For each man boldly gambling, there were three who timidly watched. A carnival attraction, it seemed, a stinking and criminal carnival, but a London lark nonetheless. There were no police in sight, no authority, no decency. Mallory edged warily through the thin, excited crowd, a cautious hand on the butt of the sailor's pistol. In an alley, two masked men booted a third, then relieved him of his watch and wallet. A crowd of at least a dozen watched the sight with only mild interest.
These Londoners were like a gas, thought Mallory, like a cloud of minute atomies. The bonds of society broken, they had simply flown apart, like the perfectly elastic gassy spheres in Boyle's Laws of Physics. Most of them looked respectable enough by their dress; they were merely reckless now, stripped by Chaos to a moral vacuity. Most of them, Mallory thought, had never seen any event remotely like this one. They had no proper standards left for judgment or comparison. They had become puppets of base impulse.
Like the Cheyenne tribesmen of Wyoming, dancing in the devil's grip of drink, the goodmen of civilized London had surrendered themselves to primitive madness. And by the patent look of surprised bliss on their shining faces, Mallory perceived that they enjoyed it. They enjoyed it very greatly indeed. It was exaltation to them, a wicked freedom more perfect and desirable than any they had ever known.
Along the edge of the crowd a line of gaudy handbills had been newly slapped-up across a formerly sacrosanct brick wall of Paternoster Row. They were adverts of the cheapest and most ubiquitous kind, the sort that pursued the eye all over London: PROFESSOR RENBOURNE'S MAGNETIC HEADACHE PILLS, BEARDSLEY'S SHREDDED CODFISH, MCKESSON & ROBBINS' TARTARLITHINE, ARNICA TOOTH SOAP And some theatrical prints: MADAME SCAPIGLIONI at the Saville House in Leicester Square, a VAUXHALL PANMELODIUM SYMPHONY Events, Mallory thought, that would surely never come off, and indeed the sheets had been posted with a careless haste that had badly wrinkled the paper. Fresh glue dripped from beneath the bills in rivulets of white ooze, a sight that perturbed Mallory in a way he could not define.
But slapped amid these mundane bills, as if it belonged there by right, was a great three-sheet broadside, a thing the size of a horse-blanket. Engine-printed, rumpled in the hasty plastering. Indeed, its very ink seemed still damp.
A mad thing.
Mallory stopped dead before it, stricken by its crude bizarrity. It had been done in three colorsscarlet, black, and an ugly greyish-pink that seemed a muddle of the two.
A scarlet blindfolded womana Goddess of Justice?in a blurry scarlet
toga brandished a scarlet sword labeled LUDD over the pinkish-grey heads of two very crudely rendered figures, a man and a woman depicted in bustsa king and queen? Lord and Lady Byron perhaps? The scarlet goddess trampled the midsection of a large two-headed snake, or scaly dragon, its writhing body labeled MERIT-LORDSHIP. Behind the scarlet woman, the skyline of London was vigorously aflame in scarlet tongues of fire, while the sky all about the various demented figures was full of stylized scrolls of thick black cloud. Three men, clergymen or savants apparently, dangled from a gallows in the upper-right-hand corner, and in the upper-left a confused mass of ill-formed gesticulating figures waved flags and Jacobin pikes, advancing toward some unknown goal under the bearded star of a comet.
And this was not the half of it. Mallory rubbed at his aching eyes. The vast rectangular sheet seethed with smaller images like a billiard-table littered with random pool-balls. Here a dwarfish wind-god blew out a cloud labeled PESTILENCE. There a cannon-shell, or bomb, exploded in stylized spiky fragments, small black misshapen imps being flung aside by the blast. A coffin heaped with flowers held a noose atop it. A nude woman crouched at the feet of a monster, a well-dressed man with the head of a reptile. A tiny praying man in epaulets stood on a gallows, while the hangman, a little fellow with a hood and his sleeves rolled up, gestured brusquely at the noose More of the smudgy smoke-clouds, flung onto the image like mud, connected the whole business like the dough of a fruit-cake. And there was text, too, near the bottom. A title, in large smudgy Engine-type: "THE SEVEN CURSES OF THE WHORE OF BABYLONDON"!"
Babylondon. Baby what? What "curses," and why "seven"? The sheet seemed flung together out of random chunks of Engine-imagery. Mallory knew that modern printers had special printers' punch-cards, clacked-up to print specific blocky pictures, much like the cheap woodcut-blocks on old murder-ballads. In the Engine-work of the catchpenny prints you might see the same hackneyed picture a hundred times. But here the colors were hideous, the images jammed hither and thither in apparent madness, and worst of all the broadsheet seemed to be attempting to express something, in however halting and convulsive a way, that was simply and truly unspeakable.