And though I didn't want to think on it, that barnyard smell took me back a few years, back to the baddest old winter we'd ever seen, the winter I came to believe in signs and omens. The winter I turned fifteen.
Third day after it snowed and things had gotten real icy, I was out cutting firewood from the woodlot and I found a madman in a ditch.
I'd already chopped down a tree and was trimming the limbs off of it, waiting for Papa, who was coming across the way with a crosscut so we could saw it up into firewood sizes. While I was trimming, I heard a voice.
"Got a message. Get out of this ditch, I got a message."
Clutching the axe tight, I went over and looked in the ditch, and there was a man lying there. His face was as blue as Mama's eyes, and Papa says they're so blue the sky looks white beside them, even on its best day. His long, oily hair had stuck to the ground and frozen there so that the clumped strands looked like snakes or fat worms trying to find holes to crawl into. There were icicles hanging off his eyelids and he was barefoot.
I screamed for Papa. He tossed down the saw and came running fast as he could on that ice. We got down in the ditch, hauled the fella up, pulling out some of his frozen hair in the doing. He was wearing a baggy old pair of faded black suit pants with the rear busted out, and his butt was hanging free and drawerless. It was darker than his face, looked a bit like a split, overripe watermelon gone dark in the sun. His feet and hands were somewhere between the blue of his face and the blue-black of his butt. The shirt he had on was three sizes too big, and when Papa and I had him standing,
the wind came a-whistling along and flapped the fella s shirt around him till he looked like a scarecrow we were trying to poke in the ground.
We got him up to the house, and stretched him out on the kitchen table. He looked like he'd had it. He didn't move an inch. Just laid there, eyes closed, breathing slow.
Then, all of a sudden, his eyes snapped open and he shot out a bony hand and grabbed Papa by the coat collar. He pulled himself to a sitting position until his face was even with Papa's and said, "I got a message from the Lord. You are doomed, brother, doomed to the wind, cause it's gonna blow you away." Then he closed his eyes, laid back down and let go of Papa's shirt.
"Easy," Papa said. But about that time the fella gave a shake, like he was having a rigor, then he went still as a turnip. Papa felt for a pulse and put his ear to the scarecrows chest, looking for a heartbeat. From the expression on Papa's face, I could tell he hadn't found any.
"He's dead, Papa?"
"Couldn't get no deader, son," Papa said, lifting his head from the man's chest.
Mama, who'd been standing off to the side watching, came over. "You know him, Harold?" she asked.
"Think this is Hazel Onin's son," Papa said.
"The crazy boy?" she said.
"I just seen him once, but I think it's him. They had him on a leash out in the yard one summer, had this colored fella leading him around, and the boy was running on all fours, howling and trying to lift his leg to pee on things. His pants was all wet."
"How pitiful," Mama said.
I knew of Hazel Onin's boy, but if he had a name I'd never heard it. He'd always been crazy, but not so crazy at first they couldn't let him run free. He was just considered mighty peculiar. When he was eighteen he got religion worse than smallpox and took to preaching.
Right after he turned twenty, he tried to rape a little high yeller gal he was teaching some Bible verses to, and that's when the Onins throwed him in that attic room, locked and barred the windows. If he'd been out of that room since that time, I'd never heard of it, other than what Papa had said about the leash and wetting himself and all.
I'm ashamed of it now, but when I was twelve or thirteen, me and some other boys used to have to walk by there on our way to and from school, and the madman would holler out from his barred windows at us, "Repent, cause you all gonna have a bad fall," then he'd go to singing some old gospel songs and it gave me the jitters cause there was an echo up there in that attic, and it made it seem that there was someone else singing along with him. Someone with a voice as deep and trembly as Old Man Death might have.
Freddy Clarence used to pull down his pants, bend over, and show his naked butt to the madman's window, and we'd follow his lead his lead on account of not wanting to be called a chicken. Then we'd all take off out of there running, hooping and hollering, pulling our pants and suspenders up as we ran.
But we'd quit going by there a long time back, as had almost everyone else in town. They moved Main Street when the railroad came through on the other side, and from then on the town built up over there. They even tore down and rebuilt the schoolhouse on that side, and there wasn't no need for us to come that way no more. We could cut shorter by going another way. And after that, I mostly forgot about the madman prophet.