golden milestone was in the Forum at Rome all distances in the Empire are measured from it. There are many elaborate temples within the city, containing rare bronzes of great value. Priests are constantly seen writing upon slips of paper, inside of the temples, at the request of devotees, which the suppliants pin upon the walls of the temple as a form of prayer. The renowned temple of Shiba is one of the greatest attractions to strangers in Tokio. Here lie buried most of the bygone Tycoons (sovereigns of Japan). The grounds are divided into many departments, tombs, shrines, and small temples. In the main temple there is an amount of gold, silver, and bronze ornaments of fabulous value, leading us to wonder where the raw material could have come from. History knows nothing of the importation of the precious metals, but it is true that they are found in more or less abundance all over the country. Copper of the purest quality is a native product, the exportation of which is prohibited, and mining for the precious metals is carried on to but a very limited extent. The temple of Shiba is situated near the centre of the population, occupying many acres of ground, walled in, and shaded by a thick grove of trees, whose branches are black with thousands of undisturbed rooks and pigeons which are considered sacred. The principal characteristic of the architecture is its boldness of relief, overhanging roofs, heavy brackets, and elaborate carvings. The doors are of solid bronze in bas-relief.

In the suburbs is a hill known as Atago-Yama, from whence there is a grand, comprehensive view of the capital. A couple of miles to the southeast lies the broad, glistening Bay of Tokio, and round the other points of the compass the imperial city itself covers a plain of some eight miles square, divided by water-ways, bridges, and clumps of graceful trees looming conspicuously