I cannot conscientiously affirm that I was sorry to leave Cape Town, and the wines that the Dutch settlers made, and the amazing Hottentots, and the other marvels of that my first experience of strange distant countries. We were all the better for our rest, Marjorie and Captain Amber, Lancelot, the colonists, the crew, and, in a word, all our fellowship. But we were all eager to be on the way again, for very different reasons. Captain Amber, because he was keen to place his foot upon his Land of Promise; Lancelot, because he wished what his uncle wished; Marjorie, because she wished to be with Lancelot; I myself, much out of eager, restless curiosity for new places and new adventures. For I was so simple in those days that the mere crossing of the seas seemed to me to be an adventure, a thing that I came later to regard as no more adventurous than the hiring of a hackney-coach. But in my heart I knew that the main reason for my bliss in boarding the Royal Christopher lay in the closer intimacy it gave me with maid Marjorie. In the little kingdom of the ship, where all in a sense were friends and adventurers together, there was less than on land to remind me that for me to dream myself her lover went far to prove me lunatic. So I was blithe to be afloat again. As for Cornelys Jensen, we were to learn soon enough in what direction lay his pleasure to be ploughing the high seas again.
CHAPTER XVI I MAKE A DISCOVERY
lifting my finger to knock. As I did so I noticed that the door was not fastened. Whoever had drawn it to had not latched it, and it lay open just a chink, through which a line of light showed from within. Thinking that if I peeped through this chink I might learn if Jensen were astir or no, I put my eye to it and saw what I saw.
The cabin was not a very large one, and though the lamp that swung from the ceiling gave forth but a dim light, yet it was enough to enable me to see very clearly all that there was to see. At the first blush, indeed, there seemed to be nothing out of the way to witness. At the further end of the cabin two men were sitting at a table together, with a chart before them. Nearer to me, and in front of the men, a woman stood, and held up for their inspection a piece of needlework. The two men were Cornelys Jensen and William Hatchett; the woman was Barbara Hatchett. It might have made a very pleasing example of domestic peace but for one queer fact, which notably altered its character.
The needlework at which women are wont to labour is nine times out of ten white work or brightly-coloured work. Women are like the best kind of birds, and love snowy plumage or feathers that are bravely tinted. But the work with which Barbara Hatchett was occupied was neither white nor coloured, but black the deepest, darkest black. Now there was no cause as yet, thank Heaven! for man or woman to mourn on board of the Royal Christopher, and there was no need for Mistress Barbara to deal with mourning. So I marvelled, but even as I marvelled I noted, as she shifted her position slightly and shook out the black stuff over her knees, that it was not all and only black. There was white work in it too, a kind of patch or pattern of white work in the midst which I could not make out, for the stuff was still bunched up in the womans hands. But now, as I watched, I saw her shake it out over her knees for the others to view, and I saw that the thing she displayed was a large square of black worsted, and that in the centre were sewn some pieces of white material into a very curious semblance. For that semblance was none other than the likeness of a grinning human skull, with two cross-bones beneath it just such an effigy as I had seen many times on the tombstones in the churchyard at Sendennis.
It was not, however, of the tombstones at Sendennis that I thought just then. No; that ugly image in the girls fingers carried my fancy back to the place where I had first seen her to the hostelry of the Skull and Spectacles and I fancied somehow, I scarce knew why, that the work of Barbaras fingers had some connection with her fathers inn. Only for a second or so did I think this, but in honest truth that was my first, my immediate belief, and it brought me no thought of fear, no thought of danger with it. I was only conscious of wondering vaguely to what service this sad piece of handicraft could be put, when suddenly, in a flash, my intelligence took fire, and I knew what was intended; and I felt my knees give way and my heart stand still with horror.
The thing I was looking at, the ill-favoured thing that was hanging from my old loves hand, was none other than a flag of evil omen a pirates flag, the barbarous piece of bunting that they call the Jolly Roger. There could be no doubt of that no doubt whatever. I had heard of that flag and read of it, and now I was looking at it with my own eyes; and a light seemed to be let in upon my mind, and I trembled at the terror it brought with it. That piece of handicraft meant murder; meant outrage; meant violence of all kinds to those that were so dear to me to those who were all unconscious of their imminent doom. For I was as sure now as if those three had told it to me with their own lips that I had come upon a conspiracy.