This trip was so rough that the passengers divided early into those who turned in right away and those who didnt want to turn in at all. There were two of these latter right across from me, and I was pretty sure from their fragmentary conversation that they were from Hollywood one of them because he looked like it: a middle-aged Jew, who alternately talked with nervous excitement or else crouched as if ready to spring, in a harrowing silence; the other a pale, plain, stocky man of thirty, whom I was sure I had seen before. He had been to the house or something. But it might have been when I was a little girl, and so I wasnt offended that he didnt recognize me.
The stewardess she was tall, handsome and flashing dark, a type that they seemed to run to asked me if she could make up my berth.
and, dear, do you want an aspirin? She perched on the side of the seat and rocked precariously to and fro with the June hurricane, or nembutal?
No.
Ive been so busy with everyone else that Ive had no time to ask you. She sat down beside me and buckled us both in. Do you want some gum?
This reminded me to get rid of the piece that had been boring me for hours. I wrapped it in a piece of magazine and put it into the automatic ash-holder.
I can always tell people are nice, the stewardess said approvingly, if they wrap their gum in paper before they put it in there.
We sat for awhile in the half-light of the swaying car. It was vaguely like a swanky restaurant at that twilight time between meals. We were all lingering and not quite on purpose. Even the stewardess, I think, had to keep reminding herself why she was there.
She and I talked about a young actress I knew, whom she had flown West with two years before. It was in the very lowest time of the Depression, and the young actress kept staring out the window in such an intent way that the stewardess was afraid she was contemplating a leap. It appeared though that she was not afraid of poverty, but only of revolution.
I know what mother and I are going to do, she confided to the stewardess. Were coming out to the Yellowstone and were just going to live simply till it all blows over. Then well come back. They dont kill artists you know?
The proposition pleased me. It conjured up a pretty picture of the actress and her mother being fed by kind Tory bears who brought them honey, and by gentle fawns who fetched extra milk from the does and then lingered near
to make pillows for their heads at night. In turn I told the stewardess about the lawyer and the director who told their plans to Father one night in those brave days. If the bonus army conquered Washington, the lawyer had a boat hidden in the Sacramento River, and he was going to row up stream for a few months and then come back because they always needed lawyers after a revolution to straighten out the legal side.
The director had tended more toward defeatism. He had an old suit, shirt and shoes in waiting he never did say whether they were his own or whether he got them from the prop department and he was going to Disappear into the Crowd. I remember Father saying: But theyll look at your hands! Theyll know you havent done manual work for years. And theyll ask for your union card. And I remember how the directors face fell, and how gloomy he was while he ate his dessert, and how funny and puny they sounded to me.
Is your father an actor, Miss Brady? asked the stewardess. Ive certainly heard the name.
At the name Brady, both the men across the aisle looked up. Sidewise that Hollywood look, that always seems thrown over one shoulder. Then the young, pale, stocky man unbuttoned his safety strap and stood in the aisle beside us.
Are you Cecilia Brady? he demanded accusingly, as if Id been holding out on him. I thought I recognized you. Im Wylie White.
He could have omitted this for at the same moment a new voice said, Watch your step , Wylie!, and another man brushed by him in the aisle and went forward in the direction of the cockpit. Wylie White started, and a little too late called after him defiantly:
I only take orders from the pilot.
I recognized the kind of pleasantry that goes on between the powers in Hollywood and their satellites.
The stewardess reproved him:
Not so loud, please some of the passengers are asleep.
I saw now that the other man across the aisle, the middle-aged Jew, was on his feet also, staring, with shameless economic lechery, after the man who had just gone by. Or rather at the back of the man, who gestured sideways with his hand in a sort of farewell, as he went out of my sight.
I asked the stewardess: Is he the assistant pilot?
She was unbuckling our belt, about to abandon me to Wylie White.
No. Thats Mr. Smith. He has the private compartment, the bridal suite only he has it alone. The assistant pilot is always in uniform. She stood up:
I want to find out if were going to be grounded in Nashville.
Wylie White was aghast.
Why?
Its a storm coming up the Mississippi Valley.
Does that mean well have to stay here all night?