Legrasse was deeply impressed. He inquired about the historic affiliations of the cult. Castro, apparently, told the truth when he said that it was wholly secret. The authorities at Tulane University said nothing about either cult or image. So the detective came to the highest authorities in the country now and met only with the Greenland tale of Professor Webb.
The great interest aroused at the meeting by Legrasses tale. It echoed in the correspondence of those who attended; although was not mentioned in the formal publications of the society. Caution is the first care of scientists who often face charlatanry and imposture. Legrasse lent the image to Professor Webb. When Professor died, it was returned to him. I saw it not long ago. It is truly a terrible thing, and very similar to the dream-sculpture of young Wilcox.
It is no surprise that my uncle was excited by the tale of the sculptor. The fact that sensitive young man saw in his dreams these figure and hieroglyphics was very interesting. Professor Angell started an investigation immediately. Privately I suspected young Wilcox of a trickery. He could invent a series of dreams to heighten and continue the mystery. My rationalism made me think this way. So, after thoroughly studying the manuscript again and correlating the theosophical and anthropological notes with the cult narrative of Legrasse, I made a trip to Providence. I wanted to see the sculptor and accuse him of deceiving a learned and aged man.
Wilcox still lived alone in the Fleur-de-Lys Building in Thomas Street, a hideous Victorian imitation of seventeenth century Breton Architecture[50]. I found him at work in his rooms. I understood at once that his genius was indeed profound and authentic. I believe, one day he will be well-known as one of the great decadents. He has crystallized in clay and one day will repeat in marble nightmares and phantasies. Like those which Arthur Machen[51] evokes in prose, and Clark Ashton Smith[52] makes visible in verse and in painting.
He was dark and frail, a little bit unkempt. He asked me about my business without rising. When I told him who I was, he displayed some interest. My uncle excited his curiosity because he was studying his strange dreams, yet never explained the reason for the study. In a short time I became convinced of his absolute sincerity. He spoke of the dreams honestly. They influenced his art profoundly. He showed me a morbid statue whose contours almost shook me. He hasnt seen the original of this thing except in his own dream bas-relief. The outlines formed themselves insensibly under his hands. It was, no doubt, the giant shape that he saw in delirium. But he really knew nothing of the hidden cult.
He talked of his dreams in a strangely poetic fashion. It made me imagine the damp Cyclopean city of slimy green stone whose geometry, he said, was all wrong. He heard with frightened expectancy the ceaseless, half-mental calling from underground: Cthulhu fhtagn, Cthulhu fhtagn.
These words formed part of that dread ritual which told of dead Cthulhus dream-vigil in his stone vault at Rlyeh[53]. I felt deeply touched despite my rational beliefs. Wilcox, I was sure, heard of the cult in some casual way. He soon forgot it amidst the mass of his equally weird reading and imagining. Later it found subconscious expression in dreams, in the bas-relief, and in the terrible statue. The young man was slightly affected and slightly ill-mannered. I never liked that type, but I admitted both his genius and his honesty. I wished him all the success his talent promises when I left.
The matter of the cult still fascinated me. Sometimes I dreamed of earning fame from serious researches into its origins. I visited New Orleans, talked with Legrasse and other people of that old-time party. I saw the frightful image, and even questioned some mongrel prisoners. Old Castro, unfortunately, was dead. What I now heard was really no more than a detailed confirmation of what my uncle wrote before. It excited me once again. I felt sure that I touched a very real, very secret, and very ancient religion. Its discovery will make me a famous scholar. My attitude was absolutly materialistic (I wish it still were) and I discounted the coincidence between Willcox dreams and the cuttings collected by my grand-uncle.
One thing I began to suspect, and which I now fear I know, is that my uncles death was not natural. He fell on a narrow hill street. This street was swarming with foreign mongels. He fell after a careless push from a Negro sailor. I did not forget the mixed blood and marine background of the cult-members in Louisiana. I wont be surprised to learn of poisoned needles and other ruthless secret methods. Legrasse and his men, it is true, are still alive; but in Norway a certain seaman who saw some strange things is dead. Maybe the deeper inquiries of my uncle came to sinister ears? I think Professor Angell died because he knew too much. Or because there was a chance for him to learn too much as well. And at the moment I knew much, too
III. The Madness from the Sea
I almost ceased my inquiries into what Professor Angell called the Cthulhu Cult, and was visiting a learned friend in Paterson, New Jersey. He was the curator of a local museum and a famous mineralogist. One day I was examining the stones in a rear room of the museum. My eye noticed an odd picture in one of the old papers spread beneath the stones. It was the Australian journal, the Sydney Bulletin[54], for April 18, 1925. There was a picture of a hideous stone image almost identical with that which Legrasse found in the swamp.
I read the article in detail. What I read was very important for my investigation. So I carefully tore it out. It read as follows:
MYSTERY DERELICT FOUND AT SEA
Vigilant Arrives With Helpless Armed New Zealand Yacht in Tow [55].
One Survivor and Dead Man Found Aboard. Tale of Desperate Battle and Deaths at Sea. Rescued Seaman Refuses Particulars of Strange Experience. Odd Idol Found in His Possession. Inquiry to Follow[56].
The Morrison Co.s freighter Vigilant[57], bound from Valparaiso, arrived this morning at its wharf in Darling Harbour. It had in tow the battled and disabled but heavily armed steam yacht Alert of Dunedin, N.Z., which was sighted April 12th in S. Latitude 34°21, W. Longitude 152°17, with one living and one dead man aboard.
The Vigilant left Valparaiso March 25th. On April 2nd, exceptionally heavy storms and monster waves drove the ship considerably south of its course. On April 12th the derelict was sighted. One survivor in a half-delirious condition and one man who was evidently dead for more than a week were found. The living man was holding a horrible stone idol of unknown origin, about foot in height. The authorities at Sydney University, the Royal Society, and the Museum in College Street were unable to say anything about its origin. The survivor says he found it in the cabin of the yacht, in a small carved shrine.
This man told an exceedingly strange story of piracy and slaughter. He is Gustaf Johansen, a Norwegian. He is from the two-masted schooner Emma of Auckland, which sailed for Callao February 20th with a complement of eleven men. He says, the great storm of March 1st threw the Emma widely south of her course by. On March 22nd, in S. Latitude 49°51 W. Longitude 128°34, the ship encountered the Alert. It was manned by a queer and evil-looking crew of Kanakas and half-castes[58]. They ordered to turn back, Capt. Collins refused. The strange crew began to fire savagely and without warning. The schooner began to sink from shots beneath the water-line, but the Emmas men managed to heave alongside their enemy and board it. They killed them all.