"How do you know?"
Instead of answering, she said, "Someone made an anonymous call that you were at the Richardson place yesterday. If they told you that the woman had your name in her Day-Timer, they lied. She'd scribbled something about meeting a Mr. Quotes."
"The lady was never very good with names," said Kurtz.
Sophia led the way out into the cold but brilliantly lighted parking lot and beeped a black Porsche Boxster open. "Want a ride?" she said.
"I'll walk," said Kurtz.
"Not wise," said the woman. "You know why someone went to all this work to get you to County?"
Kurtz did, of course. At least now he did. A yard hit. A shank job. He was lucky that it hadn't happened in interrogation or the holding pen. Hathaway almost certainly had been part of the setup. What had kept the homicide cop from going ahead with it, using the throwdown and the Glock, and collecting the ten grand? His young partner? Kurtz would probably never know. But he was sure that someone else would have been waiting downstream and that Hathaway would still have gotten his cut.
"You'd better ride with me," said Sophia.
"How do I know you're not the one?" said Kurtz.
Don Farino's daughter laughed. It was a rich, unselfconscious laugh, her head thrown back, a totally sincere laugh from a grown-up woman. "You flatter me," she said. "I have something to talk to you about, Kurtz, and this would be a good time. I think I can help you figure out who's setting you up for this hit and why. Last offer. Want a ride?"
Kurtz went around and got in the passenger side of the low, muscular Boxster.
CHAPTER 15
He knew that she'd had to pass through a metal detector even to get into the waiting area of the city jail, so there was no weapon in the purse she tossed on the floor of the Boxster's passenger side. That meant the center console. If the woman had unclicked that console during the short drive, it would have been an interesting few seconds of activity for Kurtz, but she went nowhere near it.
Her loft was in an old warehouse that had been gentrified, given huge windows and metal terraces that looked out toward the downtown or the harbor, had a secure parking lot dug out under the building, and sported security guards in the lobby and basement entrance. Sort of like my current place , thought Kurtz with a hint of irony.
Sophia used a security card to get into the parking basement, exchanged pleasantries with the uniformed guard at the door to the elevators, and took Kurtz up to the sixthand topfloor.
"I'll get us drinks," she said after entering the loft, locking the door behind her, and tossing her keys into an enameled vase on a red-lacquer side table. "Scotch do?"
"Sure," said Kurtz. He had not eaten since a slice of toast that morningyesterday morning nowabout twenty hours earlier.
The don's daughter had a nice place: exposed brick, modern furniture that still looked comfortable, a wide-screen HDTV in one corner with the usual gaggle of stereo equipmentDVD players, VCR, surround-sound receivers, pre-amps. There were tall, framed French minimalist posters that looked originaland which were probably as expensive as hella mezzanine under skylights with hundreds of books set in black lacquer shelves, and a huge, semicircular window dominating the west wall with a view of the river, the harbor, and the bridge lights.
She handed him the Scotch. He sipped some. Chivas.
"Aren't you going to compliment me on my place?" she said.
Kurtz shrugged. It would be a great place to hit if he were into robbery, but he doubted if she would take that as a compliment. "You were going to tell me your theories," he said.
Sophia sipped her Scotch and sighed. "Come here, Kurtz," she said, not actually touching him on the arm, but leading him over to a full-length mirror near the door. "What do you see?" she asked after she stepped back.
"Me," said Kurtz. In truth, he saw a hollow-eyed man with matted hair, a torn, bloodied shirt, a fresh scratch along one cheek, and rivulets of dried blood on his face and neck.
"You stink, Kurtz."
He nodded, taking the comment in the spirit it was meanta statement of fact.
"You
need to take a shower," she said. "Get into some clean clothes."
"Later," he said. There was no warm water and no clean clothes at his warehouse flop.
"Now," said Sophia and took his Scotch glass and set it on the counter. She went into a bathroom in the short hall between the living room and what looked like a bedroom. Kurtz heard water running. She poked her head out into the hall. "Coming?"
"No," said Kurtz.
"Jesus, you're paranoid."
Yeah , thought Kurtz, but am I paranoid enough ?
Sophia had kicked off her shoes and now was pulling off her blouse and skirt. She wore only white underpants and a white bra. With a motion that Kurtz had not seen in person in more than eleven years, she unhooked the bra and tossed it out of sight. She stood there in her white, lacy but not trampy underpants, cut high on the sides. "Well?" she said.
Kurtz checked the door. Bolted and police locked. He checked the small kitchen. Another door, bolted and chained. He slid open the door to the terrace and walked out onto the metal structure. It was cold and beginning to rain. There was no way to gain access to the terrace short of rappelling from the rooftop. He went back in, walked past Sophiawho had her arms crossed in front of her full breasts but who was still goose-bumpy from the sudden blast of cold airand checked the bedroom, looking into the closets and under the bed.