But he mustn't have felt like doing it again, not then, because she was soon asleep and dreaming, dreaming of Texas, a Texas of rolling downs, contented sheep, the windows of gray manors glinting in late-afternoon sunlight.
Sybil sat in an aisle seat, third row back in the Garrick, thinking unhappily that General Sam Houston, late of Texas, was not drawing much of a crowd. People were filtering in as the five-man orchestra squeaked and sawed and honked. A family party was settling in the row before her, two boys, in bluejackets and trousers, with laid-down shirt-collars, a little girl in a shawl and a braided frock, then two more little girls, ushered in by their governess, a thin-looking sort with a hooked nose and watery eyes, sniffling into her handkerchief. Then the oldest boy, sauntering in, a sneer on his face. Then papa with dress-coat and cane and whiskers, and fat mama with long ringlets and a big nasty hat and three gold rings on her plump soft fingers. Finally all were seated, amid a shuffling of coats and shawls and a munching of candied orange-peel, quite patently well-behaved and expecting improvement. Clean and soaped and prosperous, in their snug machine-made clothes.
A clerky fellow with spectacles took the next seat to Sybil's, an inch-wide blue strip showing at his hairline, where he'd shaved his forehead to suggest intellect. He was reading Mick's program and sucking an acidulated lemon-drop. And past him a trio of officers, on furlough from the Crimea, looking very pleased with themselves, come to hear about an old-fashioned war in Texas, fought the old-fashioned way. There were other soldiers speckled through the crowd, bright in their red coats, the respectable sort, who didn't go for drabs and gin, but would take the Queen's pay, and learn gunnery arithmetic, and come back to work in the railroads and shipyards, and better themselves.
The place was full of bettering-blokes, really: shopkeepers and store-clerks and druggists, with their tidy wives and broods. In her father's day, such people, Whitechapel people, had been angry and lean and shabby, with sticks in their hands, and dirks in their belts. But times had changed under the Rads, and now even Whitechapel had its tight-laced scrubfaced women and its cakey clock-watching men, who read the 'Dictionary of Useful Knowledge' and the 'Journal of Moral Improvement', and looked to get ahead.
Then the gas-lights guttered in their copper rings, and the orchestra swung into a flat rendition of "Come to the Bower." With a huff, the limelight flared, the curtain drew back before the kinotrope screen, the music covering the clicking of kino-bits spinning themselves into place. Broken frills and furbelows grew like black frost on the edges of the screen. They framed tall letters, in a fancy alphabet of sharp-edged Engine-Gothic, black against white:
EditionsPanoptique
Presents
And below the kinotrope, Houston entered stage-left, a bulky, shabby figure, limping toward the podium at the center of the stage. He was drowned in dimness for the moment, below the raw and focused glare of Mick's limelight.
Sybil watched him closely, curious about him, waryher first glimpse of Mick's employer. She'd seen enough American refugees in London to have ideas about them. The Unionists dressed much like normal Britons, if they had the money for it, while Confederates tended to dress rather gaudy and flash, but peculiar, not quite proper; to judge by Houston, the Texians were an even queerer and madder lot. He was a big man, red-faced and beefy, over six feet tall in his heavy boots, his broad shoulders draped in a long coarse-woven blanket rather like a mantelet, but barbarically striped. Red and black and umber, it swept the Garrick's stage like a tragedian's toga. He had a thick mahogany cane in his right hand, and he swung it lightly now, as if he didn't need it, but his legs shook, Sybil saw, and the gold fringe trembled on the fancy seams of his trousers.
Now he mounted to the darkened podium, wiped his nose, sipped at a glass of something that plainly wasn't water. Above his head the kinotrope shuffled into a colored image, the lion of Great Britain and a sort of long-horned bull. The animals fraternized beneath small crossed banners, the Union Jack and the single-starred flag of Texas, both bright in red and white and blue. Houston was adjusting something behind his podium; a small stage-mirror, Sybil guessed, so he could check the kinotrope behind him as he spoke, and not lose his place.
The kinotrope went to black and white again, the screen's bits flickering, row by row, like falling dominoes. A portrait-bust appeared in shaded jagged lines: high balding forehead, heavy brows, thick nose bracketed by bristling cheek-whiskers that hid the ears. The thin mouth was set firmly, the cleft chin upraised. Then, below the bust, the words GENERAL SAM HOUSTON.
A second limelight flared, catching Houston at the podium, flinging him into sudden bright relief before the audience. Sybil clapped hard. She was the last to finish.